• Daisy fields, 2011 - Vezur
  • Reclining Semi-Nude with Red Hat, 1910
  • The Green Dancer, 1880
  • Stork, 2011 - Vezur
  • The End of Summer, 2011 -  Vezur
  • Ligo Evening, 2011 - Vezur
  • Poppy field, 2011 - Vezur
  • Winter, 2011 - Vezur
  • Tree of Life, 1909
  • Boreas , 1903
  • Passion for Dance, 2011 - Vezur
  • Riga in Blue, 2011 - Vezur
  • Nabis Landscape, 1890
  • Recumbent Nude, 1917
  • Seacoast at Engure, 2011 - Vezur
  • Blue Dancers, 1899
  • Flowers in a Vase, 1866
  • A Friend in Need, 1903
  • Orange Trees, 1878
  • Two Little Girls On The Beach, 1895
  • Agony, 1912
  • The Vines, 1902
  • Portrait of a European Lady in Japanese Costume
  • Pugacheva Taxi, 2011 - Vezur
  • The Fog Warning, 1885
  • Flying people, 2011 - Vezur
  • Spanish Dancer, 1882
  • Negress, 1869
  • Flower Clouds, 1903
  • Four Bathers, 1905
  • Chimney Sweeper, 2011 - Vezur
  • Mother And Child Aka Madonna, 1908
  • Poppies, 1886
  • Study of a Figure Outdoors (Facing Right), 1886
  • Cagnes Landscape
  • Four Trees, 1917
  • Blue cow, 2011 - Vezur
  • Music-I, 1895
  • Portrait of Ida Rubenstein, 1910
  • The Hope II, 1908
  • Woman with Black Hat, 1909
  • Dancers in Riga Heart, 2011 - Vezur
  • The Kiss, 1908
  • Seacoast at Kurzeme, 2011 - Vezur
  • The Boat, 2011 - Vezur
  • Lovers: Man and Woman I, 1914
  • Fields of Gold, 2011 - Vezur
  • View Of Venice Fog, 1881
  • The Last Supper, 1498
  • Adele Bloch Bauer I, 1907

Wanderer above the Sea of Fog, 1818

Wanderer above the Sea of Fog, 1818

Caspar David Friedrich

Friedrich's greatest accomplishment was his ability to turn landscapes into a medium of physiological and spiritual biography. Here, he includes his own portrait within his landscape as a lay figure seen from behind, a device intended to invite the viewer to look at the world through the lens of the artist's own personal perception. Friedrich was captivated by the idea of encountering nature in solitude in deepest revines, as here on the pinncacle of a mountain, which was about as far away from urban civilization as a European man could get. In his later paintings, Friedrich will continue to stress that the very idea of "self-expression" had to be associated with physical and spiritual isolation. The Romantics believed that any artist who wanted to explore his own emotions, had necessarily to stand outside of the throng of money-making, political gimmickry, and urban noise in order to assert and maintain their positions.

The painting will be delivered unstreched, rolled in protective & presentable case.