• Gloomy Situation, 1933
  • Adam and Eve, 1526
  • Chimney Sweeper, 2011 - Vezur
  • Columbus Avenue, Rainy Day, 1885
  • Dancers, 2011 - Vezur
  • The End of Summer, 2011 -  Vezur
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Embrace aka Lovers II, 1917
  • Study of a Head, 1913
  • Flower Clouds, 1903
  • Cherubini, 1514
  • A Carnival Evening, 1886
  • Horses, 2011 - Vezur
  • The Last Supper, 1498
  • The Star, 1878
  • Haymaking, 2011 - Vezur
  • Two Little Girls On The Beach, 1895
  • Idyll in Tahiti, 1901
  • La Sybille, 1891
  • Music-I, 1895
  • Madame Pompador, 1915
  • Evocation
  • Madame Camus with a Fan, 1870
  • Impression, Sunrise, 1872
  • Recumbent Nude, 1917
  • When The Grass Was Greener, 2011 - Vezur
  • Marine bleue, 1893
  • River bank, 2011 - Vezur
  • Strolling along the Seashore, 1909
  • Woman with Black Hat, 1909
  • Pugacheva Taxi, 2011 - Vezur
  • Walk Along The Sea, 2011 - Vezur
  • Anemones, 1909
  • Interior, Woman at the Window, 1880
  • Young Man at His Window, 1875
  • Café Terrace at Night, 1888
  • Dancers in Riga Heart, 2011 - Vezur
  • Seated Nude, 1917
  • Dead Mother, 1910
  • Mother And Child Aka Madonna, 1908
  • Poppy field, 2011 - Vezur
  • Nude Egyptian Girl, 1891
  • Harvest Time, 1878
  • Portrait of Josette, 1916
  • Nabis Landscape, 1890
  • Spring, 1879
  • Portrait of a European Lady in Japanese Costume
  • The Vines, 1902
  • River Daugava, 2011 - Vezur
  • The Sky, 2011 - Vezur

Wanderer above the Sea of Fog, 1818

Wanderer above the Sea of Fog, 1818

Caspar David Friedrich

Friedrich's greatest accomplishment was his ability to turn landscapes into a medium of physiological and spiritual biography. Here, he includes his own portrait within his landscape as a lay figure seen from behind, a device intended to invite the viewer to look at the world through the lens of the artist's own personal perception. Friedrich was captivated by the idea of encountering nature in solitude in deepest revines, as here on the pinncacle of a mountain, which was about as far away from urban civilization as a European man could get. In his later paintings, Friedrich will continue to stress that the very idea of "self-expression" had to be associated with physical and spiritual isolation. The Romantics believed that any artist who wanted to explore his own emotions, had necessarily to stand outside of the throng of money-making, political gimmickry, and urban noise in order to assert and maintain their positions.

The painting will be delivered unstreched, rolled in protective & presentable case.