• Embrace aka Lovers II, 1917
  • The Vision after the Sermon, 1888
  • Breath of the Earth, 2011 - Vezur
  • The Buffalo Trail, 1867
  • Poppies, 1886
  • Wheat Field With Reaper And Sun, 1889
  • Evening in New York, 1890
  • View Of Venice Fog, 1881
  • The Kiss, 1908
  • Old Town Back In 30's, 2011 - Vezur
  • Orange Trees, 1878
  • Passion for Dance, 2011 - Vezur
  • The Veteran in a New Field, 1865
  • Riga at Night, 2011 - Vezur
  • Old Town In The Snow, 2011 - Vezur
  • Idyll in Tahiti, 1901
  • A Carnival Evening, 1886
  • Almond Branches in Bloom, San Remy, 1890
  • The Man on the Balcony, 1880
  • Poppies at Argenteuil, 1873
  • Old Riga, 2011 - Vezur
  • Independence Day, 2011 - Vezur
  • Dancers in Blue, 1890
  • Man with a Pipe (aka The Man from Nice), 1918
  • Dancers in Riga Heart, 2011 - Vezur
  • Agony, 1912
  • Forest, 2011 - Vezur
  • Anemones, 1909
  • Lane at the Jardin du Luxembourg, 1886
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Chimney Sweeper, 2011 - Vezur
  • Portraits at the Stock Exchange, 1879
  • Columbus Avenue, Rainy Day, 1885
  • Portrait of a Man, 1923
  • The Starry Night, 1889
  • Bridge of Europe, 1877
  • Avenue of poplars at sunset, 1884
  • Two Swans, 2011 - Vezur
  • An Angel
  • Conversion, 1912
  • Lying act, 1917
  • Poppy field in Giverny, 1885
  • Lady with hat and feather boa, 1909
  • Dead Mother, 1910
  • The Magpie, 1869
  • Kelly Pool, 1903
  • Foggy Morning, 2011 - Vezur
  • Madame Camus with a Fan, 1870
  • Old Town Charm, 2011 - Vezur
  • Haymaking, 2011 - Vezur

Wanderer above the Sea of Fog, 1818

Wanderer above the Sea of Fog, 1818

Caspar David Friedrich

Friedrich's greatest accomplishment was his ability to turn landscapes into a medium of physiological and spiritual biography. Here, he includes his own portrait within his landscape as a lay figure seen from behind, a device intended to invite the viewer to look at the world through the lens of the artist's own personal perception. Friedrich was captivated by the idea of encountering nature in solitude in deepest revines, as here on the pinncacle of a mountain, which was about as far away from urban civilization as a European man could get. In his later paintings, Friedrich will continue to stress that the very idea of "self-expression" had to be associated with physical and spiritual isolation. The Romantics believed that any artist who wanted to explore his own emotions, had necessarily to stand outside of the throng of money-making, political gimmickry, and urban noise in order to assert and maintain their positions.

The painting will be delivered unstreched, rolled in protective & presentable case.