• Evening on Volga, 1888
  • The Banks of the River at Veneux, 1881
  • Garden Study of the Vickers Children, 1884
  • The Boat, 2011 - Vezur
  • The Vision after the Sermon, 1888
  • Self Portrait with Arm Twisting above Head, 1910
  • Bridge of Europe, 1877
  • Tree of Life, 1909
  • Dome Square, 2011 - Vezur
  • Spring, 1879
  • Gloomy Situation, 1933
  • Breath of the Earth, 2011 - Vezur
  • Entrance to harbor, Moonlight, 1881
  • Kelly Pool, 1903
  • Dead Mother, 1910
  • Girl with a Pearl Earring, 1666
  • Lady of the Flowers, 1895
  • Dancers, 2011 - Vezur
  • Two Swans, 2011 - Vezur
  • Embrace aka Lovers II, 1917
  • Boat in the Moonlight
  • The Green Dancer, 1880
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • The Kiss, 1908
  • Madame Camus with a Fan, 1870
  • Woman with a Parasol and Small Child on a Sunlit Hillside,1874
  • Woman with Black Hat, 1909
  • Two Tahitian Women, 1899
  • Conversion, 1912
  • La Sybille, 1891
  • The Druidess, 1893
  • The Magpie, 1869
  • Café Terrace at Night, 1888
  • Impression, Sunrise, 1872
  • Contrasting Sounds, 1924
  • Flower Clouds, 1903
  • Antibes Seen from the Salis Garden, 1888
  • Evening in New York, 1890
  • Passion for Dance, 2011 - Vezur
  • Recumbent Nude, 1917
  • Marine bleue, 1893
  • Adam and Eve, 1526
  • Sun Walk Over The Bridge, 2011 - Vezur
  • Girls, 2011 - Vezur
  • Blue Dancers, 1899
  • The Bather, 1879
  • Music-I, 1895
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Dancers in Riga Heart, 2011 - Vezur
  • Seated Nude, 1917

Wanderer above the Sea of Fog, 1818

Wanderer above the Sea of Fog, 1818

Caspar David Friedrich

Friedrich's greatest accomplishment was his ability to turn landscapes into a medium of physiological and spiritual biography. Here, he includes his own portrait within his landscape as a lay figure seen from behind, a device intended to invite the viewer to look at the world through the lens of the artist's own personal perception. Friedrich was captivated by the idea of encountering nature in solitude in deepest revines, as here on the pinncacle of a mountain, which was about as far away from urban civilization as a European man could get. In his later paintings, Friedrich will continue to stress that the very idea of "self-expression" had to be associated with physical and spiritual isolation. The Romantics believed that any artist who wanted to explore his own emotions, had necessarily to stand outside of the throng of money-making, political gimmickry, and urban noise in order to assert and maintain their positions.

The painting will be delivered unstreched, rolled in protective & presentable case.