• Dance Festival, 2011 - Vezur
  • Idyll in Tahiti, 1901
  • Saint John, 1892
  • River bank, 2011 - Vezur
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Study of a Head, 1913
  • Kelly Pool, 1903
  • Seacoast at Engure, 2011 - Vezur
  • The Sower, 1888
  • Conversion, 1912
  • A Friend in Need 2, 1903
  • Gloomy Situation, 1933
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Woman with a Parasol and Small Child on a Sunlit Hillside,1874
  • Cold Morning, 2011 - Vezur
  • The Thames below Westminster, 1871
  • Anemones, 1909
  • Bare Tree behind a Fence, 1912
  • Winter, 2011 - Vezur
  • Seacoast at Kurzeme, 2011 - Vezur
  • Spring, 1879
  • Reclining Semi-Nude with Red Hat, 1910
  • The Sleeping Gypsy, 1897
  • Goldau, 1843
  • Flying people, 2011 - Vezur
  • Young Man at His Window, 1875
  • When The Grass Was Greener, 2011 - Vezur
  • Spanish Dancer, 1882
  • Nabis Landscape, 1890
  • Moonrise over the Sea, 1822
  • Impression, Sunrise, 1872
  • Big Red Buste, 1913
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • The Vision after the Sermon, 1888
  • The Magpie, 1869
  • Four Bathers, 1905
  • The Large Bathers, 1906
  • Mother And Child Aka Madonna, 1908
  • The Football Players, 1908
  • Self Portrait with Hands on Chest, 1910
  • Nude Egyptian Girl, 1891
  • Dancers V, 1877
  • Portrait of a European Lady in Japanese Costume
  • San Giorgio Maggiore at Dusk, 1908
  • The Buffalo Trail, 1867
  • Cagnes Landscape
  • The Midday Nap, 1894
  • Dead Mother, 1910
  • The Boat, 2011 - Vezur
  • Ophelia, 1905

Wanderer above the Sea of Fog, 1818

Wanderer above the Sea of Fog, 1818

Caspar David Friedrich

Friedrich's greatest accomplishment was his ability to turn landscapes into a medium of physiological and spiritual biography. Here, he includes his own portrait within his landscape as a lay figure seen from behind, a device intended to invite the viewer to look at the world through the lens of the artist's own personal perception. Friedrich was captivated by the idea of encountering nature in solitude in deepest revines, as here on the pinncacle of a mountain, which was about as far away from urban civilization as a European man could get. In his later paintings, Friedrich will continue to stress that the very idea of "self-expression" had to be associated with physical and spiritual isolation. The Romantics believed that any artist who wanted to explore his own emotions, had necessarily to stand outside of the throng of money-making, political gimmickry, and urban noise in order to assert and maintain their positions.

The painting will be delivered unstreched, rolled in protective & presentable case.