• Old Riga view, 2011 - Vezur
  • Deauville, The Basin, 1892
  • Portrait Of The Painter Max Oppenheimer, 1910
  • Dancers in Blue, 1890
  • Old Town Back In 30's, 2011 - Vezur
  • Blue cow, 2011 - Vezur
  • Study of a Figure Outdoors (Facing Right), 1886
  • Head Of A Woman With A Hat, 1907
  • The Druidess, 1893
  • Judith and the Head of Holofernes, 1901
  • The Midday Nap, 1894
  • Cold Morning, 2011 - Vezur
  • The Large Bathers, 1906
  • Portrait of a European Lady in Japanese Costume
  • The Sky, 2011 - Vezur
  • Rosina, 1878
  • Four Bathers, 1905
  • Nude Egyptian Girl, 1891
  • Old Riga, 2011 - Vezur
  • Summer Evening, 1886
  • San Giorgio Maggiore at Dusk, 1908
  • Portrait of a Man, 1923
  • Winter, 2011 - Vezur
  • The Bather, 1879
  • Buddah In His Youth, 1904
  • The Haymaker, 1886
  • Tram No 10, 2011 - Vezur
  • Wanderer above the Sea of Fog, 1818
  • Nabis Landscape, 1890
  • A Friend in Need, 1903
  • Horses, 2011 - Vezur
  • Buckwheat Harvesters at Pont-Aven, 1888
  • Moonlight, 1874
  • Woman with a Parasol and Small Child on a Sunlit Hillside,1874
  • Poppy field in Giverny, 1885
  • Passion for Dance, 2011 - Vezur
  • Sunflowers, 1888
  • The Buffalo Trail, 1867
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • The Green Dancer, 1880
  • A Carnival Evening, 1886
  • Adele Bloch Bauer I, 1907
  • Dome Square, 2011 - Vezur
  • Woman with Black Hat, 1909
  • Harlequin, 1890
  • Evocation
  • Autumn, 1877
  • Landscape at Saint-Rémy, 1889
  • The Star, 1878
  • Spanish Dancer, 1882

Wanderer above the Sea of Fog, 1818

Wanderer above the Sea of Fog, 1818

Caspar David Friedrich

Friedrich's greatest accomplishment was his ability to turn landscapes into a medium of physiological and spiritual biography. Here, he includes his own portrait within his landscape as a lay figure seen from behind, a device intended to invite the viewer to look at the world through the lens of the artist's own personal perception. Friedrich was captivated by the idea of encountering nature in solitude in deepest revines, as here on the pinncacle of a mountain, which was about as far away from urban civilization as a European man could get. In his later paintings, Friedrich will continue to stress that the very idea of "self-expression" had to be associated with physical and spiritual isolation. The Romantics believed that any artist who wanted to explore his own emotions, had necessarily to stand outside of the throng of money-making, political gimmickry, and urban noise in order to assert and maintain their positions.

The painting will be delivered unstreched, rolled in protective & presentable case.