• Rosina, 1878
  • Spanish Dancer, 1882
  • The Fog Warning, 1885
  • The Second Youth, 2011 - Vezur
  • The Magpie, 1869
  • Garden Study of the Vickers Children, 1884
  • The Buffalo Trail, 1867
  • Boat in the Moonlight
  • Two Little Girls On The Beach, 1895
  • River bank, 2011 - Vezur
  • Madame Camus with a Fan, 1870
  • Dead Mother, 1910
  • Spring, 1879
  • Melancholy, 1874
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Riga at sunset, 2011 - Vezur
  • Study for The Spanish Dance, 1882
  • Lady with hat and feather boa, 1909
  • Russian Belle and Landscape, 1904
  • Cagnes Landscape
  • Bridge of Europe, 1877
  • Agony, 1912
  • Old Town Charm, 2011 - Vezur
  • The Hope II, 1908
  • Old Riga, 2011 - Vezur
  • Marine bleue, 1893
  • Head Of A Woman With A Hat, 1907
  • Contrasting Sounds, 1924
  • Idyll in Tahiti, 1901
  • The Rape of Europa, 1910
  • Turaida Castle, 2011 - Vezur
  • Buddah In His Youth, 1904
  • Avenue of poplars at sunset, 1884
  • Portrait of Felix Feneon, 1890
  • Bare Tree behind a Fence, 1912
  • Music-I, 1895
  • Boreas , 1903
  • Lovers: Man and Woman I, 1914
  • Midsummer Festival, 2011 - Vezur
  • The Sky, 2011 - Vezur
  • Walk Along The Sea, 2011 - Vezur
  • Taking the Count, 1896
  • Negress, 1869
  • Kelly Pool, 1903
  • Gloomy Situation, 1933
  • The Star, 1878
  • Self Portrait with Hands on Chest, 1910
  • Dancers, 2011 - Vezur
  • Nude Egyptian Girl, 1891
  • Evocation

The Starry Night, 1889

The Starry Night, 1889

Vincent van Gogh

„The Starry Night” depicts the view outside Van Gogh’s sanitorium room window at Saint-Rémy-de-Provence (located in southern France) at night, although it was painted from memory during the day. It was not Van Gogh's first depiction of a night sky. In Arles, he had been proud of his painting of the stars and the reflection of the lights of the town in the River Rhône, one of the first results of a plan intimated to Emile Bernard in April 1888. He wanted to paint a starry night as an example of working from the imagination, which could add to the value of a painting: „we may succeed in creating a more exciting and comforting nature than we can discern with a single glimpse of reality”, he wrote. In a letter to Theo of the same date, Vincent was more explicit about the motif: „a starry night with cypresses or possibly above a field of ripe wheat”. With his „Starry Night”, painted in Saint-Rémy, he fulfilled that promise and did so at a time when he was more determined than ever to prove himself the equal of his fellow artists.

The painting will be delivered unstreched, rolled in protective & presentable case.