• Moonrise over the Sea, 1822
  • Haymaking, 2011 - Vezur
  • The Sky, 2011 - Vezur
  • The Starry Night, 1889
  • Evening in New York, 1890
  • Negress, 1869
  • Summer Evening, 1886
  • Horses, 2011 - Vezur
  • Sunflowers, 1888
  • Seacoast at Engure, 2011 - Vezur
  • View Of Venice Fog, 1881
  • Portrait of Ida Rubenstein, 1910
  • Le Pêcheur (The Fisherman), 1909
  • Old Riga, 2011 - Vezur
  • Reclining Semi-Nude with Red Hat, 1910
  • Anemones, 1909
  • Girls, 2011 - Vezur
  • Woman with Black Hat, 1909
  • The Large Bathers, 1906
  • Adam and Eve, 1526
  • Portrait of Josette, 1916
  • Flower Clouds, 1903
  • The Green Dancer, 1880
  • The Star, 1878
  • Harvest Time, 1878
  • Spanish Dancer, 1882
  • Moonlight On The Loire Barbizon landscape
  • Seacoast at Kurzeme, 2011 - Vezur
  • Interior, Woman at the Window, 1880
  • Girl with a Pearl Earring, 1666
  • A Friend in Need 2, 1903
  • Four Bathers, 1905
  • House of Blackheads, 2011 - Vezur
  • Dandelions, Ventas Rumba, 2011 - Vezur
  • A Gust of Wind, 1883
  • Madame Pompador, 1915
  • Opera House, 2011 - Vezur
  • Cold Morning, 2011 - Vezur
  • The Banks of the River at Veneux, 1881
  • Lane at the Jardin du Luxembourg, 1886
  • Riga in begining of 20th century, 2011 - Vezur
  • Portrait of Felix Feneon, 1890
  • Chimney Sweeper, 2011 - Vezur
  • Strolling along the Seashore, 1909
  • Columbus Avenue, Rainy Day, 1885
  • Ophelia, 1905
  • The Boat, 2011 - Vezur
  • A Friend in Need, 1903
  • Kelly Pool, 1903
  • Valdemara street, 2011 - Vezur

The Starry Night, 1889

The Starry Night, 1889

Vincent van Gogh

„The Starry Night” depicts the view outside Van Gogh’s sanitorium room window at Saint-Rémy-de-Provence (located in southern France) at night, although it was painted from memory during the day. It was not Van Gogh's first depiction of a night sky. In Arles, he had been proud of his painting of the stars and the reflection of the lights of the town in the River Rhône, one of the first results of a plan intimated to Emile Bernard in April 1888. He wanted to paint a starry night as an example of working from the imagination, which could add to the value of a painting: „we may succeed in creating a more exciting and comforting nature than we can discern with a single glimpse of reality”, he wrote. In a letter to Theo of the same date, Vincent was more explicit about the motif: „a starry night with cypresses or possibly above a field of ripe wheat”. With his „Starry Night”, painted in Saint-Rémy, he fulfilled that promise and did so at a time when he was more determined than ever to prove himself the equal of his fellow artists.

The painting will be delivered unstreched, rolled in protective & presentable case.