• The Boat, 2011 - Vezur
  • Dancers in Riga Heart, 2011 - Vezur
  • Harvest Time, 1878
  • Cagnes Landscape
  • Idyll in Tahiti, 1901
  • Caricature Self Portrait, 1889
  • Morning in a Pine Forest, 1889
  • Madame Pompador, 1915
  • Haymaking, 2011 - Vezur
  • Winter, 2011 - Vezur
  • Deauville, The Basin, 1892
  • Wanderer above the Sea of Fog, 1818
  • Russian Belle and Landscape, 1904
  • Gloomy Situation, 1933
  • Anna Pavlova in the Ballet Sylphyde, 1909
  • A Friend in Need 2, 1903
  • Riga at sunset, 2011 - Vezur
  • Lovers: Man and Woman I, 1914
  • Two Swans, 2011 - Vezur
  • Forest, 2011 - Vezur
  • Spring, 1879
  • Walk Along The Sea, 2011 - Vezur
  • The Large Bathers, 1906
  • Taking the Count, 1896
  • Adam and Eve, 1526
  • Embrace aka Lovers II, 1917
  • An Angel
  • Spring, 1879
  • The Banks of the River at Veneux, 1881
  • Harlequin, 1890
  • Chimney Sweeper, 2011 - Vezur
  • Old Town In The Snow, 2011 - Vezur
  • Portrait Of The Painter Max Oppenheimer, 1910
  • Zwei Akte, 1890
  • A Friend in Need, 1903
  • Riga in begining of 20th century, 2011 - Vezur
  • The Magpie, 1869
  • Impression, Sunrise, 1872
  • The Midday Nap, 1894
  • Orange Trees, 1878
  • Standing Girl in a Plaid Garment, 1909
  • Winter at the seaside, 2011 - Vezur
  • Poppy field in Giverny, 1885
  • Antibes Seen from the Salis Garden, 1888
  • Woman with Black Hat, 1909
  • Girls, 2011 - Vezur
  • The Druidess, 1893
  • Countryside, 2011 - Vezur
  • La Sybille, 1891
  • Portraits at the Stock Exchange, 1879

The Starry Night, 1889

The Starry Night, 1889

Vincent van Gogh

„The Starry Night” depicts the view outside Van Gogh’s sanitorium room window at Saint-Rémy-de-Provence (located in southern France) at night, although it was painted from memory during the day. It was not Van Gogh's first depiction of a night sky. In Arles, he had been proud of his painting of the stars and the reflection of the lights of the town in the River Rhône, one of the first results of a plan intimated to Emile Bernard in April 1888. He wanted to paint a starry night as an example of working from the imagination, which could add to the value of a painting: „we may succeed in creating a more exciting and comforting nature than we can discern with a single glimpse of reality”, he wrote. In a letter to Theo of the same date, Vincent was more explicit about the motif: „a starry night with cypresses or possibly above a field of ripe wheat”. With his „Starry Night”, painted in Saint-Rémy, he fulfilled that promise and did so at a time when he was more determined than ever to prove himself the equal of his fellow artists.

The painting will be delivered unstreched, rolled in protective & presentable case.