• The End of Summer, 2011 -  Vezur
  • Strolling along the Seashore, 1909
  • When The Grass Was Greener, 2011 - Vezur
  • Foggy Morning, 2011 - Vezur
  • Winter at the seaside, 2011 - Vezur
  • San Giorgio Maggiore at Dusk, 1908
  • Boreas , 1903
  • Recumbent Nude, 1917
  • Dancers V, 1877
  • Wanderer above the Sea of Fog, 1818
  • Big Red Buste, 1913
  • Flower Clouds, 1903
  • Nude Egyptian Girl, 1891
  • Sea coast, 2011 - Vezur
  • Moonlight, 1874
  • Anemones, 1909
  • Countryside, 2011 - Vezur
  • The Sower, 1888
  • Tram No 10, 2011 - Vezur
  • The Vines, 1902
  • Study for The Spanish Dance, 1882
  • Spring, 1879
  • Poppy field in Giverny, 1885
  • Portrait of Josette, 1916
  • The Red Vineyard, 1888
  • Cold Morning, 2011 - Vezur
  • The Boat, 2011 - Vezur
  • The Second Youth, 2011 - Vezur
  • Seated Nude, 1917
  • Madame Pompador, 1915
  • Lying act, 1917
  • Poppies, 1886
  • Anna Pavlova in the Ballet Sylphyde, 1909
  • Russian Belle and Landscape, 1904
  • Landscape at Saint-Rémy, 1889
  • Avenue of poplars at sunset, 1884
  • Spring, 1879
  • Two Tahitian Women, 1899
  • The Veteran in a New Field, 1865
  • Harlequin, 1890
  • Riga in Blue, 2011 - Vezur
  • Paris Street - Rainy Weather, 1877
  • Portraits at the Stock Exchange, 1879
  • Lovers: Man and Woman I, 1914
  • Haymaking, 2011 - Vezur
  • Wheat Field With Reaper And Sun, 1889
  • Portrait of a European Lady in Japanese Costume
  • Old Town Back In 30's, 2011 - Vezur
  • A Carnival Evening, 1886
  • Contrasting Sounds, 1924

The Starry Night, 1889

The Starry Night, 1889

Vincent van Gogh

„The Starry Night” depicts the view outside Van Gogh’s sanitorium room window at Saint-Rémy-de-Provence (located in southern France) at night, although it was painted from memory during the day. It was not Van Gogh's first depiction of a night sky. In Arles, he had been proud of his painting of the stars and the reflection of the lights of the town in the River Rhône, one of the first results of a plan intimated to Emile Bernard in April 1888. He wanted to paint a starry night as an example of working from the imagination, which could add to the value of a painting: „we may succeed in creating a more exciting and comforting nature than we can discern with a single glimpse of reality”, he wrote. In a letter to Theo of the same date, Vincent was more explicit about the motif: „a starry night with cypresses or possibly above a field of ripe wheat”. With his „Starry Night”, painted in Saint-Rémy, he fulfilled that promise and did so at a time when he was more determined than ever to prove himself the equal of his fellow artists.

The painting will be delivered unstreched, rolled in protective & presentable case.