• Entrance to harbor, Moonlight, 1881
  • Poppies at Argenteuil, 1873
  • Melancholy, 1874
  • Big Red Buste, 1913
  • Portrait of Felix Feneon, 1890
  • Impression, Sunrise, 1872
  • Riga in begining of 20th century, 2011 - Vezur
  • Poppy field, 2011 - Vezur
  • Spanish Dancer, 1882
  • Two Swans, 2011 - Vezur
  • Rosina, 1878
  • Interior, Woman at the Window, 1880
  • Anna Pavlova in the Ballet Sylphyde, 1909
  • Strolling along the Seashore, 1909
  • Breath of the Earth, 2011 - Vezur
  • The Red Vineyard, 1888
  • The Rape of Europa, 1910
  • Negress, 1869
  • Turaida Castle, 2011 - Vezur
  • Stork, 2011 - Vezur
  • Two Little Girls On The Beach, 1895
  • Winter at the seaside, 2011 - Vezur
  • Lane at the Jardin du Luxembourg, 1886
  • Dome Square, 2011 - Vezur
  • Boat in the Moonlight
  • Boreas , 1903
  • Seated Nude, 1917
  • The Last Supper, 1498
  • Countryside, 2011 - Vezur
  • Summer Evening, 1886
  • The Man on the Balcony, 1880
  • Ballet Scene, 1879
  • The Sky, 2011 - Vezur
  • Forest, 2011 - Vezur
  • Golden autumn, 2011 - Vezur
  • The Football Players, 1908
  • Le Pêcheur (The Fisherman), 1909
  • Autumn Sun I, 1912
  • River bank, 2011 - Vezur
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Spring, 1879
  • The Star, 1878
  • Study of a Head, 1913
  • Autumn, 1877
  • Café Terrace at Night, 1888
  • Goldau, 1843
  • Evening in New York, 1890
  • Madame Pompador, 1915
  • Buckwheat Harvesters at Pont-Aven, 1888
  • Standing Girl in a Plaid Garment, 1909

The Starry Night, 1889

The Starry Night, 1889

Vincent van Gogh

„The Starry Night” depicts the view outside Van Gogh’s sanitorium room window at Saint-Rémy-de-Provence (located in southern France) at night, although it was painted from memory during the day. It was not Van Gogh's first depiction of a night sky. In Arles, he had been proud of his painting of the stars and the reflection of the lights of the town in the River Rhône, one of the first results of a plan intimated to Emile Bernard in April 1888. He wanted to paint a starry night as an example of working from the imagination, which could add to the value of a painting: „we may succeed in creating a more exciting and comforting nature than we can discern with a single glimpse of reality”, he wrote. In a letter to Theo of the same date, Vincent was more explicit about the motif: „a starry night with cypresses or possibly above a field of ripe wheat”. With his „Starry Night”, painted in Saint-Rémy, he fulfilled that promise and did so at a time when he was more determined than ever to prove himself the equal of his fellow artists.

The painting will be delivered unstreched, rolled in protective & presentable case.