• Caricature Self Portrait, 1889
  • Woman with a Parasol and Small Child on a Sunlit Hillside,1874
  • Riga at sunset, 2011 - Vezur
  • The Veteran in a New Field, 1865
  • Blue Dancers, 1899
  • La Sybille, 1891
  • Winter at the seaside, 2011 - Vezur
  • Big Red Buste, 1913
  • Le Pêcheur (The Fisherman), 1909
  • Ligo Evening, 2011 - Vezur
  • Old Town In The Snow, 2011 - Vezur
  • Music-I, 1895
  • House of Blackheads, 2011 - Vezur
  • Old Town Charm, 2011 - Vezur
  • Valdemara street, 2011 - Vezur
  • Melancholy, 1874
  • Stehend Karyatide, 1913
  • Boat in the Moonlight
  • Mona Lisa, 1507
  • Two Tahitian Women, 1899
  • The Second Youth, 2011 - Vezur
  • Nabis Landscape, 1890
  • Dead Mother, 1910
  • The Bather, 1879
  • Buddah In His Youth, 1904
  • Harlequin, 1890
  • The Red Vineyard, 1888
  • Portrait Of The Painter Max Oppenheimer, 1910
  • Four Trees, 1917
  • Moonlight, 1874
  • Saint John, 1892
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • Old Riga view, 2011 - Vezur
  • Poppies at Argenteuil, 1873
  • Portrait of Ida Rubenstein, 1910
  • Harvest Time, 1878
  • Flying people, 2011 - Vezur
  • Bridge of Europe, 1877
  • The Midday Nap, 1894
  • Daisy fields, 2011 - Vezur
  • Garden Study of the Vickers Children, 1884
  • Dancers in Riga Heart, 2011 - Vezur
  • The Sky, 2011 - Vezur
  • Judith and the Head of Holofernes, 1901
  • Sun Walk Over The Bridge, 2011 - Vezur
  • Poppy field, 2011 - Vezur
  • Four Bathers, 1905
  • The Vines, 1902
  • Self Portrait with Hands on Chest, 1910
  • The Rape of Europa, 1910

The Starry Night, 1889

The Starry Night, 1889

Vincent van Gogh

„The Starry Night” depicts the view outside Van Gogh’s sanitorium room window at Saint-Rémy-de-Provence (located in southern France) at night, although it was painted from memory during the day. It was not Van Gogh's first depiction of a night sky. In Arles, he had been proud of his painting of the stars and the reflection of the lights of the town in the River Rhône, one of the first results of a plan intimated to Emile Bernard in April 1888. He wanted to paint a starry night as an example of working from the imagination, which could add to the value of a painting: „we may succeed in creating a more exciting and comforting nature than we can discern with a single glimpse of reality”, he wrote. In a letter to Theo of the same date, Vincent was more explicit about the motif: „a starry night with cypresses or possibly above a field of ripe wheat”. With his „Starry Night”, painted in Saint-Rémy, he fulfilled that promise and did so at a time when he was more determined than ever to prove himself the equal of his fellow artists.

The painting will be delivered unstreched, rolled in protective & presentable case.