• Old Town Charm, 2011 - Vezur
  • Four Bathers, 1905
  • Dancers in Riga Heart, 2011 - Vezur
  • Mother And Child Aka Madonna, 1908
  • Russian Belle and Landscape, 1904
  • Harlequin, 1890
  • Sea coast, 2011 - Vezur
  • Lane at the Jardin du Luxembourg, 1886
  • Dead Mother, 1910
  • Tree of Life, 1909
  • The Fog Warning, 1885
  • Moonlight, 1874
  • The Buffalo Trail, 1867
  • Buckwheat Harvesters at Pont-Aven, 1888
  • The Midday Nap, 1894
  • Blue cow, 2011 - Vezur
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Flowers in a Vase, 1866
  • Columbus Avenue, Rainy Day, 1885
  • The Last Supper, 1498
  • The Man on the Balcony, 1880
  • Harvest Time, 1878
  • Dandelions, Ventas Rumba, 2011 - Vezur
  • Orange Trees, 1878
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Cold Morning, 2011 - Vezur
  • Head Of A Woman With A Hat, 1907
  • Adam and Eve, 1526
  • Poppies at Argenteuil, 1873
  • Walk Along The Sea, 2011 - Vezur
  • Midsummer Festival, 2011 - Vezur
  • The Football Players, 1908
  • Riga at sunset, 2011 - Vezur
  • Evening in New York, 1890
  • Lady of the Flowers, 1895
  • Big Red Buste, 1913
  • Boreas , 1903
  • The Sleeping Gypsy, 1897
  • Dancers in Blue, 1890
  • Seacoast at Engure, 2011 - Vezur
  • The Banks of the River at Veneux, 1881
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Rosina, 1878
  • Interior, Woman at the Window, 1880
  • Lady with hat and feather boa, 1909
  • Foggy Morning, 2011 - Vezur
  • Winter at the seaside, 2011 - Vezur
  • Café Terrace at Night, 1888
  • Riegert aka Laima Clock, 2011 - Vezur
  • Anemones, 1909

Reclining Woman with Green Stockings (aka Adele Harms), 1917

Reclining Woman with Green Stockings (aka Adele Harms), 1917

Egon Schiele

As his reputation grew, Egon Schiele set his sights on a pair of sisters, Adele and Edith Harms, who lived opposite his studio. In 1915, Schiele married Edith, the finer-featured but more melancholic sister. While Edith didn’t want her husband using other models, she was convent educated and was embarrassed about posing herself. The few drawings he did make of her capture such defiance, but also a touching innocence. A couple of years into the marriage, when Edith had put on weight and no longer matched her husband’s lean and fragile ideal, other women – including her sister, Adele, – were once again invited to pose. Edith turned a blind eye. Unlike her younger sister, though, Adele wasn’t shy about posing in her underwear, and would later claim that her relationship with her brother-in-law had not been as chaste as it should have. Even today, a century after his death, the candour with which Schiele presented all of his women is sometimes unsettling. The intensity of his work lies in his engagement with his models. Their demeanour is sometimes confrontational, sometimes seductive, but always in control.

The painting will be delivered unstreched, rolled in protective & presentable case.