• A Carnival Evening, 1886
  • Wheat Field With Reaper And Sun, 1889
  • Mona Lisa, 1507
  • Yellow Circle, 1926
  • Four Bathers, 1905
  • Buckwheat Harvesters at Pont-Aven, 1888
  • Winter at the seaside, 2011 - Vezur
  • Agony, 1912
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • Haymaking, 2011 - Vezur
  • Taking the Count, 1896
  • Adele Bloch Bauer I, 1907
  • Midsummer Festival, 2011 - Vezur
  • Self Portrait with Arm Twisting above Head, 1910
  • Mother And Child Aka Madonna, 1908
  • The Sower, 1888
  • Zwei Akte, 1890
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • The Boat, 2011 - Vezur
  • Nude Egyptian Girl, 1891
  • Autumn, 1877
  • Autumn Sun I, 1912
  • Recumbent Nude, 1917
  • Riga in begining of 20th century, 2011 - Vezur
  • Lady of the Flowers, 1895
  • Tram No 10, 2011 - Vezur
  • Riegert aka Laima Clock, 2011 - Vezur
  • Opera House, 2011 - Vezur
  • The Veteran in a New Field, 1865
  • Evening in New York, 1890
  • Independence Day, 2011 - Vezur
  • The Black Cat, 2011 - Vezur
  • Conversion, 1912
  • Ligo Evening, 2011 - Vezur
  • Woman with a Parasol and Small Child on a Sunlit Hillside,1874
  • Moonrise over the Sea, 1822
  • Woman with Black Hat, 1909
  • Dome Square, 2011 - Vezur
  • Adam and Eve, 1526
  • Music-I, 1895
  • The Buffalo Trail, 1867
  • Avenue of poplars at sunset, 1884
  • Midsummer Night, 1876
  • Melancholy, 1874
  • Dancers, 2011 - Vezur
  • Water Lilies, 1906
  • Blue cow, 2011 - Vezur
  • Morning in a Pine Forest, 1889
  • Riga in Blue, 2011 - Vezur
  • River Daugava, 2011 - Vezur

Reclining Woman with Green Stockings (aka Adele Harms), 1917

Reclining Woman with Green Stockings (aka Adele Harms), 1917

Egon Schiele

As his reputation grew, Egon Schiele set his sights on a pair of sisters, Adele and Edith Harms, who lived opposite his studio. In 1915, Schiele married Edith, the finer-featured but more melancholic sister. While Edith didn’t want her husband using other models, she was convent educated and was embarrassed about posing herself. The few drawings he did make of her capture such defiance, but also a touching innocence. A couple of years into the marriage, when Edith had put on weight and no longer matched her husband’s lean and fragile ideal, other women – including her sister, Adele, – were once again invited to pose. Edith turned a blind eye. Unlike her younger sister, though, Adele wasn’t shy about posing in her underwear, and would later claim that her relationship with her brother-in-law had not been as chaste as it should have. Even today, a century after his death, the candour with which Schiele presented all of his women is sometimes unsettling. The intensity of his work lies in his engagement with his models. Their demeanour is sometimes confrontational, sometimes seductive, but always in control.

The painting will be delivered unstreched, rolled in protective & presentable case.