• Adam and Eve, 1526
  • Portrait of Felix Feneon, 1890
  • Flowers in a Vase, 1866
  • Pugacheva Taxi, 2011 - Vezur
  • Portrait of Ida Rubenstein, 1910
  • Lady with fan, 1918
  • Dancers in Blue, 1890
  • Gloomy Situation, 1933
  • Old Riga, 2011 - Vezur
  • Caricature Self Portrait, 1889
  • Boreas , 1903
  • Rosina, 1878
  • Forest, 2011 - Vezur
  • Two Tahitian Women, 1899
  • Evening in New York, 1890
  • Riga in begining of 20th century, 2011 - Vezur
  • The Black Cat, 2011 - Vezur
  • Riga Springtime, 2011 - Vezur
  • The Star, 1878
  • Riga at Night, 2011 - Vezur
  • Music-I, 1895
  • Young Man at His Window, 1875
  • Self Portrait With Spread Fingers, 1909
  • Poppy field in Giverny, 1885
  • Harlequin, 1890
  • Head Of A Woman With A Hat, 1907
  • Blue Dancers, 1899
  • Anemones, 1909
  • Nabis Landscape, 1890
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Adele Bloch Bauer I, 1907
  • Winter, 2011 - Vezur
  • Stehend Karyatide, 1913
  • Autumn, 1877
  • The Football Players, 1908
  • Fields of Gold, 2011 - Vezur
  • Portrait of Josette, 1916
  • Dome Square, 2011 - Vezur
  • Chimney Sweeper, 2011 - Vezur
  • The Magpie, 1869
  • Sun Walk Over The Bridge, 2011 - Vezur
  • A Carnival Evening, 1886
  • Haymaking, 2011 - Vezur
  • Negress, 1869
  • The Banks of the River at Veneux, 1881
  • The End of Summer, 2011 -  Vezur
  • Ballet Scene, 1879
  • Moonrise over the Sea, 1822
  • Opera House, 2011 - Vezur
  • Cherubini, 1514

Reclining Semi-Nude with Red Hat, 1910

Reclining Semi-Nude with Red Hat, 1910

Egon Schiele

Painting depicts Gertrude Schiele. Egon Schiele`s sister, four years his junior, was a compliant subject for him. Schiele draws no bed, no chair, only the provocative gesture of his sister`s body offering itself. Schiele's early paintings of Gerti convey something of her coy shyness. She rarely faces the viewer, and would later admit that she had been too embarrassed to pose nude at first and only allowed her brother to paint her from behind. Equally, the detached, voyeuristic angle from which the artist paints his model equally suggests an uneasy reluctance on Schiele's part to confront the female personality.

The painting will be delivered unstreched, rolled in protective & presentable case.