• The Vines, 1902
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Sea coast, 2011 - Vezur
  • A Friend in Need, 1903
  • Cold Morning, 2011 - Vezur
  • Poppy field, 2011 - Vezur
  • Saint John, 1892
  • Opera House, 2011 - Vezur
  • Poppies at Argenteuil, 1873
  • Melancholy, 1874
  • Portrait of Josette, 1916
  • Moonlight On The Loire Barbizon landscape
  • The Midday Nap, 1894
  • Avenue of poplars at sunset, 1884
  • Madame Pompador, 1915
  • Water Lilies, Green Reflection, Left Part, 1923
  • Midsummer Night, 1876
  • Mother And Child Aka Madonna, 1908
  • Paris Street - Rainy Weather, 1877
  • Yellow Circle, 1926
  • Garden Study of the Vickers Children, 1884
  • Strolling along the Seashore, 1909
  • The Thames below Westminster, 1871
  • Golden autumn, 2011 - Vezur
  • Study for The Spanish Dance, 1882
  • When The Grass Was Greener, 2011 - Vezur
  • Caricature Self Portrait, 1889
  • Self Portrait with Arm Twisting above Head, 1910
  • Self Portrait with Hands on Chest, 1910
  • Two Swans, 2011 - Vezur
  • Music-I, 1895
  • Orange Trees, 1878
  • Landscape at Saint-Rémy, 1889
  • Portrait Of The Painter Max Oppenheimer, 1910
  • Horses, 2011 - Vezur
  • Winter at the seaside, 2011 - Vezur
  • Lady of the Flowers, 1895
  • Le Pêcheur (The Fisherman), 1909
  • The Woman Friends, 1917
  • A Gust of Wind, 1883
  • The Man on the Balcony, 1880
  • The Second Youth, 2011 - Vezur
  • Mona Lisa, 1507
  • Summer Evening, 1886
  • Lady with fan, 1918
  • A Carnival Evening, 1886
  • Adam and Eve, 1526
  • The Sleeping Gypsy, 1897
  • Four Bathers, 1905
  • Independence Day, 2011 - Vezur

Reclining Semi-Nude with Red Hat, 1910

Reclining Semi-Nude with Red Hat, 1910

Egon Schiele

Painting depicts Gertrude Schiele. Egon Schiele`s sister, four years his junior, was a compliant subject for him. Schiele draws no bed, no chair, only the provocative gesture of his sister`s body offering itself. Schiele's early paintings of Gerti convey something of her coy shyness. She rarely faces the viewer, and would later admit that she had been too embarrassed to pose nude at first and only allowed her brother to paint her from behind. Equally, the detached, voyeuristic angle from which the artist paints his model equally suggests an uneasy reluctance on Schiele's part to confront the female personality.

The painting will be delivered unstreched, rolled in protective & presentable case.