• Girl with a Pearl Earring, 1666
  • Evening in New York, 1890
  • Dead Mother, 1910
  • Buddah In His Youth, 1904
  • Impression, Sunrise, 1872
  • Woman with a Parasol and Small Child on a Sunlit Hillside,1874
  • Recumbent Nude, 1917
  • Orange Trees, 1878
  • Old Riga, 2011 - Vezur
  • Spring, 1879
  • A Carnival Evening, 1886
  • Old Town In The Snow, 2011 - Vezur
  • Nude Egyptian Girl, 1891
  • Autumn, 1877
  • Autumn Sun I, 1912
  • Winter at the seaside, 2011 - Vezur
  • Reclining Semi-Nude with Red Hat, 1910
  • Madame Camus with a Fan, 1870
  • Chimney Sweeper, 2011 - Vezur
  • Old Riga view, 2011 - Vezur
  • Dancers V, 1877
  • The Sleeping Gypsy, 1897
  • Adele Bloch Bauer I, 1907
  • Man with a Pipe (aka The Man from Nice), 1918
  • Big Red Buste, 1913
  • Two Little Girls On The Beach, 1895
  • Café Terrace at Night, 1888
  • Old Town Charm, 2011 - Vezur
  • Antibes Seen from the Salis Garden, 1888
  • Landscape at Saint-Rémy, 1889
  • The Fog Warning, 1885
  • Poppies, 1886
  • Beatrice, 1897
  • Portrait of Josette, 1916
  • The Red Vineyard, 1888
  • The Midday Nap, 1894
  • The Druidess, 1893
  • Cold Morning, 2011 - Vezur
  • Golden autumn, 2011 - Vezur
  • The Veteran in a New Field, 1865
  • Evocation
  • Conversion, 1912
  • Young Man at His Window, 1875
  • Portrait of a European Lady in Japanese Costume
  • When The Grass Was Greener, 2011 - Vezur
  • The Rape of Europa, 1910
  • Two Tahitian Women, 1899
  • Interior, Woman at the Window, 1880
  • Riga at sunset, 2011 - Vezur
  • The Haymaker, 1886

Reclining Semi-Nude with Red Hat, 1910

Reclining Semi-Nude with Red Hat, 1910

Egon Schiele

Painting depicts Gertrude Schiele. Egon Schiele`s sister, four years his junior, was a compliant subject for him. Schiele draws no bed, no chair, only the provocative gesture of his sister`s body offering itself. Schiele's early paintings of Gerti convey something of her coy shyness. She rarely faces the viewer, and would later admit that she had been too embarrassed to pose nude at first and only allowed her brother to paint her from behind. Equally, the detached, voyeuristic angle from which the artist paints his model equally suggests an uneasy reluctance on Schiele's part to confront the female personality.

The painting will be delivered unstreched, rolled in protective & presentable case.