• Cold Morning, 2011 - Vezur
  • River Daugava, 2011 - Vezur
  • Turaida Castle, 2011 - Vezur
  • Haymaking, 2011 - Vezur
  • Tree of Life, 1909
  • Forest, 2011 - Vezur
  • Deauville, The Basin, 1892
  • Poppies, 1886
  • Mother And Child Aka Madonna, 1908
  • San Giorgio Maggiore at Dusk, 1908
  • Blue cow, 2011 - Vezur
  • The Rape of Europa, 1910
  • Seacoast at Engure, 2011 - Vezur
  • Opera House, 2011 - Vezur
  • Man with a Pipe (aka The Man from Nice), 1918
  • Golden autumn, 2011 - Vezur
  • Ligo Evening, 2011 - Vezur
  • Columbus Avenue, Rainy Day, 1885
  • Beatrice, 1897
  • Vase Of Poppies, 1909
  • The Boat, 2011 - Vezur
  • The Black Cat, 2011 - Vezur
  • Entrance to harbor, Moonlight, 1881
  • Two Swans, 2011 - Vezur
  • Self Portrait with Hands on Chest, 1910
  • Dancers, 2011 - Vezur
  • Riga at Night, 2011 - Vezur
  • Boat in the Moonlight
  • Judith and the Head of Holofernes, 1901
  • Valdemara street, 2011 - Vezur
  • Riga at sunset, 2011 - Vezur
  • Dome Square, 2011 - Vezur
  • Saint John, 1892
  • Spanish Dancer, 1882
  • The Buffalo Trail, 1867
  • Negress, 1869
  • Two Little Girls On The Beach, 1895
  • Dancers in Blue, 1890
  • When The Grass Was Greener, 2011 - Vezur
  • Riga in Blue, 2011 - Vezur
  • Breath of the Earth, 2011 - Vezur
  • Harlequin, 1890
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Idyll in Tahiti, 1901
  • Summer Evening, 1886
  • Water Lilies, 1906
  • Kelly Pool, 1903
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Riga in begining of 20th century, 2011 - Vezur
  • Study for The Spanish Dance, 1882

Reclining Semi-Nude with Red Hat, 1910

Reclining Semi-Nude with Red Hat, 1910

Egon Schiele

Painting depicts Gertrude Schiele. Egon Schiele`s sister, four years his junior, was a compliant subject for him. Schiele draws no bed, no chair, only the provocative gesture of his sister`s body offering itself. Schiele's early paintings of Gerti convey something of her coy shyness. She rarely faces the viewer, and would later admit that she had been too embarrassed to pose nude at first and only allowed her brother to paint her from behind. Equally, the detached, voyeuristic angle from which the artist paints his model equally suggests an uneasy reluctance on Schiele's part to confront the female personality.

The painting will be delivered unstreched, rolled in protective & presentable case.