• Impression, Sunrise, 1872
  • Young Man at His Window, 1875
  • Ligo Evening, 2011 - Vezur
  • Recumbent Nude, 1917
  • Adam and Eve, 1526
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • View Of Venice Fog, 1881
  • Reclining Semi-Nude with Red Hat, 1910
  • Harvest Time, 1878
  • Riga in begining of 20th century, 2011 - Vezur
  • Morning in a Pine Forest, 1889
  • Judith and the Head of Holofernes, 1901
  • Old Riga view, 2011 - Vezur
  • Dancers in Blue, 1890
  • Turaida Castle, 2011 - Vezur
  • The Boat, 2011 - Vezur
  • The End of Summer, 2011 -  Vezur
  • Portrait of Ida Rubenstein, 1910
  • The Midday Nap, 1894
  • Madame Pompador, 1915
  • Moonlight, 1874
  • Dancers in Riga Heart, 2011 - Vezur
  • Self Portrait With Spread Fingers, 1909
  • Strolling along the Seashore, 1909
  • Columbus Avenue, Rainy Day, 1885
  • Four Bathers, 1905
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • The Black Cat, 2011 - Vezur
  • Woman on a Terrace, 1857
  • Study of a Head, 1913
  • Autumn, 1877
  • Old Riga, 2011 - Vezur
  • Spring, 1879
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Chimney Sweeper, 2011 - Vezur
  • Almond Branches in Bloom, San Remy, 1890
  • Melancholy, 1874
  • The Large Bathers, 1906
  • Harlequin, 1890
  • Seated Nude, 1917
  • Horses, 2011 - Vezur
  • Adele Bloch Bauer I, 1907
  • Two Swans, 2011 - Vezur
  • An Angel
  • Nabis Landscape, 1890
  • The Last Supper, 1498
  • Standing Girl in a Plaid Garment, 1909
  • Dancers V, 1877
  • Moonrise over the Sea, 1822
  • Buddah In His Youth, 1904

Reclining Semi-Nude with Red Hat, 1910

Reclining Semi-Nude with Red Hat, 1910

Egon Schiele

Painting depicts Gertrude Schiele. Egon Schiele`s sister, four years his junior, was a compliant subject for him. Schiele draws no bed, no chair, only the provocative gesture of his sister`s body offering itself. Schiele's early paintings of Gerti convey something of her coy shyness. She rarely faces the viewer, and would later admit that she had been too embarrassed to pose nude at first and only allowed her brother to paint her from behind. Equally, the detached, voyeuristic angle from which the artist paints his model equally suggests an uneasy reluctance on Schiele's part to confront the female personality.

The painting will be delivered unstreched, rolled in protective & presentable case.