• The Red Vineyard, 1888
  • A Carnival Evening, 1886
  • Water Lilies, 1906
  • Nude Egyptian Girl, 1891
  • Self Portrait with Hands on Chest, 1910
  • The Second Youth, 2011 - Vezur
  • Two Tahitian Women, 1899
  • Landscape at Saint-Rémy, 1889
  • Portrait of Ida Rubenstein, 1910
  • Lane at the Jardin du Luxembourg, 1886
  • Study for The Spanish Dance, 1882
  • Saint John, 1892
  • The End of Summer, 2011 -  Vezur
  • The Sower, 1888
  • Two Swans, 2011 - Vezur
  • Tram No 10, 2011 - Vezur
  • Contrasting Sounds, 1924
  • Stehend Karyatide, 1913
  • Woman with Black Hat, 1909
  • Turaida Castle, 2011 - Vezur
  • Ballet Scene, 1879
  • Study of a Head, 1913
  • River Daugava, 2011 - Vezur
  • The Magpie, 1869
  • Buckwheat Harvesters at Pont-Aven, 1888
  • Negress, 1869
  • Pugacheva Taxi, 2011 - Vezur
  • Taking the Count, 1896
  • Judith and the Head of Holofernes, 1901
  • House of Blackheads, 2011 - Vezur
  • Cold Morning, 2011 - Vezur
  • The Midday Nap, 1894
  • Poppy field in Giverny, 1885
  • Moonrise over the Sea, 1822
  • Boreas , 1903
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Agony, 1912
  • Tree of Life, 1909
  • Marine bleue, 1893
  • Evocation
  • An Angel
  • Poppies at Argenteuil, 1873
  • Madame Camus with a Fan, 1870
  • Girls, 2011 - Vezur
  • Winter, 2011 - Vezur
  • Riga in begining of 20th century, 2011 - Vezur
  • Deauville, The Basin, 1892
  • Café Terrace at Night, 1888
  • Yellow Circle, 1926
  • Anna Pavlova in the Ballet Sylphyde, 1909

Reclining Semi-Nude with Red Hat, 1910

Reclining Semi-Nude with Red Hat, 1910

Egon Schiele

Painting depicts Gertrude Schiele. Egon Schiele`s sister, four years his junior, was a compliant subject for him. Schiele draws no bed, no chair, only the provocative gesture of his sister`s body offering itself. Schiele's early paintings of Gerti convey something of her coy shyness. She rarely faces the viewer, and would later admit that she had been too embarrassed to pose nude at first and only allowed her brother to paint her from behind. Equally, the detached, voyeuristic angle from which the artist paints his model equally suggests an uneasy reluctance on Schiele's part to confront the female personality.

The painting will be delivered unstreched, rolled in protective & presentable case.