• Judith and the Head of Holofernes, 1901
  • Recumbent Nude, 1917
  • Rosina, 1878
  • Anemones, 1909
  • Cagnes Landscape
  • The Rape of Europa, 1910
  • Lovers: Man and Woman I, 1914
  • Poppy field, 2011 - Vezur
  • Riegert aka Laima Clock, 2011 - Vezur
  • Strolling along the Seashore, 1909
  • The Green Dancer, 1880
  • The Druidess, 1893
  • La Sybille, 1891
  • Moonlight On The Loire Barbizon landscape
  • Ligo Evening, 2011 - Vezur
  • Interior, Woman at the Window, 1880
  • Mona Lisa, 1507
  • Poppies, 1886
  • Portrait Of The Painter Max Oppenheimer, 1910
  • Lady with fan, 1918
  • Old Riga, 2011 - Vezur
  • The Vision after the Sermon, 1888
  • Boat in the Moonlight
  • Independence Day, 2011 - Vezur
  • Four Trees, 1917
  • Big Red Buste, 1913
  • Man with a Pipe (aka The Man from Nice), 1918
  • Nude Egyptian Girl, 1891
  • Morning in a Pine Forest, 1889
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Winter at the seaside, 2011 - Vezur
  • A Friend in Need, 1903
  • Flying people, 2011 - Vezur
  • Woman with a Parasol and Small Child on a Sunlit Hillside,1874
  • Russian Belle and Landscape, 1904
  • The Buffalo Trail, 1867
  • Conversion, 1912
  • Moonlight, 1874
  • Wanderer above the Sea of Fog, 1818
  • Idyll in Tahiti, 1901
  • Foggy Morning, 2011 - Vezur
  • A Carnival Evening, 1886
  • Self Portrait with Arm Twisting above Head, 1910
  • Self Portrait with Hands on Chest, 1910
  • Midsummer Festival, 2011 - Vezur
  • Le Pêcheur (The Fisherman), 1909
  • The Banks of the River at Veneux, 1881
  • Poppies at Argenteuil, 1873
  • The Last Supper, 1498
  • Old Town In The Snow, 2011 - Vezur

Reclining Semi-Nude with Red Hat, 1910

Reclining Semi-Nude with Red Hat, 1910

Egon Schiele

Painting depicts Gertrude Schiele. Egon Schiele`s sister, four years his junior, was a compliant subject for him. Schiele draws no bed, no chair, only the provocative gesture of his sister`s body offering itself. Schiele's early paintings of Gerti convey something of her coy shyness. She rarely faces the viewer, and would later admit that she had been too embarrassed to pose nude at first and only allowed her brother to paint her from behind. Equally, the detached, voyeuristic angle from which the artist paints his model equally suggests an uneasy reluctance on Schiele's part to confront the female personality.

The painting will be delivered unstreched, rolled in protective & presentable case.