• Turaida Castle, 2011 - Vezur
  • Chimney Sweeper, 2011 - Vezur
  • The Football Players, 1908
  • Breath of the Earth, 2011 - Vezur
  • Riga at Night, 2011 - Vezur
  • Standing Girl in a Plaid Garment, 1909
  • Poppy field, 2011 - Vezur
  • Anemones, 1909
  • Daisy fields, 2011 - Vezur
  • Seacoast at Engure, 2011 - Vezur
  • An Angel
  • Le Pêcheur (The Fisherman), 1909
  • Flower Clouds, 1903
  • Study of a Head, 1913
  • Agony, 1912
  • Boat in the Moonlight
  • Midsummer Festival, 2011 - Vezur
  • The Boat, 2011 - Vezur
  • Woman with a Parasol and Small Child on a Sunlit Hillside,1874
  • Independence Day, 2011 - Vezur
  • Autumn, 1877
  • Lovers: Man and Woman I, 1914
  • Horses, 2011 - Vezur
  • Riga Springtime, 2011 - Vezur
  • Blue Dancers, 1899
  • The Sky, 2011 - Vezur
  • Opera House, 2011 - Vezur
  • Judith and the Head of Holofernes, 1901
  • Two Little Girls On The Beach, 1895
  • The Large Bathers, 1906
  • Columbus Avenue, Rainy Day, 1885
  • Stehend Karyatide, 1913
  • Water Lilies, 1906
  • Foggy Morning, 2011 - Vezur
  • River Daugava, 2011 - Vezur
  • Dancers in Riga Heart, 2011 - Vezur
  • Interior, Woman at the Window, 1880
  • Old Town Charm, 2011 - Vezur
  • Buckwheat Harvesters at Pont-Aven, 1888
  • Contrasting Sounds, 1924
  • Idyll in Tahiti, 1901
  • Evening in New York, 1890
  • Poppies, 1886
  • The Second Youth, 2011 - Vezur
  • Two Swans, 2011 - Vezur
  • The Starry Night, 1889
  • Kelly Pool, 1903
  • Valdemara street, 2011 - Vezur
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894

Reclining Semi-Nude with Red Hat, 1910

Reclining Semi-Nude with Red Hat, 1910

Egon Schiele

Painting depicts Gertrude Schiele. Egon Schiele`s sister, four years his junior, was a compliant subject for him. Schiele draws no bed, no chair, only the provocative gesture of his sister`s body offering itself. Schiele's early paintings of Gerti convey something of her coy shyness. She rarely faces the viewer, and would later admit that she had been too embarrassed to pose nude at first and only allowed her brother to paint her from behind. Equally, the detached, voyeuristic angle from which the artist paints his model equally suggests an uneasy reluctance on Schiele's part to confront the female personality.

The painting will be delivered unstreched, rolled in protective & presentable case.