• Portrait of Josette, 1916
  • Head Of A Woman With A Hat, 1907
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • The Kiss, 1908
  • Beatrice, 1897
  • The Bather, 1879
  • Spring, 1879
  • Midsummer Night, 1876
  • Dancers in Riga Heart, 2011 - Vezur
  • Ophelia, 1905
  • The Thames below Westminster, 1871
  • Portrait of Felix Feneon, 1890
  • Anemones, 1909
  • Nabis Landscape, 1890
  • Embrace aka Lovers II, 1917
  • Dandelions, Ventas Rumba, 2011 - Vezur
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • The End of Summer, 2011 -  Vezur
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Old Riga, 2011 - Vezur
  • Buddah In His Youth, 1904
  • Riga at Night, 2011 - Vezur
  • Agony, 1912
  • Chimney Sweeper, 2011 - Vezur
  • Autumn Sun I, 1912
  • Portrait of Ida Rubenstein, 1910
  • Riegert aka Laima Clock, 2011 - Vezur
  • Dancers V, 1877
  • A Friend in Need 2, 1903
  • Portrait of a European Lady in Japanese Costume
  • Lady of the Flowers, 1895
  • Self Portrait With Spread Fingers, 1909
  • Old Town In The Snow, 2011 - Vezur
  • Autumn, 1877
  • Anna Pavlova in the Ballet Sylphyde, 1909
  • Walk Along The Sea, 2011 - Vezur
  • Riga in Blue, 2011 - Vezur
  • The Rape of Europa, 1910
  • Mona Lisa, 1507
  • Sun Walk Over The Bridge, 2011 - Vezur
  • Golden autumn, 2011 - Vezur
  • The Midday Nap, 1894
  • Pugacheva Taxi, 2011 - Vezur
  • River Daugava, 2011 - Vezur
  • Moonlight On The Loire Barbizon landscape
  • Garden Study of the Vickers Children, 1884
  • Foggy Morning, 2011 - Vezur
  • Paris Street - Rainy Weather, 1877
  • Entrance to harbor, Moonlight, 1881
  • Bare Tree behind a Fence, 1912

Reclining Semi-Nude with Red Hat, 1910

Reclining Semi-Nude with Red Hat, 1910

Egon Schiele

Painting depicts Gertrude Schiele. Egon Schiele`s sister, four years his junior, was a compliant subject for him. Schiele draws no bed, no chair, only the provocative gesture of his sister`s body offering itself. Schiele's early paintings of Gerti convey something of her coy shyness. She rarely faces the viewer, and would later admit that she had been too embarrassed to pose nude at first and only allowed her brother to paint her from behind. Equally, the detached, voyeuristic angle from which the artist paints his model equally suggests an uneasy reluctance on Schiele's part to confront the female personality.

The painting will be delivered unstreched, rolled in protective & presentable case.