• The Hope II, 1908
  • The Green Dancer, 1880
  • Poppies at Argenteuil, 1873
  • Flowers in a Vase, 1866
  • Wanderer above the Sea of Fog, 1818
  • Woman on a Terrace, 1857
  • Gloomy Situation, 1933
  • Yellow Circle, 1926
  • Dancers, 2011 - Vezur
  • Spring, 1879
  • Lady of the Flowers, 1895
  • Saint John, 1892
  • Caricature Self Portrait, 1889
  • Seacoast at Engure, 2011 - Vezur
  • Walk Along The Sea, 2011 - Vezur
  • Boreas , 1903
  • Big Red Buste, 1913
  • Summer Evening, 1886
  • Melancholy, 1874
  • Russian Belle and Landscape, 1904
  • Poppies, 1886
  • Strolling along the Seashore, 1909
  • Recumbent Nude, 1917
  • Entrance to harbor, Moonlight, 1881
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Portrait of a European Lady in Japanese Costume
  • Old Town Charm, 2011 - Vezur
  • Dancers in Blue, 1890
  • Pugacheva Taxi, 2011 - Vezur
  • Bare Tree behind a Fence, 1912
  • Old Town In The Snow, 2011 - Vezur
  • Opera House, 2011 - Vezur
  • Dance Festival, 2011 - Vezur
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Two Tahitian Women, 1899
  • Vase Of Poppies, 1909
  • Kelly Pool, 1903
  • Marine bleue, 1893
  • Harvest Time, 1878
  • Standing Girl in a Plaid Garment, 1909
  • Poppy field, 2011 - Vezur
  • Tram No 10, 2011 - Vezur
  • Young Man at His Window, 1875
  • Portraits at the Stock Exchange, 1879
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • Chimney Sweeper, 2011 - Vezur
  • Study of a Figure Outdoors (Facing Right), 1886
  • Blue Dancers, 1899
  • The Sleeping Gypsy, 1897
  • Flower Clouds, 1903

Reclining Semi-Nude with Red Hat, 1910

Reclining Semi-Nude with Red Hat, 1910

Egon Schiele

Painting depicts Gertrude Schiele. Egon Schiele`s sister, four years his junior, was a compliant subject for him. Schiele draws no bed, no chair, only the provocative gesture of his sister`s body offering itself. Schiele's early paintings of Gerti convey something of her coy shyness. She rarely faces the viewer, and would later admit that she had been too embarrassed to pose nude at first and only allowed her brother to paint her from behind. Equally, the detached, voyeuristic angle from which the artist paints his model equally suggests an uneasy reluctance on Schiele's part to confront the female personality.

The painting will be delivered unstreched, rolled in protective & presentable case.