• A Friend in Need, 1903
  • Judith and the Head of Holofernes, 1901
  • Flower Clouds, 1903
  • Tree of Life, 1909
  • The Haymaker, 1886
  • Garden Study of the Vickers Children, 1884
  • Idyll in Tahiti, 1901
  • Mother And Child Aka Madonna, 1908
  • Lane at the Jardin du Luxembourg, 1886
  • Wheat Field With Reaper And Sun, 1889
  • Forest, 2011 - Vezur
  • Entrance to harbor, Moonlight, 1881
  • La Sybille, 1891
  • Lady with hat and feather boa, 1909
  • Wanderer above the Sea of Fog, 1818
  • Deauville, The Basin, 1892
  • Moonrise over the Sea, 1822
  • Winter, 2011 - Vezur
  • Zwei Akte, 1890
  • Study of a Head, 1913
  • Conversion, 1912
  • Sea coast, 2011 - Vezur
  • Melancholy, 1874
  • The Sower, 1888
  • Four Trees, 1917
  • Standing Girl in a Plaid Garment, 1909
  • An Angel
  • Study of a Figure Outdoors (Facing Right), 1886
  • Summer Evening, 1886
  • Recumbent Nude, 1917
  • Mona Lisa, 1507
  • Valdemara street, 2011 - Vezur
  • The Sky, 2011 - Vezur
  • Cagnes Landscape
  • The Thames below Westminster, 1871
  • Dancers, 2011 - Vezur
  • The Football Players, 1908
  • Old Town Back In 30's, 2011 - Vezur
  • A Friend in Need 2, 1903
  • Blue cow, 2011 - Vezur
  • Portrait of a Man, 1923
  • Cold Morning, 2011 - Vezur
  • Nude Egyptian Girl, 1891
  • Man with a Pipe (aka The Man from Nice), 1918
  • Antibes Seen from the Salis Garden, 1888
  • Lovers: Man and Woman I, 1914
  • Daisy fields, 2011 - Vezur
  • Saint John, 1892
  • Agony, 1912
  • Portrait of Felix Feneon, 1890

Portraits at the Stock Exchange, 1879

Portraits at the Stock Exchange, 1879

Edgar Degas

This painting is interpreted as an anti-Semitic depiction of Jews in Paris, due especially to the exaggerated features and postures of the subjects. In Europe during the late 19th century there were fears of a financial conspiracy, in which Jewish financiers were thought to manipulate business for their gain. In fact, Degas's anti-Semitism may have been fueled by the bankruptcy of his own family's banking business, leaving Degas with some degree of resentment toward banking and those who symbolized it. Portraits, At the Stock Exchange also falls under the Impressionism movement of painting. Evidence for this can be seen in the painting's quick, somewhat abstract brushstrokes. This painting currently resides in the Musée d'Orsay in Paris.

The painting will be delivered unstreched, rolled in protective & presentable case.