• The Star, 1878
  • Embrace aka Lovers II, 1917
  • The Last Supper, 1498
  • Seacoast at Engure, 2011 - Vezur
  • The Bather, 1879
  • Madame Pompador, 1915
  • Cold Morning, 2011 - Vezur
  • Buddah In His Youth, 1904
  • Riegert aka Laima Clock, 2011 - Vezur
  • Study of a Figure Outdoors (Facing Right), 1886
  • Adam and Eve, 1526
  • Fields of Gold, 2011 - Vezur
  • Poppies, 1886
  • A Friend in Need, 1903
  • Negress, 1869
  • Old Riga view, 2011 - Vezur
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Man with a Pipe (aka The Man from Nice), 1918
  • Saint John, 1892
  • Orange Trees, 1878
  • Russian Belle and Landscape, 1904
  • Ophelia, 1905
  • Lying act, 1917
  • The Hope II, 1908
  • The Man on the Balcony, 1880
  • The Midday Nap, 1894
  • Cagnes Landscape
  • Cherubini, 1514
  • The Sower, 1888
  • Walk Along The Sea, 2011 - Vezur
  • Old Riga, 2011 - Vezur
  • Study for The Spanish Dance, 1882
  • Strolling along the Seashore, 1909
  • Moonlight On The Loire Barbizon landscape
  • Poppy field in Giverny, 1885
  • Two Little Girls On The Beach, 1895
  • A Friend in Need 2, 1903
  • Bridge of Europe, 1877
  • Two Swans, 2011 - Vezur
  • Almond Branches in Bloom, San Remy, 1890
  • Bare Tree behind a Fence, 1912
  • Beatrice, 1897
  • View Of Venice Fog, 1881
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • The Sky, 2011 - Vezur
  • Garden Study of the Vickers Children, 1884
  • Gloomy Situation, 1933
  • Portrait of Felix Feneon, 1890
  • A Carnival Evening, 1886
  • The Starry Night, 1889

Portrait Of The Painter Max Oppenheimer, 1910

Portrait Of The Painter Max Oppenheimer, 1910

Egon Schiele

Max Oppenheimer, a native of Vienna, began to study art at the Academy at the age of fifteen, continuing from 1903 at the Prague Art Academy. In 1906 Max Oppenheimer joined the Prague group "OSMA" (the Eight), one of the first associations of Czech avant-garde artists. At the time Oppenheimer's style revealed a growing interest in Impressionist painting, especially that of Max Liebermann.
In 1908 Max Oppenheimer moved back to Vienna, joining the circle of Oskar Kokoschka and Egon Schiele. His encounter with Kokoschka's painting exerted a formative influence on Oppenheimer, especially in the field of the psychological portrait. After participating in several group shows, Oppenheimer had his first one-man show at the Moderne Galerie in Munich in 1911.
That same year Oppenheimer began to work on the journal "Die Aktion", founded by Franz Pfemfert in Berlin. In 1915 Oppenheimer moved to Switzerland, where he would remain, with interruptions, until 1924. His style of painting subsequently incorporated Cubist elements that would become characteristic of his work. Introduced to Dada in 1916, Oppenheimer participated in the first Dada exhibition in Zurich that year.
Max Oppenheimer embarked on his celebrated orchestra scenes, which were shown in 1924 at a large-scale group exhibition mounted by the Vienna Haagebund.
Oppenheimer went to Berlin again in 1926 but by 1931 the political situation in Germany was so fraught, that he decided to return to Vienna. A year later his work was confiscated during the widespread wave of persecution of Jews and SA defamation of their work that followed the Reichstag fire. In 1932 Oppenheimer participated a last time in a group show at the Vienna Künstlerhaus before fleeing to Switzerland in 1938.
In 1939 Oppenheimer emigrated to the US, where his work revealed a reversion to earlier ideas. Shortly before his death in his New York apartment on 19 May 1954, Max Oppenheimer was experimenting with American Abstract Expressionism.
 

Source: www.max-oppenheimer.com.

The painting will be delivered unstreched, rolled in protective & presentable case.