• Lady with fan, 1918
  • Antibes Seen from the Salis Garden, 1888
  • The Bather, 1879
  • Self Portrait with Hands on Chest, 1910
  • Buckwheat Harvesters at Pont-Aven, 1888
  • View Of Venice Fog, 1881
  • The Green Dancer, 1880
  • Dancers V, 1877
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Horses, 2011 - Vezur
  • Tree of Life, 1909
  • When The Grass Was Greener, 2011 - Vezur
  • Strolling along the Seashore, 1909
  • Walk Along The Sea, 2011 - Vezur
  • Winter at the seaside, 2011 - Vezur
  • Self Portrait with Arm Twisting above Head, 1910
  • Stehend Karyatide, 1913
  • Wanderer above the Sea of Fog, 1818
  • Deauville, The Basin, 1892
  • Fields of Gold, 2011 - Vezur
  • Gloomy Situation, 1933
  • Nabis Landscape, 1890
  • Paris Street - Rainy Weather, 1877
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • The Sky, 2011 - Vezur
  • Poppies, 1886
  • Poppy field in Giverny, 1885
  • Contrasting Sounds, 1924
  • Dancers in Blue, 1890
  • Adele Bloch Bauer I, 1907
  • Two Little Girls On The Beach, 1895
  • Seacoast at Kurzeme, 2011 - Vezur
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Four Trees, 1917
  • A Gust of Wind, 1883
  • Agony, 1912
  • The Magpie, 1869
  • The Sleeping Gypsy, 1897
  • Lady of the Flowers, 1895
  • Melancholy, 1874
  • Old Riga, 2011 - Vezur
  • Madame Camus with a Fan, 1870
  • Big Red Buste, 1913
  • Embrace aka Lovers II, 1917
  • Girl with a Pearl Earring, 1666
  • Two Tahitian Women, 1899
  • The Thames below Westminster, 1871
  • Young Man at His Window, 1875
  • The Veteran in a New Field, 1865
  • Entrance to harbor, Moonlight, 1881

Negress, 1869

Negress, 1869

Thomas Eakins

This painting was done when Thomas Eakins went through 3 years of rigorous academic training at the École des Beaux-Arts under Jean Leon Gerome at Paris.
In the European imaginary, the black female body was forced to conform to multiple (and contradictory) gendered roles. The most frequently rehearsed role assigned to the black female was that of the alluring temptress. Nineteenth-century naturalists sustained a correlation between the physical attributes of the négresse and her excessive sexual appetites. Eakins’s image adhered to many of the expected somatic characteristics of the black female body, it avoided the distilled (and presumed) verisimilitude that was the hallmark of Eakins’s teacher, Gerome. Same model appears in few Bazille paintings.
 

The painting will be delivered unstreched, rolled in protective & presentable case.