• Cherubini, 1514
  • Old Town In The Snow, 2011 - Vezur
  • Beatrice, 1897
  • Landscape at Saint-Rémy, 1889
  • Nude Egyptian Girl, 1891
  • Riegert aka Laima Clock, 2011 - Vezur
  • Harvest Time, 1878
  • Study of a Figure Outdoors (Facing Right), 1886
  • Bridge of Europe, 1877
  • Portrait of a Man, 1923
  • Caricature Self Portrait, 1889
  • Portrait of Felix Feneon, 1890
  • Two Little Girls On The Beach, 1895
  • Chimney Sweeper, 2011 - Vezur
  • Lady of the Flowers, 1895
  • Winter at the seaside, 2011 - Vezur
  • The Rape of Europa, 1910
  • The Football Players, 1908
  • Evocation
  • The Vision after the Sermon, 1888
  • Sea coast, 2011 - Vezur
  • The Red Vineyard, 1888
  • Riga in Blue, 2011 - Vezur
  • Embrace aka Lovers II, 1917
  • La Sybille, 1891
  • The Last Supper, 1498
  • Reclining Semi-Nude with Red Hat, 1910
  • Saint John, 1892
  • Flowers in a Vase, 1866
  • Interior, Woman at the Window, 1880
  • Midsummer Festival, 2011 - Vezur
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Almond Branches in Bloom, San Remy, 1890
  • The Man on the Balcony, 1880
  • The Magpie, 1869
  • Dancers in Blue, 1890
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • The Boat, 2011 - Vezur
  • An Angel
  • The Banks of the River at Veneux, 1881
  • Dome Square, 2011 - Vezur
  • Dancers, 2011 - Vezur
  • Yellow Circle, 1926
  • The Midday Nap, 1894
  • Ophelia, 1905
  • The Black Cat, 2011 - Vezur
  • A Carnival Evening, 1886
  • Riga at Night, 2011 - Vezur
  • Portrait of Ida Rubenstein, 1910
  • Zwei Akte, 1890

Moonlight On The Loire Barbizon landscape

Moonlight On The Loire Barbizon landscape

Harpignies Henri

The bridge to French Impressionism from Academism was at the village of Barbizon, near the forest of Fontainebleu, with painters who were active between 1830 and 1880. At Barbizon, these French painters established the first art colony in western culture. Although their work varied in style and content, they shared innovative commitments that opened doors to Impressionism. The most revolutionary of their common pursuits was plein-air painting, facilitated by the invention in the 1840s of malleable-lead paint tubes. Also they diluted realism by experimenting with the effects of light and by conveyance of shapes through blocks of color arrangements. Tonalism, most associated with Corot, was the prevalent style that emerged and was achieved with somber colors and muted delineation that suggested fading light, misty weather, and a time for quiet and meditation.

The painting will be delivered unstreched, rolled in protective & presentable case.