• The Sower, 1888
  • Morning in a Pine Forest, 1889
  • Spring, 1879
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • The Sky, 2011 - Vezur
  • Reclining Semi-Nude with Red Hat, 1910
  • Beatrice, 1897
  • Lady with fan, 1918
  • Lying act, 1917
  • Nude Egyptian Girl, 1891
  • Self Portrait with Hands on Chest, 1910
  • Autumn, 1877
  • Music-I, 1895
  • Girls, 2011 - Vezur
  • Riga Springtime, 2011 - Vezur
  • Dome Square, 2011 - Vezur
  • Two Swans, 2011 - Vezur
  • Avenue of poplars at sunset, 1884
  • When The Grass Was Greener, 2011 - Vezur
  • Head Of A Woman With A Hat, 1907
  • Lovers: Man and Woman I, 1914
  • Ballet Scene, 1879
  • Stehend Karyatide, 1913
  • Woman with Black Hat, 1909
  • Nabis Landscape, 1890
  • The Man on the Balcony, 1880
  • A Friend in Need 2, 1903
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • Poppy field in Giverny, 1885
  • Landscape at Saint-Rémy, 1889
  • Buckwheat Harvesters at Pont-Aven, 1888
  • Moonrise over the Sea, 1822
  • Garden Study of the Vickers Children, 1884
  • Blue Dancers, 1899
  • Sea coast, 2011 - Vezur
  • Wheat Field With Reaper And Sun, 1889
  • Tree of Life, 1909
  • The Second Youth, 2011 - Vezur
  • Fields of Gold, 2011 - Vezur
  • Big Red Buste, 1913
  • Pugacheva Taxi, 2011 - Vezur
  • Contrasting Sounds, 1924
  • Chimney Sweeper, 2011 - Vezur
  • Rosina, 1878
  • View Of Venice Fog, 1881
  • Dancers in Riga Heart, 2011 - Vezur
  • Marine bleue, 1893
  • The Hope II, 1908
  • Walk Along The Sea, 2011 - Vezur
  • Taking the Count, 1896

Moonlight On The Loire Barbizon landscape

Moonlight On The Loire Barbizon landscape

Harpignies Henri

The bridge to French Impressionism from Academism was at the village of Barbizon, near the forest of Fontainebleu, with painters who were active between 1830 and 1880. At Barbizon, these French painters established the first art colony in western culture. Although their work varied in style and content, they shared innovative commitments that opened doors to Impressionism. The most revolutionary of their common pursuits was plein-air painting, facilitated by the invention in the 1840s of malleable-lead paint tubes. Also they diluted realism by experimenting with the effects of light and by conveyance of shapes through blocks of color arrangements. Tonalism, most associated with Corot, was the prevalent style that emerged and was achieved with somber colors and muted delineation that suggested fading light, misty weather, and a time for quiet and meditation.

The painting will be delivered unstreched, rolled in protective & presentable case.