• Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • The Sower, 1888
  • The Rape of Europa, 1910
  • Evocation
  • The Sleeping Gypsy, 1897
  • Countryside, 2011 - Vezur
  • Riga Springtime, 2011 - Vezur
  • Reclining Semi-Nude with Red Hat, 1910
  • The Football Players, 1908
  • Horses, 2011 - Vezur
  • Ophelia, 1905
  • Saint John, 1892
  • Portrait Of The Painter Max Oppenheimer, 1910
  • A Gust of Wind, 1883
  • Study of a Figure Outdoors (Facing Right), 1886
  • The Bather, 1879
  • Adele Bloch Bauer I, 1907
  • Judith and the Head of Holofernes, 1901
  • Evening on Volga, 1888
  • Interior, Woman at the Window, 1880
  • Wheat Field With Reaper And Sun, 1889
  • Big Red Buste, 1913
  • Self Portrait with Arm Twisting above Head, 1910
  • Midsummer Night, 1876
  • The Man on the Balcony, 1880
  • Turaida Castle, 2011 - Vezur
  • View Of Venice Fog, 1881
  • Woman with Black Hat, 1909
  • The Second Youth, 2011 - Vezur
  • Dancers in Blue, 1890
  • Columbus Avenue, Rainy Day, 1885
  • When The Grass Was Greener, 2011 - Vezur
  • Moonrise over the Sea, 1822
  • Golden autumn, 2011 - Vezur
  • Forest, 2011 - Vezur
  • Russian Belle and Landscape, 1904
  • Self Portrait With Spread Fingers, 1909
  • Deauville, The Basin, 1892
  • Contrasting Sounds, 1924
  • Beatrice, 1897
  • Lady of the Flowers, 1895
  • Pugacheva Taxi, 2011 - Vezur
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Ballet Scene, 1879
  • Harlequin, 1890
  • Man with a Pipe (aka The Man from Nice), 1918
  • San Giorgio Maggiore at Dusk, 1908
  • Riga in Blue, 2011 - Vezur
  • Dancers in Riga Heart, 2011 - Vezur
  • Embrace aka Lovers II, 1917

Melancholy, 1874

Melancholy, 1874

Edgar Degas

Sex, money, politics, race. They were all roiling concerns in Degas's extended family, whose members were the focus of his work during his visit here in the winter of 1872-73, and who, to judge from the paintings, he saw in a troubled light: the men engaged in business, fending off financial calamity, the women in melancholy isolation at home, the children in seemingly aimless play. These years he draw portraits of unidentified invalids and particularly of his cousins, his uncle Michel's three daughters Mathilde, Desiree and especially Estelle show a side of Degas that has rarely been so scrutinized. The paintings are not merely pensive, they are, over all, very sad and created not only with intellect but also empathy.

This paintings original can be found at Phillips Collection, Washington, DC, USA.

The painting will be delivered unstreched, rolled in protective & presentable case.