• Seacoast at Kurzeme, 2011 - Vezur
  • Sun Walk Over The Bridge, 2011 - Vezur
  • The Second Youth, 2011 - Vezur
  • Riga in begining of 20th century, 2011 - Vezur
  • Lady with hat and feather boa, 1909
  • Autumn, 1877
  • Entrance to harbor, Moonlight, 1881
  • Portrait of Ida Rubenstein, 1910
  • Evening in New York, 1890
  • Ballet Scene, 1879
  • Study for The Spanish Dance, 1882
  • Stork, 2011 - Vezur
  • Woman on a Terrace, 1857
  • When The Grass Was Greener, 2011 - Vezur
  • Adam and Eve, 1526
  • Saint John, 1892
  • La Sybille, 1891
  • Man with a Pipe (aka The Man from Nice), 1918
  • Study of a Head, 1913
  • The Football Players, 1908
  • A Friend in Need, 1903
  • The Kiss, 1908
  • Strolling along the Seashore, 1909
  • Old Riga, 2011 - Vezur
  • Seacoast at Engure, 2011 - Vezur
  • Autumn Sun I, 1912
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Boat in the Moonlight
  • Winter, 2011 - Vezur
  • Harlequin, 1890
  • Old Town In The Snow, 2011 - Vezur
  • Golden autumn, 2011 - Vezur
  • Flying people, 2011 - Vezur
  • Young Man at His Window, 1875
  • Taking the Count, 1896
  • Walk Along The Sea, 2011 - Vezur
  • Kelly Pool, 1903
  • Dancers V, 1877
  • Riegert aka Laima Clock, 2011 - Vezur
  • Self Portrait with Hands on Chest, 1910
  • Bridge of Europe, 1877
  • Judith and the Head of Holofernes, 1901
  • Spring, 1879
  • Water Lilies, Green Reflection, Left Part, 1923
  • The Man on the Balcony, 1880
  • Evening on Volga, 1888
  • Dance Festival, 2011 - Vezur
  • The Magpie, 1869
  • Cherubini, 1514
  • Horses, 2011 - Vezur

Melancholy, 1874

Melancholy, 1874

Edgar Degas

Sex, money, politics, race. They were all roiling concerns in Degas's extended family, whose members were the focus of his work during his visit here in the winter of 1872-73, and who, to judge from the paintings, he saw in a troubled light: the men engaged in business, fending off financial calamity, the women in melancholy isolation at home, the children in seemingly aimless play. These years he draw portraits of unidentified invalids and particularly of his cousins, his uncle Michel's three daughters Mathilde, Desiree and especially Estelle show a side of Degas that has rarely been so scrutinized. The paintings are not merely pensive, they are, over all, very sad and created not only with intellect but also empathy.

This paintings original can be found at Phillips Collection, Washington, DC, USA.

The painting will be delivered unstreched, rolled in protective & presentable case.