• The Magpie, 1869
  • Turaida Castle, 2011 - Vezur
  • Passion for Dance, 2011 - Vezur
  • Blue cow, 2011 - Vezur
  • The Sleeping Gypsy, 1897
  • Poppies at Argenteuil, 1873
  • Seated Nude, 1917
  • Seacoast at Kurzeme, 2011 - Vezur
  • Dancers in Blue, 1890
  • Old Riga, 2011 - Vezur
  • Avenue of poplars at sunset, 1884
  • Study for The Spanish Dance, 1882
  • Breath of the Earth, 2011 - Vezur
  • The Banks of the River at Veneux, 1881
  • The Hope II, 1908
  • Cherubini, 1514
  • Melancholy, 1874
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • House of Blackheads, 2011 - Vezur
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Flowers in a Vase, 1866
  • Old Town In The Snow, 2011 - Vezur
  • Girls, 2011 - Vezur
  • Adam and Eve, 1526
  • Anna Pavlova in the Ballet Sylphyde, 1909
  • Tree of Life, 1909
  • An Angel
  • Four Trees, 1917
  • Riga at Night, 2011 - Vezur
  • Woman with a Parasol and Small Child on a Sunlit Hillside,1874
  • Autumn Sun I, 1912
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Fields of Gold, 2011 - Vezur
  • The Green Dancer, 1880
  • Dandelions, Ventas Rumba, 2011 - Vezur
  • Taking the Count, 1896
  • Recumbent Nude, 1917
  • Strolling along the Seashore, 1909
  • Vase Of Poppies, 1909
  • Autumn, 1877
  • Horses, 2011 - Vezur
  • The Vision after the Sermon, 1888
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • The Sky, 2011 - Vezur
  • Study of a Figure Outdoors (Facing Right), 1886
  • Riegert aka Laima Clock, 2011 - Vezur
  • Young Man at His Window, 1875
  • The Red Vineyard, 1888
  • The Veteran in a New Field, 1865
  • Old Town Charm, 2011 - Vezur

Marine bleue, 1893

Marine bleue, 1893

Georges Lacombe

Georges Lacombe took nature and shaped it with his brushes as deliberately as he carved it in wood. Marine bleue models shapeliness on canvas as well as any sculptor could chisel from marble. From the three primary colors, Lacombe created waves fringed with peacock feathered turbulence, flying up in pink mist, as though pointing toward their source in the clouds. The high horizon may be borrowed from the Japanese prints that Lacombe loved, but it suits Lacombe’s intentions. This, like Lacombe’s other paintings, is the coast of Finistere as he experienced it. To be sure, the drama was there in Camaret-sur-mer. The colors were Lacombe’s invention but the ocean crashing against jagged rocks was an unceasing natural drama.

The painting will be delivered unstreched, rolled in protective & presentable case.