• Le Pêcheur (The Fisherman), 1909
  • Riga in begining of 20th century, 2011 - Vezur
  • Harlequin, 1890
  • Study of a Figure Outdoors (Facing Right), 1886
  • House of Blackheads, 2011 - Vezur
  • When The Grass Was Greener, 2011 - Vezur
  • Blue Dancers, 1899
  • Tree of Life, 1909
  • Cagnes Landscape
  • The Football Players, 1908
  • The Vision after the Sermon, 1888
  • Sun Walk Over The Bridge, 2011 - Vezur
  • The Banks of the River at Veneux, 1881
  • Riegert aka Laima Clock, 2011 - Vezur
  • Morning in a Pine Forest, 1889
  • Haymaking, 2011 - Vezur
  • Old Town Charm, 2011 - Vezur
  • Lady of the Flowers, 1895
  • Turaida Castle, 2011 - Vezur
  • Riga in Blue, 2011 - Vezur
  • The Boat, 2011 - Vezur
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Dome Square, 2011 - Vezur
  • Seacoast at Engure, 2011 - Vezur
  • Girl with a Pearl Earring, 1666
  • Man with a Pipe (aka The Man from Nice), 1918
  • Woman with Black Hat, 1909
  • Buckwheat Harvesters at Pont-Aven, 1888
  • Sunflowers, 1888
  • Negress, 1869
  • Wanderer above the Sea of Fog, 1818
  • Beatrice, 1897
  • Spring, 1879
  • Portrait of a European Lady in Japanese Costume
  • Anemones, 1909
  • Water Lilies, Green Reflection, Left Part, 1923
  • The Large Bathers, 1906
  • Marine bleue, 1893
  • Woman on a Terrace, 1857
  • Evening on Volga, 1888
  • Buddah In His Youth, 1904
  • Poppy field, 2011 - Vezur
  • The Black Cat, 2011 - Vezur
  • The Second Youth, 2011 - Vezur
  • The Thames below Westminster, 1871
  • Four Bathers, 1905
  • Forest, 2011 - Vezur
  • Deauville, The Basin, 1892
  • Antibes Seen from the Salis Garden, 1888
  • Dance Festival, 2011 - Vezur

Marine bleue, 1893

Marine bleue, 1893

Georges Lacombe

Georges Lacombe took nature and shaped it with his brushes as deliberately as he carved it in wood. Marine bleue models shapeliness on canvas as well as any sculptor could chisel from marble. From the three primary colors, Lacombe created waves fringed with peacock feathered turbulence, flying up in pink mist, as though pointing toward their source in the clouds. The high horizon may be borrowed from the Japanese prints that Lacombe loved, but it suits Lacombe’s intentions. This, like Lacombe’s other paintings, is the coast of Finistere as he experienced it. To be sure, the drama was there in Camaret-sur-mer. The colors were Lacombe’s invention but the ocean crashing against jagged rocks was an unceasing natural drama.

The painting will be delivered unstreched, rolled in protective & presentable case.