• Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • An Angel
  • Orange Trees, 1878
  • Riga at Night, 2011 - Vezur
  • Buddah In His Youth, 1904
  • Countryside, 2011 - Vezur
  • Riga at sunset, 2011 - Vezur
  • Entrance to harbor, Moonlight, 1881
  • Nabis Landscape, 1890
  • Morning in a Pine Forest, 1889
  • Music-I, 1895
  • Wheat Field With Reaper And Sun, 1889
  • Portrait of a European Lady in Japanese Costume
  • Midsummer Festival, 2011 - Vezur
  • Stehend Karyatide, 1913
  • Autumn Sun I, 1912
  • The Large Bathers, 1906
  • Woman with Black Hat, 1909
  • Agony, 1912
  • Seated Nude, 1917
  • Lane at the Jardin du Luxembourg, 1886
  • When The Grass Was Greener, 2011 - Vezur
  • Big Red Buste, 1913
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Flowers in a Vase, 1866
  • Self Portrait With Spread Fingers, 1909
  • Zwei Akte, 1890
  • Moonrise over the Sea, 1822
  • River bank, 2011 - Vezur
  • Dead Mother, 1910
  • Portraits at the Stock Exchange, 1879
  • Dancers, 2011 - Vezur
  • Beatrice, 1897
  • Spring, 1879
  • Columbus Avenue, Rainy Day, 1885
  • The Last Supper, 1498
  • The Haymaker, 1886
  • Forest, 2011 - Vezur
  • Dancers V, 1877
  • The Star, 1878
  • Madame Pompador, 1915
  • Blue cow, 2011 - Vezur
  • Conversion, 1912
  • Sun Walk Over The Bridge, 2011 - Vezur
  • Poppy field, 2011 - Vezur
  • Haymaking, 2011 - Vezur
  • Winter, 2011 - Vezur
  • Self Portrait with Hands on Chest, 1910
  • The Hope II, 1908
  • Lying act, 1917

Marine bleue, 1893

Marine bleue, 1893

Georges Lacombe

Georges Lacombe took nature and shaped it with his brushes as deliberately as he carved it in wood. Marine bleue models shapeliness on canvas as well as any sculptor could chisel from marble. From the three primary colors, Lacombe created waves fringed with peacock feathered turbulence, flying up in pink mist, as though pointing toward their source in the clouds. The high horizon may be borrowed from the Japanese prints that Lacombe loved, but it suits Lacombe’s intentions. This, like Lacombe’s other paintings, is the coast of Finistere as he experienced it. To be sure, the drama was there in Camaret-sur-mer. The colors were Lacombe’s invention but the ocean crashing against jagged rocks was an unceasing natural drama.

The painting will be delivered unstreched, rolled in protective & presentable case.