• La Sybille, 1891
  • Opera House, 2011 - Vezur
  • Man with a Pipe (aka The Man from Nice), 1918
  • Evening on Volga, 1888
  • Zwei Akte, 1890
  • Old Town Charm, 2011 - Vezur
  • Fields of Gold, 2011 - Vezur
  • Midsummer Night, 1876
  • Self Portrait with Arm Twisting above Head, 1910
  • Spring, 1879
  • The Football Players, 1908
  • The Boat, 2011 - Vezur
  • Water Lilies, 1906
  • Tram No 10, 2011 - Vezur
  • A Friend in Need 2, 1903
  • The Second Youth, 2011 - Vezur
  • Portrait of Ida Rubenstein, 1910
  • Orange Trees, 1878
  • Lying act, 1917
  • Foggy Morning, 2011 - Vezur
  • Old Riga view, 2011 - Vezur
  • Impression, Sunrise, 1872
  • Conversion, 1912
  • Passion for Dance, 2011 - Vezur
  • Girl with a Pearl Earring, 1666
  • Self Portrait With Spread Fingers, 1909
  • The Woman Friends, 1917
  • The Sower, 1888
  • The Hope II, 1908
  • Stork, 2011 - Vezur
  • Evocation
  • Portraits at the Stock Exchange, 1879
  • The Magpie, 1869
  • Walk Along The Sea, 2011 - Vezur
  • Melancholy, 1874
  • A Friend in Need, 1903
  • Seacoast at Kurzeme, 2011 - Vezur
  • Young Man at His Window, 1875
  • Winter at the seaside, 2011 - Vezur
  • Seacoast at Engure, 2011 - Vezur
  • Haymaking, 2011 - Vezur
  • Spanish Dancer, 1882
  • Flying people, 2011 - Vezur
  • An Angel
  • Anna Pavlova in the Ballet Sylphyde, 1909
  • Head Of A Woman With A Hat, 1907
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Flower Clouds, 1903
  • Embrace aka Lovers II, 1917
  • Breath of the Earth, 2011 - Vezur

Marine bleue, 1893

Marine bleue, 1893

Georges Lacombe

Georges Lacombe took nature and shaped it with his brushes as deliberately as he carved it in wood. Marine bleue models shapeliness on canvas as well as any sculptor could chisel from marble. From the three primary colors, Lacombe created waves fringed with peacock feathered turbulence, flying up in pink mist, as though pointing toward their source in the clouds. The high horizon may be borrowed from the Japanese prints that Lacombe loved, but it suits Lacombe’s intentions. This, like Lacombe’s other paintings, is the coast of Finistere as he experienced it. To be sure, the drama was there in Camaret-sur-mer. The colors were Lacombe’s invention but the ocean crashing against jagged rocks was an unceasing natural drama.

The painting will be delivered unstreched, rolled in protective & presentable case.