• Study of a Head, 1913
  • Spanish Dancer, 1882
  • Four Trees, 1917
  • The Second Youth, 2011 - Vezur
  • Landscape at Saint-Rémy, 1889
  • Fields of Gold, 2011 - Vezur
  • Portrait of a Man, 1923
  • The Red Vineyard, 1888
  • Cagnes Landscape
  • Valdemara street, 2011 - Vezur
  • Buckwheat Harvesters at Pont-Aven, 1888
  • Old Riga view, 2011 - Vezur
  • Deauville, The Basin, 1892
  • Tram No 10, 2011 - Vezur
  • Nude Egyptian Girl, 1891
  • Water Lilies, 1906
  • Evocation
  • Dome Square, 2011 - Vezur
  • Zwei Akte, 1890
  • Dancers V, 1877
  • Strolling along the Seashore, 1909
  • Riga in begining of 20th century, 2011 - Vezur
  • Golden autumn, 2011 - Vezur
  • Seated Nude, 1917
  • Tree of Life, 1909
  • Harlequin, 1890
  • Midsummer Night, 1876
  • Portrait of a European Lady in Japanese Costume
  • The Magpie, 1869
  • Dancers in Riga Heart, 2011 - Vezur
  • Dancers, 2011 - Vezur
  • Orange Trees, 1878
  • Adam and Eve, 1526
  • The Thames below Westminster, 1871
  • Embrace aka Lovers II, 1917
  • Riegert aka Laima Clock, 2011 - Vezur
  • Lady of the Flowers, 1895
  • Blue cow, 2011 - Vezur
  • Lady with fan, 1918
  • Ophelia, 1905
  • Four Bathers, 1905
  • Evening in New York, 1890
  • Melancholy, 1874
  • Buddah In His Youth, 1904
  • Almond Branches in Bloom, San Remy, 1890
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Foggy Morning, 2011 - Vezur
  • Rosina, 1878
  • Portrait of Ida Rubenstein, 1910
  • Entrance to harbor, Moonlight, 1881

Marine bleue, 1893

Marine bleue, 1893

Georges Lacombe

Georges Lacombe took nature and shaped it with his brushes as deliberately as he carved it in wood. Marine bleue models shapeliness on canvas as well as any sculptor could chisel from marble. From the three primary colors, Lacombe created waves fringed with peacock feathered turbulence, flying up in pink mist, as though pointing toward their source in the clouds. The high horizon may be borrowed from the Japanese prints that Lacombe loved, but it suits Lacombe’s intentions. This, like Lacombe’s other paintings, is the coast of Finistere as he experienced it. To be sure, the drama was there in Camaret-sur-mer. The colors were Lacombe’s invention but the ocean crashing against jagged rocks was an unceasing natural drama.

The painting will be delivered unstreched, rolled in protective & presentable case.