• Dancers V, 1877
  • Vase Of Poppies, 1909
  • Riga in begining of 20th century, 2011 - Vezur
  • Self Portrait With Spread Fingers, 1909
  • Dance Festival, 2011 - Vezur
  • Dead Mother, 1910
  • Morning in a Pine Forest, 1889
  • Recumbent Nude, 1917
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Chimney Sweeper, 2011 - Vezur
  • Melancholy, 1874
  • Conversion, 1912
  • Four Trees, 1917
  • Foggy Morning, 2011 - Vezur
  • Horses, 2011 - Vezur
  • La Sybille, 1891
  • Bare Tree behind a Fence, 1912
  • Valdemara street, 2011 - Vezur
  • Portrait of Felix Feneon, 1890
  • Evening on Volga, 1888
  • Study of a Head, 1913
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • Rosina, 1878
  • Boreas , 1903
  • San Giorgio Maggiore at Dusk, 1908
  • Seacoast at Engure, 2011 - Vezur
  • Bridge of Europe, 1877
  • Stehend Karyatide, 1913
  • Old Riga, 2011 - Vezur
  • Poppies, 1886
  • Lane at the Jardin du Luxembourg, 1886
  • The Haymaker, 1886
  • Moonlight On The Loire Barbizon landscape
  • Garden Study of the Vickers Children, 1884
  • Evening in New York, 1890
  • Portrait of Josette, 1916
  • Riga in Blue, 2011 - Vezur
  • The Black Cat, 2011 - Vezur
  • Contrasting Sounds, 1924
  • Poppy field in Giverny, 1885
  • Self Portrait with Hands on Chest, 1910
  • Columbus Avenue, Rainy Day, 1885
  • Riga at Night, 2011 - Vezur
  • The Sky, 2011 - Vezur
  • Breath of the Earth, 2011 - Vezur
  • Lady of the Flowers, 1895
  • Two Swans, 2011 - Vezur
  • The Green Dancer, 1880
  • Walk Along The Sea, 2011 - Vezur
  • Woman on a Terrace, 1857

Marine bleue, 1893

Marine bleue, 1893

Georges Lacombe

Georges Lacombe took nature and shaped it with his brushes as deliberately as he carved it in wood. Marine bleue models shapeliness on canvas as well as any sculptor could chisel from marble. From the three primary colors, Lacombe created waves fringed with peacock feathered turbulence, flying up in pink mist, as though pointing toward their source in the clouds. The high horizon may be borrowed from the Japanese prints that Lacombe loved, but it suits Lacombe’s intentions. This, like Lacombe’s other paintings, is the coast of Finistere as he experienced it. To be sure, the drama was there in Camaret-sur-mer. The colors were Lacombe’s invention but the ocean crashing against jagged rocks was an unceasing natural drama.

The painting will be delivered unstreched, rolled in protective & presentable case.