• Chimney Sweeper, 2011 - Vezur
  • Melancholy, 1874
  • Horses, 2011 - Vezur
  • Big Red Buste, 1913
  • Taking the Count, 1896
  • Riga at sunset, 2011 - Vezur
  • Dancers in Riga Heart, 2011 - Vezur
  • Portrait of Felix Feneon, 1890
  • Girls, 2011 - Vezur
  • Old Town In The Snow, 2011 - Vezur
  • Zwei Akte, 1890
  • Valdemara street, 2011 - Vezur
  • Woman with a Parasol and Small Child on a Sunlit Hillside,1874
  • An Angel
  • The Boat, 2011 - Vezur
  • The Druidess, 1893
  • Four Bathers, 1905
  • Dancers V, 1877
  • Mother And Child Aka Madonna, 1908
  • Russian Belle and Landscape, 1904
  • Le Pêcheur (The Fisherman), 1909
  • Portrait of Josette, 1916
  • Autumn, 1877
  • Midsummer Festival, 2011 - Vezur
  • The Woman Friends, 1917
  • Cagnes Landscape
  • Pugacheva Taxi, 2011 - Vezur
  • Poppies, 1886
  • Spring, 1879
  • Rosina, 1878
  • Garden Study of the Vickers Children, 1884
  • Riga in Blue, 2011 - Vezur
  • View Of Venice Fog, 1881
  • The Midday Nap, 1894
  • Portrait of Ida Rubenstein, 1910
  • Interior, Woman at the Window, 1880
  • Stehend Karyatide, 1913
  • Study of a Figure Outdoors (Facing Right), 1886
  • Dancers, 2011 - Vezur
  • Dome Square, 2011 - Vezur
  • Stork, 2011 - Vezur
  • The Sleeping Gypsy, 1897
  • The Banks of the River at Veneux, 1881
  • Vase Of Poppies, 1909
  • Marine bleue, 1893
  • Two Tahitian Women, 1899
  • Madame Pompador, 1915
  • Countryside, 2011 - Vezur
  • Evening in New York, 1890
  • Man with a Pipe (aka The Man from Nice), 1918

Marine bleue, 1893

Marine bleue, 1893

Georges Lacombe

Georges Lacombe took nature and shaped it with his brushes as deliberately as he carved it in wood. Marine bleue models shapeliness on canvas as well as any sculptor could chisel from marble. From the three primary colors, Lacombe created waves fringed with peacock feathered turbulence, flying up in pink mist, as though pointing toward their source in the clouds. The high horizon may be borrowed from the Japanese prints that Lacombe loved, but it suits Lacombe’s intentions. This, like Lacombe’s other paintings, is the coast of Finistere as he experienced it. To be sure, the drama was there in Camaret-sur-mer. The colors were Lacombe’s invention but the ocean crashing against jagged rocks was an unceasing natural drama.

The painting will be delivered unstreched, rolled in protective & presentable case.