• Two Swans, 2011 - Vezur
  • Contrasting Sounds, 1924
  • Moonlight, 1874
  • Lady of the Flowers, 1895
  • Winter, 2011 - Vezur
  • Portraits at the Stock Exchange, 1879
  • Orange Trees, 1878
  • Cherubini, 1514
  • When The Grass Was Greener, 2011 - Vezur
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  • Seacoast at Engure, 2011 - Vezur
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  • The Hope II, 1908
  • The Rape of Europa, 1910
  • Mother And Child Aka Madonna, 1908
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • Flying people, 2011 - Vezur
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  • Four Trees, 1917
  • Sunflowers, 1888
  • Portrait of Ida Rubenstein, 1910
  • Entrance to harbor, Moonlight, 1881
  • Zwei Akte, 1890
  • Portrait of Felix Feneon, 1890
  • House of Blackheads, 2011 - Vezur
  • Tree of Life, 1909
  • Poppies at Argenteuil, 1873
  • Lady with hat and feather boa, 1909
  • Wheat Field With Reaper And Sun, 1889
  • Lady with fan, 1918
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  • Pugacheva Taxi, 2011 - Vezur
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  • La Sybille, 1891
  • Water Lilies, 1906
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  • Lane at the Jardin du Luxembourg, 1886
  • The Midday Nap, 1894
  • San Giorgio Maggiore at Dusk, 1908
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  • The Last Supper, 1498
  • Poppies, 1886
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Riegert aka Laima Clock, 2011 - Vezur
  • Morning in a Pine Forest, 1889
  • Man with a Pipe (aka The Man from Nice), 1918
  • Self Portrait with Arm Twisting above Head, 1910
  • Autumn Sun I, 1912
  • Dandelions, Ventas Rumba, 2011 - Vezur

Judith and the Head of Holofernes, 1901

Judith and the Head of Holofernes, 1901

Gustav Klimt

Judith was the biblical heroine who seduced and then decapitated General Holofernes in order to save her home city of Bethulia from destruction by the enemy, the Assyrian army.
The story tells of the Assyrian army laying siege to the Jewish city of Bethulia. When the inhabitants were on the point of capitulating, Judith, a rich and beautiful widow, devised a scheme to save them. She adorned herself 'so as to catch the eye of any man who might see her', and set off with her maid into the Assyrian lines. By the pretence of having deserted her people she gained access to the enemy commander, Holofernes, and proposed to him a fictitious scheme for overcoming the Jews. After she had been several days in the camp Holofernes became enamoured of her and planned a banquet to which she was invited. When it was over and they were alone together he had meant to seduce her, but he was by then overcome with liquor. This was Judith's opportunity. She quickly seized his sword and with two swift blows severed his head. Her maid was ready with a sack into which they put the head. They then made their way through the camp and back to Bethulia before the deed was discovered. The news threw the Assyrians into disarray and they fled, pursued by the Israelites.
The subject was quite popular from the Middle Ages onwards, as an example of virtue overcoming vice. However, this work is not timeless allegory, since Judith is depicted as a Viennese society beauty. The model was Adele Bloch-Bauer. Judith's sensuality and her orgasmic expression as she holds up the head of Holofernes shocked Vienna. The Viennese could not bring themselves to see this brazen femme fatale, who is clearly taking pleasure in her actions, as the pious Jewish widow how risked her virtue in order to save her city.
Judith herself has in a sense been decapitated. The heavy gold choker she wears, fashionable in early twentieth-century Vienna, rather brutally separates her own head from her body. Her clothes half conceal, half reveal her body. The stylized gold band at te bottom of the picture looks as if it might be an ornamental hem to her garment, but then cuts across her abdomen like a flat belt. The painting was bought almost immediately by Klimt's Swiss contemporary, the painter Ferdinand Hodler (1853 - 1918), whose work Klimt much admired.
Painting is currently in the collection of Österreichische Galerie, Vienna, Austria.
 

The painting will be delivered unstreched, rolled in protective & presentable case.