• Spanish Dancer, 1882
  • Study for The Spanish Dance, 1882
  • Study of a Figure Outdoors (Facing Right), 1886
  • Seated Nude, 1917
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Poppy field in Giverny, 1885
  • The Fog Warning, 1885
  • Entrance to harbor, Moonlight, 1881
  • Impression, Sunrise, 1872
  • Music-I, 1895
  • Four Trees, 1917
  • Avenue of poplars at sunset, 1884
  • Mona Lisa, 1507
  • Midsummer Festival, 2011 - Vezur
  • Caricature Self Portrait, 1889
  • Agony, 1912
  • Nude Egyptian Girl, 1891
  • Sun Walk Over The Bridge, 2011 - Vezur
  • La Sybille, 1891
  • The Sky, 2011 - Vezur
  • The Sleeping Gypsy, 1897
  • Anemones, 1909
  • Foggy Morning, 2011 - Vezur
  • Boat in the Moonlight
  • Water Lilies, 1906
  • The End of Summer, 2011 -  Vezur
  • Harlequin, 1890
  • Morning in a Pine Forest, 1889
  • Gloomy Situation, 1933
  • Old Town Back In 30's, 2011 - Vezur
  • Spring, 1879
  • A Carnival Evening, 1886
  • Self Portrait with Hands on Chest, 1910
  • Lady of the Flowers, 1895
  • Sunflowers, 1888
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • Adam and Eve, 1526
  • Water Lilies, Green Reflection, Left Part, 1923
  • Rosina, 1878
  • Study of a Head, 1913
  • Embrace aka Lovers II, 1917
  • Two Swans, 2011 - Vezur
  • Woman on a Terrace, 1857
  • A Friend in Need, 1903
  • Evocation
  • Breath of the Earth, 2011 - Vezur
  • Deauville, The Basin, 1892
  • Seacoast at Kurzeme, 2011 - Vezur
  • Columbus Avenue, Rainy Day, 1885
  • The Druidess, 1893

Interior, Woman at the Window, 1880

Interior, Woman at the Window, 1880

Gustave Caillebotte

In this double portrait by Gustave Caillebotte, he depicts couple, husband has been identified as Richard Gallo.There is speculation about the female identity, perhaps it is Caillebotte's mistress, his friend, or the young lady that he lived with in Petit Gennevilliers.
In this painting, the viewer sees only the profile of Richard Gallo. The woman is in contre-iour as she looks out of the window. The artistic theme of a figure, with its back to the viewer, looking out a window had been utilized since the seventeenth-century Dutch paintings and was often seen in nineteenth-century works. However, Caillebotte recast the importance of a single figure at a window by including another figure, Richard Gallo.
This painting reflected the angst felt by many in the nineteenth-century intellectual and artistic communities in Paris, as they sought to understand the implications of the rapid transformation that their city was undergoing, both in its cityscape and, more importantly, in its social and commercial structure. In Interior, Caillebotte captured not only the realism of the relationship between his two leading characters; he also introduced the formal device of the window and the balcony to deepen the meaning of his work as it reflected the new Paris. It is a metaphor that frames the new vision of the Haussmannized districts of Paris. Commonly, this nineteenth-century subject included a silhouetted, outward looking, urban spectators who are bathed in exterior light as they look precipitously down or out of the window.
 

The painting will be delivered unstreched, rolled in protective & presentable case.