• Portrait of Josette, 1916
  • Portrait of Ida Rubenstein, 1910
  • Conversion, 1912
  • The Red Vineyard, 1888
  • Riga in Blue, 2011 - Vezur
  • Walk Along The Sea, 2011 - Vezur
  • Study of a Figure Outdoors (Facing Right), 1886
  • The Last Supper, 1498
  • Tram No 10, 2011 - Vezur
  • Yellow Circle, 1926
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Anna Pavlova in the Ballet Sylphyde, 1909
  • Reclining Semi-Nude with Red Hat, 1910
  • The Star, 1878
  • The Large Bathers, 1906
  • Dancers in Blue, 1890
  • Flower Clouds, 1903
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • The Woman Friends, 1917
  • Flowers in a Vase, 1866
  • Ligo Evening, 2011 - Vezur
  • The Veteran in a New Field, 1865
  • The Haymaker, 1886
  • Dancers V, 1877
  • Riegert aka Laima Clock, 2011 - Vezur
  • Haymaking, 2011 - Vezur
  • Fields of Gold, 2011 - Vezur
  • Woman with a Parasol and Small Child on a Sunlit Hillside,1874
  • Cagnes Landscape
  • The Fog Warning, 1885
  • Poppies at Argenteuil, 1873
  • Tree of Life, 1909
  • The Second Youth, 2011 - Vezur
  • A Friend in Need 2, 1903
  • The End of Summer, 2011 -  Vezur
  • Study for The Spanish Dance, 1882
  • Spring, 1879
  • Dance Festival, 2011 - Vezur
  • Old Town Back In 30's, 2011 - Vezur
  • The Kiss, 1908
  • Café Terrace at Night, 1888
  • Breath of the Earth, 2011 - Vezur
  • Portrait of a European Lady in Japanese Costume
  • Boreas , 1903
  • Poppies, 1886
  • Cherubini, 1514
  • Goldau, 1843
  • Pugacheva Taxi, 2011 - Vezur
  • Wheat Field With Reaper And Sun, 1889
  • Wanderer above the Sea of Fog, 1818

Interior, Woman at the Window, 1880

Interior, Woman at the Window, 1880

Gustave Caillebotte

In this double portrait by Gustave Caillebotte, he depicts couple, husband has been identified as Richard Gallo.There is speculation about the female identity, perhaps it is Caillebotte's mistress, his friend, or the young lady that he lived with in Petit Gennevilliers.
In this painting, the viewer sees only the profile of Richard Gallo. The woman is in contre-iour as she looks out of the window. The artistic theme of a figure, with its back to the viewer, looking out a window had been utilized since the seventeenth-century Dutch paintings and was often seen in nineteenth-century works. However, Caillebotte recast the importance of a single figure at a window by including another figure, Richard Gallo.
This painting reflected the angst felt by many in the nineteenth-century intellectual and artistic communities in Paris, as they sought to understand the implications of the rapid transformation that their city was undergoing, both in its cityscape and, more importantly, in its social and commercial structure. In Interior, Caillebotte captured not only the realism of the relationship between his two leading characters; he also introduced the formal device of the window and the balcony to deepen the meaning of his work as it reflected the new Paris. It is a metaphor that frames the new vision of the Haussmannized districts of Paris. Commonly, this nineteenth-century subject included a silhouetted, outward looking, urban spectators who are bathed in exterior light as they look precipitously down or out of the window.
 

The painting will be delivered unstreched, rolled in protective & presentable case.