• Stehend Karyatide, 1913
  • Antibes Seen from the Salis Garden, 1888
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • A Gust of Wind, 1883
  • Nabis Landscape, 1890
  • Recumbent Nude, 1917
  • An Angel
  • The Druidess, 1893
  • Midsummer Festival, 2011 - Vezur
  • Adele Bloch Bauer I, 1907
  • Walk Along The Sea, 2011 - Vezur
  • Four Bathers, 1905
  • Cherubini, 1514
  • Chimney Sweeper, 2011 - Vezur
  • Girl with a Pearl Earring, 1666
  • The Second Youth, 2011 - Vezur
  • Ligo Evening, 2011 - Vezur
  • The Veteran in a New Field, 1865
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • The Thames below Westminster, 1871
  • Valdemara street, 2011 - Vezur
  • Dance Festival, 2011 - Vezur
  • Gloomy Situation, 1933
  • Spanish Dancer, 1882
  • Independence Day, 2011 - Vezur
  • Zwei Akte, 1890
  • The Haymaker, 1886
  • Garden Study of the Vickers Children, 1884
  • Negress, 1869
  • San Giorgio Maggiore at Dusk, 1908
  • Portrait of Josette, 1916
  • Melancholy, 1874
  • The Football Players, 1908
  • The Sky, 2011 - Vezur
  • Strolling along the Seashore, 1909
  • Agony, 1912
  • Boreas , 1903
  • Summer Evening, 1886
  • Music-I, 1895
  • Evocation
  • Horses, 2011 - Vezur
  • Lady of the Flowers, 1895
  • Sun Walk Over The Bridge, 2011 - Vezur
  • The Man on the Balcony, 1880
  • Dancers in Riga Heart, 2011 - Vezur
  • Portrait of Ida Rubenstein, 1910
  • Rosina, 1878
  • Le Pêcheur (The Fisherman), 1909
  • Café Terrace at Night, 1888
  • Dancers, 2011 - Vezur

Interior, Woman at the Window, 1880

Interior, Woman at the Window, 1880

Gustave Caillebotte

In this double portrait by Gustave Caillebotte, he depicts couple, husband has been identified as Richard Gallo.There is speculation about the female identity, perhaps it is Caillebotte's mistress, his friend, or the young lady that he lived with in Petit Gennevilliers.
In this painting, the viewer sees only the profile of Richard Gallo. The woman is in contre-iour as she looks out of the window. The artistic theme of a figure, with its back to the viewer, looking out a window had been utilized since the seventeenth-century Dutch paintings and was often seen in nineteenth-century works. However, Caillebotte recast the importance of a single figure at a window by including another figure, Richard Gallo.
This painting reflected the angst felt by many in the nineteenth-century intellectual and artistic communities in Paris, as they sought to understand the implications of the rapid transformation that their city was undergoing, both in its cityscape and, more importantly, in its social and commercial structure. In Interior, Caillebotte captured not only the realism of the relationship between his two leading characters; he also introduced the formal device of the window and the balcony to deepen the meaning of his work as it reflected the new Paris. It is a metaphor that frames the new vision of the Haussmannized districts of Paris. Commonly, this nineteenth-century subject included a silhouetted, outward looking, urban spectators who are bathed in exterior light as they look precipitously down or out of the window.
 

The painting will be delivered unstreched, rolled in protective & presentable case.