• The Football Players, 1908
  • Flowers in a Vase, 1866
  • Riga at Night, 2011 - Vezur
  • Lady of the Flowers, 1895
  • Chimney Sweeper, 2011 - Vezur
  • Buddah In His Youth, 1904
  • The Hope II, 1908
  • Conversion, 1912
  • The Kiss, 1908
  • Cagnes Landscape
  • Dancers V, 1877
  • A Gust of Wind, 1883
  • Nabis Landscape, 1890
  • Water Lilies, Green Reflection, Left Part, 1923
  • The Last Supper, 1498
  • Valdemara street, 2011 - Vezur
  • Harlequin, 1890
  • The Second Youth, 2011 - Vezur
  • Lady with hat and feather boa, 1909
  • Beatrice, 1897
  • Poppies, 1886
  • The End of Summer, 2011 -  Vezur
  • Cherubini, 1514
  • Old Town Back In 30's, 2011 - Vezur
  • Riegert aka Laima Clock, 2011 - Vezur
  • Self Portrait with Arm Twisting above Head, 1910
  • Almond Branches in Bloom, San Remy, 1890
  • Moonrise over the Sea, 1822
  • Sea coast, 2011 - Vezur
  • Anemones, 1909
  • Young Man at His Window, 1875
  • Portrait of Ida Rubenstein, 1910
  • Opera House, 2011 - Vezur
  • A Friend in Need 2, 1903
  • The Woman Friends, 1917
  • Woman with Black Hat, 1909
  • Evocation
  • The Buffalo Trail, 1867
  • Melancholy, 1874
  • Portrait of Josette, 1916
  • Self Portrait with Hands on Chest, 1910
  • The Haymaker, 1886
  • A Carnival Evening, 1886
  • Spring, 1879
  • Flower Clouds, 1903
  • Idyll in Tahiti, 1901
  • San Giorgio Maggiore at Dusk, 1908
  • Evening on Volga, 1888
  • Portrait of a Man, 1923
  • Two Tahitian Women, 1899

Interior, Woman at the Window, 1880

Interior, Woman at the Window, 1880

Gustave Caillebotte

In this double portrait by Gustave Caillebotte, he depicts couple, husband has been identified as Richard Gallo.There is speculation about the female identity, perhaps it is Caillebotte's mistress, his friend, or the young lady that he lived with in Petit Gennevilliers.
In this painting, the viewer sees only the profile of Richard Gallo. The woman is in contre-iour as she looks out of the window. The artistic theme of a figure, with its back to the viewer, looking out a window had been utilized since the seventeenth-century Dutch paintings and was often seen in nineteenth-century works. However, Caillebotte recast the importance of a single figure at a window by including another figure, Richard Gallo.
This painting reflected the angst felt by many in the nineteenth-century intellectual and artistic communities in Paris, as they sought to understand the implications of the rapid transformation that their city was undergoing, both in its cityscape and, more importantly, in its social and commercial structure. In Interior, Caillebotte captured not only the realism of the relationship between his two leading characters; he also introduced the formal device of the window and the balcony to deepen the meaning of his work as it reflected the new Paris. It is a metaphor that frames the new vision of the Haussmannized districts of Paris. Commonly, this nineteenth-century subject included a silhouetted, outward looking, urban spectators who are bathed in exterior light as they look precipitously down or out of the window.
 

The painting will be delivered unstreched, rolled in protective & presentable case.