• Sun Walk Over The Bridge, 2011 - Vezur
  • The Green Dancer, 1880
  • Riga in begining of 20th century, 2011 - Vezur
  • Entrance to harbor, Moonlight, 1881
  • Study for The Spanish Dance, 1882
  • Lady with hat and feather boa, 1909
  • Columbus Avenue, Rainy Day, 1885
  • Antibes Seen from the Salis Garden, 1888
  • Sunflowers, 1888
  • Rosina, 1878
  • Nude Egyptian Girl, 1891
  • Le Pêcheur (The Fisherman), 1909
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Vase Of Poppies, 1909
  • Portraits at the Stock Exchange, 1879
  • Cold Morning, 2011 - Vezur
  • San Giorgio Maggiore at Dusk, 1908
  • The Last Supper, 1498
  • Boreas , 1903
  • Negress, 1869
  • The Sky, 2011 - Vezur
  • Riga in Blue, 2011 - Vezur
  • The Vision after the Sermon, 1888
  • Caricature Self Portrait, 1889
  • Kelly Pool, 1903
  • Strolling along the Seashore, 1909
  • Midsummer Festival, 2011 - Vezur
  • The Banks of the River at Veneux, 1881
  • Dandelions, Ventas Rumba, 2011 - Vezur
  • The Sower, 1888
  • Madame Camus with a Fan, 1870
  • Music-I, 1895
  • Bare Tree behind a Fence, 1912
  • Yellow Circle, 1926
  • The Black Cat, 2011 - Vezur
  • Golden autumn, 2011 - Vezur
  • Big Red Buste, 1913
  • Evening in New York, 1890
  • Blue cow, 2011 - Vezur
  • Evening on Volga, 1888
  • Flower Clouds, 1903
  • The Boat, 2011 - Vezur
  • Poppy field, 2011 - Vezur
  • Woman with Black Hat, 1909
  • Portrait Of The Painter Max Oppenheimer, 1910
  • Cherubini, 1514
  • River bank, 2011 - Vezur
  • Standing Girl in a Plaid Garment, 1909
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • The Starry Night, 1889

Interior, Woman at the Window, 1880

Interior, Woman at the Window, 1880

Gustave Caillebotte

In this double portrait by Gustave Caillebotte, he depicts couple, husband has been identified as Richard Gallo.There is speculation about the female identity, perhaps it is Caillebotte's mistress, his friend, or the young lady that he lived with in Petit Gennevilliers.
In this painting, the viewer sees only the profile of Richard Gallo. The woman is in contre-iour as she looks out of the window. The artistic theme of a figure, with its back to the viewer, looking out a window had been utilized since the seventeenth-century Dutch paintings and was often seen in nineteenth-century works. However, Caillebotte recast the importance of a single figure at a window by including another figure, Richard Gallo.
This painting reflected the angst felt by many in the nineteenth-century intellectual and artistic communities in Paris, as they sought to understand the implications of the rapid transformation that their city was undergoing, both in its cityscape and, more importantly, in its social and commercial structure. In Interior, Caillebotte captured not only the realism of the relationship between his two leading characters; he also introduced the formal device of the window and the balcony to deepen the meaning of his work as it reflected the new Paris. It is a metaphor that frames the new vision of the Haussmannized districts of Paris. Commonly, this nineteenth-century subject included a silhouetted, outward looking, urban spectators who are bathed in exterior light as they look precipitously down or out of the window.
 

The painting will be delivered unstreched, rolled in protective & presentable case.