• Study of a Figure Outdoors (Facing Right), 1886
  • Dancers in Blue, 1890
  • Bridge of Europe, 1877
  • Flying people, 2011 - Vezur
  • Spring, 1879
  • Russian Belle and Landscape, 1904
  • Caricature Self Portrait, 1889
  • Forest, 2011 - Vezur
  • Taking the Count, 1896
  • Dancers, 2011 - Vezur
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Chimney Sweeper, 2011 - Vezur
  • Columbus Avenue, Rainy Day, 1885
  • Dancers in Riga Heart, 2011 - Vezur
  • Ophelia, 1905
  • Orange Trees, 1878
  • Old Town Back In 30's, 2011 - Vezur
  • Four Bathers, 1905
  • Paris Street - Rainy Weather, 1877
  • Lady with hat and feather boa, 1909
  • Madame Camus with a Fan, 1870
  • The Man on the Balcony, 1880
  • Portrait of a European Lady in Japanese Costume
  • Independence Day, 2011 - Vezur
  • Study of a Head, 1913
  • Riga at Night, 2011 - Vezur
  • Interior, Woman at the Window, 1880
  • Anna Pavlova in the Ballet Sylphyde, 1909
  • Poppy field, 2011 - Vezur
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • A Friend in Need 2, 1903
  • Vase Of Poppies, 1909
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • The Large Bathers, 1906
  • Entrance to harbor, Moonlight, 1881
  • Pugacheva Taxi, 2011 - Vezur
  • Wanderer above the Sea of Fog, 1818
  • Wheat Field With Reaper And Sun, 1889
  • Café Terrace at Night, 1888
  • Poppies at Argenteuil, 1873
  • Lovers: Man and Woman I, 1914
  • The End of Summer, 2011 -  Vezur
  • Seacoast at Engure, 2011 - Vezur
  • Spanish Dancer, 1882
  • Conversion, 1912
  • Impression, Sunrise, 1872
  • Mother And Child Aka Madonna, 1908
  • Antibes Seen from the Salis Garden, 1888
  • Winter, 2011 - Vezur
  • An Angel

Interior, Woman at the Window, 1880

Interior, Woman at the Window, 1880

Gustave Caillebotte

In this double portrait by Gustave Caillebotte, he depicts couple, husband has been identified as Richard Gallo.There is speculation about the female identity, perhaps it is Caillebotte's mistress, his friend, or the young lady that he lived with in Petit Gennevilliers.
In this painting, the viewer sees only the profile of Richard Gallo. The woman is in contre-iour as she looks out of the window. The artistic theme of a figure, with its back to the viewer, looking out a window had been utilized since the seventeenth-century Dutch paintings and was often seen in nineteenth-century works. However, Caillebotte recast the importance of a single figure at a window by including another figure, Richard Gallo.
This painting reflected the angst felt by many in the nineteenth-century intellectual and artistic communities in Paris, as they sought to understand the implications of the rapid transformation that their city was undergoing, both in its cityscape and, more importantly, in its social and commercial structure. In Interior, Caillebotte captured not only the realism of the relationship between his two leading characters; he also introduced the formal device of the window and the balcony to deepen the meaning of his work as it reflected the new Paris. It is a metaphor that frames the new vision of the Haussmannized districts of Paris. Commonly, this nineteenth-century subject included a silhouetted, outward looking, urban spectators who are bathed in exterior light as they look precipitously down or out of the window.
 

The painting will be delivered unstreched, rolled in protective & presentable case.