• The End of Summer, 2011 -  Vezur
  • Negress, 1869
  • Passion for Dance, 2011 - Vezur
  • Boreas , 1903
  • The Rape of Europa, 1910
  • Dancers in Riga Heart, 2011 - Vezur
  • Antibes Seen from the Salis Garden, 1888
  • The Starry Night, 1889
  • Lady of the Flowers, 1895
  • The Last Supper, 1498
  • Turaida Castle, 2011 - Vezur
  • Autumn, 1877
  • Horses, 2011 - Vezur
  • Portraits at the Stock Exchange, 1879
  • Conversion, 1912
  • Lady with fan, 1918
  • Saint John, 1892
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Four Bathers, 1905
  • Madame Pompador, 1915
  • Sun Walk Over The Bridge, 2011 - Vezur
  • Dancers in Blue, 1890
  • Forest, 2011 - Vezur
  • River bank, 2011 - Vezur
  • Flowers in a Vase, 1866
  • The Man on the Balcony, 1880
  • The Sower, 1888
  • Columbus Avenue, Rainy Day, 1885
  • The Bather, 1879
  • Portrait of a European Lady in Japanese Costume
  • Paris Street - Rainy Weather, 1877
  • Evocation
  • The Woman Friends, 1917
  • Caricature Self Portrait, 1889
  • Impression, Sunrise, 1872
  • Winter, 2011 - Vezur
  • Lovers: Man and Woman I, 1914
  • Contrasting Sounds, 1924
  • Riga Springtime, 2011 - Vezur
  • Taking the Count, 1896
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Poppies at Argenteuil, 1873
  • Recumbent Nude, 1917
  • Portrait of Ida Rubenstein, 1910
  • Landscape at Saint-Rémy, 1889
  • Daisy fields, 2011 - Vezur
  • Head Of A Woman With A Hat, 1907
  • Cold Morning, 2011 - Vezur
  • The Fog Warning, 1885
  • Self Portrait with Arm Twisting above Head, 1910

Interior, Woman at the Window, 1880

Interior, Woman at the Window, 1880

Gustave Caillebotte

In this double portrait by Gustave Caillebotte, he depicts couple, husband has been identified as Richard Gallo.There is speculation about the female identity, perhaps it is Caillebotte's mistress, his friend, or the young lady that he lived with in Petit Gennevilliers.
In this painting, the viewer sees only the profile of Richard Gallo. The woman is in contre-iour as she looks out of the window. The artistic theme of a figure, with its back to the viewer, looking out a window had been utilized since the seventeenth-century Dutch paintings and was often seen in nineteenth-century works. However, Caillebotte recast the importance of a single figure at a window by including another figure, Richard Gallo.
This painting reflected the angst felt by many in the nineteenth-century intellectual and artistic communities in Paris, as they sought to understand the implications of the rapid transformation that their city was undergoing, both in its cityscape and, more importantly, in its social and commercial structure. In Interior, Caillebotte captured not only the realism of the relationship between his two leading characters; he also introduced the formal device of the window and the balcony to deepen the meaning of his work as it reflected the new Paris. It is a metaphor that frames the new vision of the Haussmannized districts of Paris. Commonly, this nineteenth-century subject included a silhouetted, outward looking, urban spectators who are bathed in exterior light as they look precipitously down or out of the window.
 

The painting will be delivered unstreched, rolled in protective & presentable case.