• Sea coast, 2011 - Vezur
  • Cold Morning, 2011 - Vezur
  • Antibes Seen from the Salis Garden, 1888
  • Four Bathers, 1905
  • The Man on the Balcony, 1880
  • Haymaking, 2011 - Vezur
  • Horses, 2011 - Vezur
  • Old Riga view, 2011 - Vezur
  • Woman on a Terrace, 1857
  • The Banks of the River at Veneux, 1881
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • The Green Dancer, 1880
  • River Daugava, 2011 - Vezur
  • A Gust of Wind, 1883
  • The Vines, 1902
  • Two Swans, 2011 - Vezur
  • Madame Camus with a Fan, 1870
  • The Large Bathers, 1906
  • Autumn, 1877
  • San Giorgio Maggiore at Dusk, 1908
  • Nude Egyptian Girl, 1891
  • Pugacheva Taxi, 2011 - Vezur
  • The Sower, 1888
  • Anna Pavlova in the Ballet Sylphyde, 1909
  • Wheat Field With Reaper And Sun, 1889
  • Dancers in Riga Heart, 2011 - Vezur
  • Midsummer Night, 1876
  • A Friend in Need 2, 1903
  • Almond Branches in Bloom, San Remy, 1890
  • Foggy Morning, 2011 - Vezur
  • Riga Springtime, 2011 - Vezur
  • Study for The Spanish Dance, 1882
  • Riga in begining of 20th century, 2011 - Vezur
  • Taking the Count, 1896
  • Adam and Eve, 1526
  • Flowers in a Vase, 1866
  • View Of Venice Fog, 1881
  • Sun Walk Over The Bridge, 2011 - Vezur
  • The Druidess, 1893
  • Stork, 2011 - Vezur
  • Standing Girl in a Plaid Garment, 1909
  • Riga at Night, 2011 - Vezur
  • Passion for Dance, 2011 - Vezur
  • Poppy field, 2011 - Vezur
  • Morning in a Pine Forest, 1889
  • Tree of Life, 1909
  • Four Trees, 1917
  • Countryside, 2011 - Vezur
  • Reclining Semi-Nude with Red Hat, 1910
  • Portrait of Felix Feneon, 1890

Interior, Woman at the Window, 1880

Interior, Woman at the Window, 1880

Gustave Caillebotte

In this double portrait by Gustave Caillebotte, he depicts couple, husband has been identified as Richard Gallo.There is speculation about the female identity, perhaps it is Caillebotte's mistress, his friend, or the young lady that he lived with in Petit Gennevilliers.
In this painting, the viewer sees only the profile of Richard Gallo. The woman is in contre-iour as she looks out of the window. The artistic theme of a figure, with its back to the viewer, looking out a window had been utilized since the seventeenth-century Dutch paintings and was often seen in nineteenth-century works. However, Caillebotte recast the importance of a single figure at a window by including another figure, Richard Gallo.
This painting reflected the angst felt by many in the nineteenth-century intellectual and artistic communities in Paris, as they sought to understand the implications of the rapid transformation that their city was undergoing, both in its cityscape and, more importantly, in its social and commercial structure. In Interior, Caillebotte captured not only the realism of the relationship between his two leading characters; he also introduced the formal device of the window and the balcony to deepen the meaning of his work as it reflected the new Paris. It is a metaphor that frames the new vision of the Haussmannized districts of Paris. Commonly, this nineteenth-century subject included a silhouetted, outward looking, urban spectators who are bathed in exterior light as they look precipitously down or out of the window.
 

The painting will be delivered unstreched, rolled in protective & presentable case.