• Harvest Time, 1878
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Recumbent Nude, 1917
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Seacoast at Kurzeme, 2011 - Vezur
  • Café Terrace at Night, 1888
  • Embrace aka Lovers II, 1917
  • Independence Day, 2011 - Vezur
  • Dancers in Blue, 1890
  • The Buffalo Trail, 1867
  • Beatrice, 1897
  • Riegert aka Laima Clock, 2011 - Vezur
  • Almond Branches in Bloom, San Remy, 1890
  • Poppy field, 2011 - Vezur
  • Deauville, The Basin, 1892
  • Boat in the Moonlight
  • Marine bleue, 1893
  • Dancers, 2011 - Vezur
  • Spring, 1879
  • The Sleeping Gypsy, 1897
  • Autumn, 1877
  • Chimney Sweeper, 2011 - Vezur
  • Music-I, 1895
  • Moonlight On The Loire Barbizon landscape
  • Study of a Head, 1913
  • House of Blackheads, 2011 - Vezur
  • An Angel
  • Cherubini, 1514
  • River Daugava, 2011 - Vezur
  • The Sky, 2011 - Vezur
  • Four Trees, 1917
  • A Gust of Wind, 1883
  • Woman on a Terrace, 1857
  • Winter at the seaside, 2011 - Vezur
  • Old Riga, 2011 - Vezur
  • The Midday Nap, 1894
  • Taking the Count, 1896
  • The Boat, 2011 - Vezur
  • View Of Venice Fog, 1881
  • Nude Egyptian Girl, 1891
  • Sunflowers, 1888
  • Standing Girl in a Plaid Garment, 1909
  • The Sower, 1888
  • The Green Dancer, 1880
  • The Second Youth, 2011 - Vezur
  • Antibes Seen from the Salis Garden, 1888
  • Evocation
  • Moonlight, 1874
  • Self Portrait With Spread Fingers, 1909
  • Water Lilies, 1906

Interior, Woman at the Window, 1880

Interior, Woman at the Window, 1880

Gustave Caillebotte

In this double portrait by Gustave Caillebotte, he depicts couple, husband has been identified as Richard Gallo.There is speculation about the female identity, perhaps it is Caillebotte's mistress, his friend, or the young lady that he lived with in Petit Gennevilliers.
In this painting, the viewer sees only the profile of Richard Gallo. The woman is in contre-iour as she looks out of the window. The artistic theme of a figure, with its back to the viewer, looking out a window had been utilized since the seventeenth-century Dutch paintings and was often seen in nineteenth-century works. However, Caillebotte recast the importance of a single figure at a window by including another figure, Richard Gallo.
This painting reflected the angst felt by many in the nineteenth-century intellectual and artistic communities in Paris, as they sought to understand the implications of the rapid transformation that their city was undergoing, both in its cityscape and, more importantly, in its social and commercial structure. In Interior, Caillebotte captured not only the realism of the relationship between his two leading characters; he also introduced the formal device of the window and the balcony to deepen the meaning of his work as it reflected the new Paris. It is a metaphor that frames the new vision of the Haussmannized districts of Paris. Commonly, this nineteenth-century subject included a silhouetted, outward looking, urban spectators who are bathed in exterior light as they look precipitously down or out of the window.
 

The painting will be delivered unstreched, rolled in protective & presentable case.