• Tram No 10, 2011 - Vezur
  • The Black Cat, 2011 - Vezur
  • A Carnival Evening, 1886
  • Man with a Pipe (aka The Man from Nice), 1918
  • Water Lilies, 1906
  • Yellow Circle, 1926
  • Horses, 2011 - Vezur
  • Self Portrait With Spread Fingers, 1909
  • Adam and Eve, 1526
  • Poppies, 1886
  • Young Man at His Window, 1875
  • Dancers, 2011 - Vezur
  • Ligo Evening, 2011 - Vezur
  • Reclining Semi-Nude with Red Hat, 1910
  • Riga at Night, 2011 - Vezur
  • Midsummer Night, 1876
  • Sunflowers, 1888
  • Russian Belle and Landscape, 1904
  • The Vision after the Sermon, 1888
  • Winter at the seaside, 2011 - Vezur
  • Two Tahitian Women, 1899
  • The Haymaker, 1886
  • A Gust of Wind, 1883
  • Standing Girl in a Plaid Garment, 1909
  • Winter, 2011 - Vezur
  • Zwei Akte, 1890
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Woman with a Parasol and Small Child on a Sunlit Hillside,1874
  • The Banks of the River at Veneux, 1881
  • Poppy field, 2011 - Vezur
  • A Friend in Need 2, 1903
  • Two Little Girls On The Beach, 1895
  • Autumn, 1877
  • Lovers: Man and Woman I, 1914
  • Woman on a Terrace, 1857
  • Riga at sunset, 2011 - Vezur
  • Riga in Blue, 2011 - Vezur
  • Old Town Back In 30's, 2011 - Vezur
  • Moonlight, 1874
  • When The Grass Was Greener, 2011 - Vezur
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Lady of the Flowers, 1895
  • Four Bathers, 1905
  • Pugacheva Taxi, 2011 - Vezur
  • La Sybille, 1891
  • Chimney Sweeper, 2011 - Vezur
  • Recumbent Nude, 1917
  • Independence Day, 2011 - Vezur
  • Wanderer above the Sea of Fog, 1818
  • Anna Pavlova in the Ballet Sylphyde, 1909

Interior, Woman at the Window, 1880

Interior, Woman at the Window, 1880

Gustave Caillebotte

In this double portrait by Gustave Caillebotte, he depicts couple, husband has been identified as Richard Gallo.There is speculation about the female identity, perhaps it is Caillebotte's mistress, his friend, or the young lady that he lived with in Petit Gennevilliers.
In this painting, the viewer sees only the profile of Richard Gallo. The woman is in contre-iour as she looks out of the window. The artistic theme of a figure, with its back to the viewer, looking out a window had been utilized since the seventeenth-century Dutch paintings and was often seen in nineteenth-century works. However, Caillebotte recast the importance of a single figure at a window by including another figure, Richard Gallo.
This painting reflected the angst felt by many in the nineteenth-century intellectual and artistic communities in Paris, as they sought to understand the implications of the rapid transformation that their city was undergoing, both in its cityscape and, more importantly, in its social and commercial structure. In Interior, Caillebotte captured not only the realism of the relationship between his two leading characters; he also introduced the formal device of the window and the balcony to deepen the meaning of his work as it reflected the new Paris. It is a metaphor that frames the new vision of the Haussmannized districts of Paris. Commonly, this nineteenth-century subject included a silhouetted, outward looking, urban spectators who are bathed in exterior light as they look precipitously down or out of the window.
 

The painting will be delivered unstreched, rolled in protective & presentable case.