• Forest, 2011 - Vezur
  • Portrait Of The Painter Max Oppenheimer, 1910
  • Dancers V, 1877
  • The Boat, 2011 - Vezur
  • Stehend Karyatide, 1913
  • The End of Summer, 2011 -  Vezur
  • Self Portrait With Spread Fingers, 1909
  • Poppy field, 2011 - Vezur
  • Dandelions, Ventas Rumba, 2011 - Vezur
  • Girl with a Pearl Earring, 1666
  • Midsummer Night, 1876
  • Opera House, 2011 - Vezur
  • Study of a Head, 1913
  • Café Terrace at Night, 1888
  • Four Bathers, 1905
  • The Fog Warning, 1885
  • The Hope II, 1908
  • Countryside, 2011 - Vezur
  • Riga at Night, 2011 - Vezur
  • Moonrise over the Sea, 1822
  • Sun Walk Over The Bridge, 2011 - Vezur
  • Yellow Circle, 1926
  • Saint John, 1892
  • The Thames below Westminster, 1871
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Autumn, 1877
  • Caricature Self Portrait, 1889
  • Lady with hat and feather boa, 1909
  • Dome Square, 2011 - Vezur
  • Music-I, 1895
  • Lady with fan, 1918
  • The Football Players, 1908
  • Le Pêcheur (The Fisherman), 1909
  • Ballet Scene, 1879
  • Russian Belle and Landscape, 1904
  • The Last Supper, 1498
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Study of a Figure Outdoors (Facing Right), 1886
  • San Giorgio Maggiore at Dusk, 1908
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Sea coast, 2011 - Vezur
  • Four Trees, 1917
  • Portrait of a Man, 1923
  • Orange Trees, 1878
  • The Vision after the Sermon, 1888
  • The Midday Nap, 1894
  • Pugacheva Taxi, 2011 - Vezur
  • Anna Pavlova in the Ballet Sylphyde, 1909
  • The Veteran in a New Field, 1865
  • Dancers in Riga Heart, 2011 - Vezur

Four Trees, 1917

Four Trees, 1917

Egon Schiele

Best known for his depictions of the human form, Egon Schiele was also interested in portraying the beauty and structure of the world he inhabited. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting. This painting shows an unspectacular part of nature. Four chestnut trees are shown in strict geometric order and regularity. As opposed to realistic description of botanic details the arrangement of the rest of the picture results into a very scarce description of landscape. As in classic landscape painting the horizontal line of the picture can be found in the centre whereby we are given an illusion of spaciousness. Vertical to the dimension of depth there are a few levels that are parallel to the picture - as in a scenic view. On one of these levels we see the line of trees.Through this, a sharp contrast between area and space is formed.  The depicted landscape becomes a part of the artist´s inner life.

The painting will be delivered unstreched, rolled in protective & presentable case.