• Two Little Girls On The Beach, 1895
  • Portrait of Felix Feneon, 1890
  • Agony, 1912
  • Dance Festival, 2011 - Vezur
  • Deauville, The Basin, 1892
  • Water Lilies, Green Reflection, Left Part, 1923
  • Dancers V, 1877
  • Impression, Sunrise, 1872
  • Music-I, 1895
  • Judith and the Head of Holofernes, 1901
  • Melancholy, 1874
  • Blue cow, 2011 - Vezur
  • Dead Mother, 1910
  • Seacoast at Engure, 2011 - Vezur
  • The Last Supper, 1498
  • A Gust of Wind, 1883
  • Valdemara street, 2011 - Vezur
  • Riga at Night, 2011 - Vezur
  • Mother And Child Aka Madonna, 1908
  • Riga in begining of 20th century, 2011 - Vezur
  • Conversion, 1912
  • Interior, Woman at the Window, 1880
  • Old Riga, 2011 - Vezur
  • The Boat, 2011 - Vezur
  • La Sybille, 1891
  • Madame Pompador, 1915
  • Adele Bloch Bauer I, 1907
  • Sea coast, 2011 - Vezur
  • Café Terrace at Night, 1888
  • Midsummer Night, 1876
  • Spanish Dancer, 1882
  • Evening in New York, 1890
  • Portrait of a Man, 1923
  • Dancers in Riga Heart, 2011 - Vezur
  • Garden Study of the Vickers Children, 1884
  • Woman with Black Hat, 1909
  • Woman on a Terrace, 1857
  • The Black Cat, 2011 - Vezur
  • Ligo Evening, 2011 - Vezur
  • Head Of A Woman With A Hat, 1907
  • View Of Venice Fog, 1881
  • Autumn Sun I, 1912
  • Fields of Gold, 2011 - Vezur
  • Bare Tree behind a Fence, 1912
  • The Haymaker, 1886
  • Jurmala (Sea Pearl), 2011 - Vezur
  • The Vision after the Sermon, 1888
  • The Sky, 2011 - Vezur
  • The Fog Warning, 1885
  • Riga Springtime, 2011 - Vezur

Four Trees, 1917

Four Trees, 1917

Egon Schiele

Best known for his depictions of the human form, Egon Schiele was also interested in portraying the beauty and structure of the world he inhabited. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting. This painting shows an unspectacular part of nature. Four chestnut trees are shown in strict geometric order and regularity. As opposed to realistic description of botanic details the arrangement of the rest of the picture results into a very scarce description of landscape. As in classic landscape painting the horizontal line of the picture can be found in the centre whereby we are given an illusion of spaciousness. Vertical to the dimension of depth there are a few levels that are parallel to the picture - as in a scenic view. On one of these levels we see the line of trees.Through this, a sharp contrast between area and space is formed.  The depicted landscape becomes a part of the artist´s inner life.

The painting will be delivered unstreched, rolled in protective & presentable case.