• Columbus Avenue, Rainy Day, 1885
  • Music-I, 1895
  • Dancers, 2011 - Vezur
  • Reclining Semi-Nude with Red Hat, 1910
  • Flying people, 2011 - Vezur
  • Man with a Pipe (aka The Man from Nice), 1918
  • Winter at the seaside, 2011 - Vezur
  • Spanish Dancer, 1882
  • Self Portrait with Hands on Chest, 1910
  • Evening in New York, 1890
  • Landscape at Saint-Rémy, 1889
  • Passion for Dance, 2011 - Vezur
  • Four Trees, 1917
  • Conversion, 1912
  • Summer Evening, 1886
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • Agony, 1912
  • Wanderer above the Sea of Fog, 1818
  • Seated Nude, 1917
  • The Sleeping Gypsy, 1897
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Yellow Circle, 1926
  • The Midday Nap, 1894
  • Wheat Field With Reaper And Sun, 1889
  • Impression, Sunrise, 1872
  • Four Bathers, 1905
  • Self Portrait with Arm Twisting above Head, 1910
  • Midsummer Festival, 2011 - Vezur
  • Portraits at the Stock Exchange, 1879
  • The Kiss, 1908
  • Melancholy, 1874
  • Riga Springtime, 2011 - Vezur
  • Buckwheat Harvesters at Pont-Aven, 1888
  • Entrance to harbor, Moonlight, 1881
  • Haymaking, 2011 - Vezur
  • San Giorgio Maggiore at Dusk, 1908
  • Judith and the Head of Holofernes, 1901
  • Pugacheva Taxi, 2011 - Vezur
  • Zwei Akte, 1890
  • Russian Belle and Landscape, 1904
  • Lady of the Flowers, 1895
  • Old Town Back In 30's, 2011 - Vezur
  • Lane at the Jardin du Luxembourg, 1886
  • Poppies, 1886
  • Daisy fields, 2011 - Vezur
  • Breath of the Earth, 2011 - Vezur
  • Two Tahitian Women, 1899
  • The Green Dancer, 1880
  • The Star, 1878
  • Interior, Woman at the Window, 1880

Four Trees, 1917

Four Trees, 1917

Egon Schiele

Best known for his depictions of the human form, Egon Schiele was also interested in portraying the beauty and structure of the world he inhabited. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting. This painting shows an unspectacular part of nature. Four chestnut trees are shown in strict geometric order and regularity. As opposed to realistic description of botanic details the arrangement of the rest of the picture results into a very scarce description of landscape. As in classic landscape painting the horizontal line of the picture can be found in the centre whereby we are given an illusion of spaciousness. Vertical to the dimension of depth there are a few levels that are parallel to the picture - as in a scenic view. On one of these levels we see the line of trees.Through this, a sharp contrast between area and space is formed.  The depicted landscape becomes a part of the artist´s inner life.

The painting will be delivered unstreched, rolled in protective & presentable case.