• Seacoast at Kurzeme, 2011 - Vezur
  • The Bather, 1879
  • Spring, 1879
  • House of Blackheads, 2011 - Vezur
  • Sea coast, 2011 - Vezur
  • Rosina, 1878
  • Passion for Dance, 2011 - Vezur
  • Embrace aka Lovers II, 1917
  • Orange Trees, 1878
  • Countryside, 2011 - Vezur
  • Zwei Akte, 1890
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Portrait of Josette, 1916
  • Stehend Karyatide, 1913
  • Two Little Girls On The Beach, 1895
  • Evening in New York, 1890
  • The Boat, 2011 - Vezur
  • Portrait of a Man, 1923
  • Dancers in Blue, 1890
  • A Friend in Need 2, 1903
  • Summer Evening, 1886
  • Water Lilies, Green Reflection, Left Part, 1923
  • The Hope II, 1908
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Idyll in Tahiti, 1901
  • Buddah In His Youth, 1904
  • A Gust of Wind, 1883
  • The Green Dancer, 1880
  • Landscape at Saint-Rémy, 1889
  • Nabis Landscape, 1890
  • The Star, 1878
  • Harlequin, 1890
  • Dome Square, 2011 - Vezur
  • San Giorgio Maggiore at Dusk, 1908
  • Lady of the Flowers, 1895
  • Breath of the Earth, 2011 - Vezur
  • Tree of Life, 1909
  • Boreas , 1903
  • Young Man at His Window, 1875
  • The Black Cat, 2011 - Vezur
  • The Sleeping Gypsy, 1897
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Harvest Time, 1878
  • Man with a Pipe (aka The Man from Nice), 1918
  • Lady with hat and feather boa, 1909
  • Walk Along The Sea, 2011 - Vezur
  • Morning in a Pine Forest, 1889
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Impression, Sunrise, 1872
  • Old Riga view, 2011 - Vezur

Four Trees, 1917

Four Trees, 1917

Egon Schiele

Best known for his depictions of the human form, Egon Schiele was also interested in portraying the beauty and structure of the world he inhabited. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting. This painting shows an unspectacular part of nature. Four chestnut trees are shown in strict geometric order and regularity. As opposed to realistic description of botanic details the arrangement of the rest of the picture results into a very scarce description of landscape. As in classic landscape painting the horizontal line of the picture can be found in the centre whereby we are given an illusion of spaciousness. Vertical to the dimension of depth there are a few levels that are parallel to the picture - as in a scenic view. On one of these levels we see the line of trees.Through this, a sharp contrast between area and space is formed.  The depicted landscape becomes a part of the artist´s inner life.

The painting will be delivered unstreched, rolled in protective & presentable case.