• The Starry Night, 1889
  • Portrait Of The Painter Max Oppenheimer, 1910
  • The Veteran in a New Field, 1865
  • Marine bleue, 1893
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Autumn, 1877
  • Evening in New York, 1890
  • Bridge of Europe, 1877
  • Spring, 1879
  • Flying people, 2011 - Vezur
  • Two Tahitian Women, 1899
  • Poppy field, 2011 - Vezur
  • The Druidess, 1893
  • Harlequin, 1890
  • Riga in Blue, 2011 - Vezur
  • River bank, 2011 - Vezur
  • Buddah In His Youth, 1904
  • River Daugava, 2011 - Vezur
  • Agony, 1912
  • Wanderer above the Sea of Fog, 1818
  • Portraits at the Stock Exchange, 1879
  • Cold Morning, 2011 - Vezur
  • Big Red Buste, 1913
  • Independence Day, 2011 - Vezur
  • A Friend in Need, 1903
  • Wheat Field With Reaper And Sun, 1889
  • Midsummer Night, 1876
  • Portrait of a European Lady in Japanese Costume
  • Evening on Volga, 1888
  • Columbus Avenue, Rainy Day, 1885
  • The Kiss, 1908
  • Seacoast at Kurzeme, 2011 - Vezur
  • Moonrise over the Sea, 1822
  • Winter at the seaside, 2011 - Vezur
  • Two Swans, 2011 - Vezur
  • The Large Bathers, 1906
  • Old Town Back In 30's, 2011 - Vezur
  • Self Portrait With Spread Fingers, 1909
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Portrait of Ida Rubenstein, 1910
  • Flowers in a Vase, 1866
  • Adele Bloch Bauer I, 1907
  • Fields of Gold, 2011 - Vezur
  • Breath of the Earth, 2011 - Vezur
  • Woman on a Terrace, 1857
  • The Star, 1878
  • Moonlight, 1874
  • Riga Springtime, 2011 - Vezur
  • Poppy field in Giverny, 1885

Four Trees, 1917

Four Trees, 1917

Egon Schiele

Best known for his depictions of the human form, Egon Schiele was also interested in portraying the beauty and structure of the world he inhabited. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting. This painting shows an unspectacular part of nature. Four chestnut trees are shown in strict geometric order and regularity. As opposed to realistic description of botanic details the arrangement of the rest of the picture results into a very scarce description of landscape. As in classic landscape painting the horizontal line of the picture can be found in the centre whereby we are given an illusion of spaciousness. Vertical to the dimension of depth there are a few levels that are parallel to the picture - as in a scenic view. On one of these levels we see the line of trees.Through this, a sharp contrast between area and space is formed.  The depicted landscape becomes a part of the artist´s inner life.

The painting will be delivered unstreched, rolled in protective & presentable case.