• Riga at sunset, 2011 - Vezur
  • Portrait of a Man, 1923
  • The Last Supper, 1498
  • Judith and the Head of Holofernes, 1901
  • Tram No 10, 2011 - Vezur
  • Woman on a Terrace, 1857
  • Boat in the Moonlight
  • Paris Street - Rainy Weather, 1877
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • Riga in Blue, 2011 - Vezur
  • Head Of A Woman With A Hat, 1907
  • Lying act, 1917
  • Stehend Karyatide, 1913
  • The Midday Nap, 1894
  • Foggy Morning, 2011 - Vezur
  • Study of a Head, 1913
  • The Vision after the Sermon, 1888
  • The Red Vineyard, 1888
  • Columbus Avenue, Rainy Day, 1885
  • Woman with Black Hat, 1909
  • The Woman Friends, 1917
  • Water Lilies, 1906
  • Poppies at Argenteuil, 1873
  • Independence Day, 2011 - Vezur
  • Wheat Field With Reaper And Sun, 1889
  • Self Portrait with Arm Twisting above Head, 1910
  • Old Riga view, 2011 - Vezur
  • Summer Evening, 1886
  • The Kiss, 1908
  • Young Man at His Window, 1875
  • Midsummer Festival, 2011 - Vezur
  • Opera House, 2011 - Vezur
  • Melancholy, 1874
  • Mona Lisa, 1507
  • Taking the Count, 1896
  • Spring, 1879
  • Old Town In The Snow, 2011 - Vezur
  • Idyll in Tahiti, 1901
  • Standing Girl in a Plaid Garment, 1909
  • Negress, 1869
  • Boreas , 1903
  • Tree of Life, 1909
  • Valdemara street, 2011 - Vezur
  • Evocation
  • Madame Pompador, 1915
  • The Haymaker, 1886
  • Harvest Time, 1878
  • Evening in New York, 1890
  • The End of Summer, 2011 -  Vezur
  • Poppy field, 2011 - Vezur

Four Trees, 1917

Four Trees, 1917

Egon Schiele

Best known for his depictions of the human form, Egon Schiele was also interested in portraying the beauty and structure of the world he inhabited. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting. This painting shows an unspectacular part of nature. Four chestnut trees are shown in strict geometric order and regularity. As opposed to realistic description of botanic details the arrangement of the rest of the picture results into a very scarce description of landscape. As in classic landscape painting the horizontal line of the picture can be found in the centre whereby we are given an illusion of spaciousness. Vertical to the dimension of depth there are a few levels that are parallel to the picture - as in a scenic view. On one of these levels we see the line of trees.Through this, a sharp contrast between area and space is formed.  The depicted landscape becomes a part of the artist´s inner life.

The painting will be delivered unstreched, rolled in protective & presentable case.