• Recumbent Nude, 1917
  • Evening in New York, 1890
  • Flower Clouds, 1903
  • Zwei Akte, 1890
  • Riga in Blue, 2011 - Vezur
  • Portrait of a European Lady in Japanese Costume
  • Dancers V, 1877
  • Strolling along the Seashore, 1909
  • Buddah In His Youth, 1904
  • The Druidess, 1893
  • The Football Players, 1908
  • Dancers in Riga Heart, 2011 - Vezur
  • Portrait of Felix Feneon, 1890
  • Water Lilies, 1906
  • Nude Egyptian Girl, 1891
  • Columbus Avenue, Rainy Day, 1885
  • An Angel
  • Sunflowers, 1888
  • Poppies at Argenteuil, 1873
  • Head Of A Woman With A Hat, 1907
  • Boat in the Moonlight
  • Study for The Spanish Dance, 1882
  • Paris Street - Rainy Weather, 1877
  • The Kiss, 1908
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Morning in a Pine Forest, 1889
  • Marine bleue, 1893
  • Moonrise over the Sea, 1822
  • Riga at sunset, 2011 - Vezur
  • A Carnival Evening, 1886
  • Haymaking, 2011 - Vezur
  • Antibes Seen from the Salis Garden, 1888
  • Blue Dancers, 1899
  • Forest, 2011 - Vezur
  • Walk Along The Sea, 2011 - Vezur
  • River Daugava, 2011 - Vezur
  • Foggy Morning, 2011 - Vezur
  • Harlequin, 1890
  • Portraits at the Stock Exchange, 1879
  • Deauville, The Basin, 1892
  • River bank, 2011 - Vezur
  • The Midday Nap, 1894
  • Saint John, 1892
  • Woman with Black Hat, 1909
  • The Boat, 2011 - Vezur
  • Golden autumn, 2011 - Vezur
  • Russian Belle and Landscape, 1904
  • Lovers: Man and Woman I, 1914
  • Two Tahitian Women, 1899
  • Study of a Figure Outdoors (Facing Right), 1886

Four Trees, 1917

Four Trees, 1917

Egon Schiele

Best known for his depictions of the human form, Egon Schiele was also interested in portraying the beauty and structure of the world he inhabited. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting. This painting shows an unspectacular part of nature. Four chestnut trees are shown in strict geometric order and regularity. As opposed to realistic description of botanic details the arrangement of the rest of the picture results into a very scarce description of landscape. As in classic landscape painting the horizontal line of the picture can be found in the centre whereby we are given an illusion of spaciousness. Vertical to the dimension of depth there are a few levels that are parallel to the picture - as in a scenic view. On one of these levels we see the line of trees.Through this, a sharp contrast between area and space is formed.  The depicted landscape becomes a part of the artist´s inner life.

The painting will be delivered unstreched, rolled in protective & presentable case.