• Breath of the Earth, 2011 - Vezur
  • Self Portrait with Arm Twisting above Head, 1910
  • Countryside, 2011 - Vezur
  • Boat in the Moonlight
  • Turaida Castle, 2011 - Vezur
  • The Hope II, 1908
  • Lady with fan, 1918
  • A Friend in Need 2, 1903
  • Buddah In His Youth, 1904
  • Spring, 1879
  • Old Riga, 2011 - Vezur
  • Strolling along the Seashore, 1909
  • Moonrise over the Sea, 1822
  • Girls, 2011 - Vezur
  • Lady of the Flowers, 1895
  • Buckwheat Harvesters at Pont-Aven, 1888
  • The Starry Night, 1889
  • The Buffalo Trail, 1867
  • Poppies at Argenteuil, 1873
  • Portraits at the Stock Exchange, 1879
  • Seated Nude, 1917
  • Midsummer Night, 1876
  • Valdemara street, 2011 - Vezur
  • Russian Belle and Landscape, 1904
  • The Football Players, 1908
  • Marine bleue, 1893
  • Horses, 2011 - Vezur
  • The Druidess, 1893
  • Study of a Head, 1913
  • A Carnival Evening, 1886
  • Autumn Sun I, 1912
  • Dancers V, 1877
  • The Sky, 2011 - Vezur
  • The Vines, 1902
  • Riegert aka Laima Clock, 2011 - Vezur
  • Dance Festival, 2011 - Vezur
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • Agony, 1912
  • Stehend Karyatide, 1913
  • The Vision after the Sermon, 1888
  • Sunflowers, 1888
  • Haymaking, 2011 - Vezur
  • Woman on a Terrace, 1857
  • Four Bathers, 1905
  • The Red Vineyard, 1888
  • Poppy field, 2011 - Vezur
  • A Friend in Need, 1903
  • Gloomy Situation, 1933
  • Old Riga view, 2011 - Vezur
  • Three Sisters at The Three Brothers, 2011 - Vezur

Four Trees, 1917

Four Trees, 1917

Egon Schiele

Best known for his depictions of the human form, Egon Schiele was also interested in portraying the beauty and structure of the world he inhabited. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting. This painting shows an unspectacular part of nature. Four chestnut trees are shown in strict geometric order and regularity. As opposed to realistic description of botanic details the arrangement of the rest of the picture results into a very scarce description of landscape. As in classic landscape painting the horizontal line of the picture can be found in the centre whereby we are given an illusion of spaciousness. Vertical to the dimension of depth there are a few levels that are parallel to the picture - as in a scenic view. On one of these levels we see the line of trees.Through this, a sharp contrast between area and space is formed.  The depicted landscape becomes a part of the artist´s inner life.

The painting will be delivered unstreched, rolled in protective & presentable case.