• The Buffalo Trail, 1867
  • Kelly Pool, 1903
  • Flowers in a Vase, 1866
  • Winter at the seaside, 2011 - Vezur
  • Dandelions, Ventas Rumba, 2011 - Vezur
  • Zwei Akte, 1890
  • Anemones, 1909
  • Wheat Field With Reaper And Sun, 1889
  • Orange Trees, 1878
  • Taking the Count, 1896
  • The Thames below Westminster, 1871
  • Bare Tree behind a Fence, 1912
  • Tram No 10, 2011 - Vezur
  • Deauville, The Basin, 1892
  • Autumn, 1877
  • Dome Square, 2011 - Vezur
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Wanderer above the Sea of Fog, 1818
  • Old Town Back In 30's, 2011 - Vezur
  • Two Little Girls On The Beach, 1895
  • Caricature Self Portrait, 1889
  • Buddah In His Youth, 1904
  • House of Blackheads, 2011 - Vezur
  • A Friend in Need 2, 1903
  • Lane at the Jardin du Luxembourg, 1886
  • Dance Festival, 2011 - Vezur
  • Sun Walk Over The Bridge, 2011 - Vezur
  • Conversion, 1912
  • Old Riga view, 2011 - Vezur
  • Harvest Time, 1878
  • The Kiss, 1908
  • Café Terrace at Night, 1888
  • Riga Springtime, 2011 - Vezur
  • Big Red Buste, 1913
  • The Sky, 2011 - Vezur
  • Almond Branches in Bloom, San Remy, 1890
  • Woman with a Parasol and Small Child on a Sunlit Hillside,1874
  • Woman with Black Hat, 1909
  • Autumn Sun I, 1912
  • Landscape at Saint-Rémy, 1889
  • Walk Along The Sea, 2011 - Vezur
  • Haymaking, 2011 - Vezur
  • The Last Supper, 1498
  • Midsummer Festival, 2011 - Vezur
  • The Boat, 2011 - Vezur
  • Riga at sunset, 2011 - Vezur
  • View Of Venice Fog, 1881
  • Lovers: Man and Woman I, 1914
  • Four Trees, 1917
  • When The Grass Was Greener, 2011 - Vezur

Four Trees, 1917

Four Trees, 1917

Egon Schiele

Best known for his depictions of the human form, Egon Schiele was also interested in portraying the beauty and structure of the world he inhabited. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting. This painting shows an unspectacular part of nature. Four chestnut trees are shown in strict geometric order and regularity. As opposed to realistic description of botanic details the arrangement of the rest of the picture results into a very scarce description of landscape. As in classic landscape painting the horizontal line of the picture can be found in the centre whereby we are given an illusion of spaciousness. Vertical to the dimension of depth there are a few levels that are parallel to the picture - as in a scenic view. On one of these levels we see the line of trees.Through this, a sharp contrast between area and space is formed.  The depicted landscape becomes a part of the artist´s inner life.

The painting will be delivered unstreched, rolled in protective & presentable case.