• The Football Players, 1908
  • Ligo Evening, 2011 - Vezur
  • Madame Pompador, 1915
  • The Large Bathers, 1906
  • The Druidess, 1893
  • Old Town Charm, 2011 - Vezur
  • Morning in a Pine Forest, 1889
  • The Starry Night, 1889
  • Portrait of Ida Rubenstein, 1910
  • Taking the Count, 1896
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • Wheat Field With Reaper And Sun, 1889
  • The End of Summer, 2011 -  Vezur
  • The Star, 1878
  • Forest, 2011 - Vezur
  • The Vision after the Sermon, 1888
  • The Hope II, 1908
  • Orange Trees, 1878
  • Old Riga view, 2011 - Vezur
  • Flowers in a Vase, 1866
  • Bare Tree behind a Fence, 1912
  • Reclining Semi-Nude with Red Hat, 1910
  • Seacoast at Kurzeme, 2011 - Vezur
  • A Friend in Need 2, 1903
  • Head Of A Woman With A Hat, 1907
  • Columbus Avenue, Rainy Day, 1885
  • Idyll in Tahiti, 1901
  • When The Grass Was Greener, 2011 - Vezur
  • Riga at sunset, 2011 - Vezur
  • Boreas , 1903
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • Harvest Time, 1878
  • Dandelions, Ventas Rumba, 2011 - Vezur
  • Anemones, 1909
  • Yellow Circle, 1926
  • River Daugava, 2011 - Vezur
  • Spanish Dancer, 1882
  • The Black Cat, 2011 - Vezur
  • Chimney Sweeper, 2011 - Vezur
  • Midsummer Festival, 2011 - Vezur
  • Adam and Eve, 1526
  • Riga at Night, 2011 - Vezur
  • Harlequin, 1890
  • Cold Morning, 2011 - Vezur
  • Tree of Life, 1909
  • Boat in the Moonlight
  • Anna Pavlova in the Ballet Sylphyde, 1909
  • The Rape of Europa, 1910
  • Man with a Pipe (aka The Man from Nice), 1918
  • Russian Belle and Landscape, 1904

Four Trees, 1917

Four Trees, 1917

Egon Schiele

Best known for his depictions of the human form, Egon Schiele was also interested in portraying the beauty and structure of the world he inhabited. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting. This painting shows an unspectacular part of nature. Four chestnut trees are shown in strict geometric order and regularity. As opposed to realistic description of botanic details the arrangement of the rest of the picture results into a very scarce description of landscape. As in classic landscape painting the horizontal line of the picture can be found in the centre whereby we are given an illusion of spaciousness. Vertical to the dimension of depth there are a few levels that are parallel to the picture - as in a scenic view. On one of these levels we see the line of trees.Through this, a sharp contrast between area and space is formed.  The depicted landscape becomes a part of the artist´s inner life.

The painting will be delivered unstreched, rolled in protective & presentable case.