• Russian Belle and Landscape, 1904
  • The Buffalo Trail, 1867
  • Strolling along the Seashore, 1909
  • Impression, Sunrise, 1872
  • Adele Bloch Bauer I, 1907
  • The Star, 1878
  • The Woman Friends, 1917
  • Recumbent Nude, 1917
  • Girl with a Pearl Earring, 1666
  • Fields of Gold, 2011 - Vezur
  • Old Riga, 2011 - Vezur
  • Old Town Back In 30's, 2011 - Vezur
  • Orange Trees, 1878
  • River Daugava, 2011 - Vezur
  • Big Red Buste, 1913
  • Haymaking, 2011 - Vezur
  • Café Terrace at Night, 1888
  • Sun Walk Over The Bridge, 2011 - Vezur
  • Seated Nude, 1917
  • Jurmala (Sea Pearl), 2011 - Vezur
  • The Hope II, 1908
  • Nude Egyptian Girl, 1891
  • Two Little Girls On The Beach, 1895
  • Mona Lisa, 1507
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • Dance Festival, 2011 - Vezur
  • Embrace aka Lovers II, 1917
  • Garden Study of the Vickers Children, 1884
  • Dome Square, 2011 - Vezur
  • Two Tahitian Women, 1899
  • Judith and the Head of Holofernes, 1901
  • Four Trees, 1917
  • Ophelia, 1905
  • Dead Mother, 1910
  • Harvest Time, 1878
  • Marine bleue, 1893
  • Portrait Of The Painter Max Oppenheimer, 1910
  • Foggy Morning, 2011 - Vezur
  • The Haymaker, 1886
  • Lovers: Man and Woman I, 1914
  • Buddah In His Youth, 1904
  • Caricature Self Portrait, 1889
  • The Sky, 2011 - Vezur
  • Spring, 1879
  • Passion for Dance, 2011 - Vezur
  • Bridge of Europe, 1877
  • Moonlight, 1874
  • Le Pêcheur (The Fisherman), 1909
  • Riga in Blue, 2011 - Vezur
  • Idyll in Tahiti, 1901

Conversion, 1912

Conversion, 1912

Egon Schiele

In 1912, a year this painting was done, Egon Schiele was arrested, some 100 drawings were seized and he was imprisoned for 24 days on the charge of exhibiting pornographic drawings in a place accessible to children. Schiele's response was to play the martyr to art: "I do not feel punished, rather purified. To restrict the artist is a crime, it is murdering life in the bud." As well as drawings of his cell he also painted himself in his incarceration, agony and shock on his face, swaddled in blankets that could be a shroud. The experience of jail, and of the judge publicly burning one of his drawings as he sentenced him, left him badly shaken, perhaps as much by the realisation that he couldn't ignore convention with impunity as by the privations of prison itself.

The painting will be delivered unstreched, rolled in protective & presentable case.