• Two Tahitian Women, 1899
  • Riga at Night, 2011 - Vezur
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Rosina, 1878
  • Taking the Count, 1896
  • The Druidess, 1893
  • Cherubini, 1514
  • Melancholy, 1874
  • Lying act, 1917
  • Head Of A Woman With A Hat, 1907
  • Goldau, 1843
  • Nude Egyptian Girl, 1891
  • Antibes Seen from the Salis Garden, 1888
  • The Sower, 1888
  • Yellow Circle, 1926
  • A Friend in Need 2, 1903
  • The Thames below Westminster, 1871
  • Woman on a Terrace, 1857
  • Haymaking, 2011 - Vezur
  • The Midday Nap, 1894
  • Wheat Field With Reaper And Sun, 1889
  • Lovers: Man and Woman I, 1914
  • Russian Belle and Landscape, 1904
  • Old Town Back In 30's, 2011 - Vezur
  • Passion for Dance, 2011 - Vezur
  • House of Blackheads, 2011 - Vezur
  • Embrace aka Lovers II, 1917
  • The Sleeping Gypsy, 1897
  • The Starry Night, 1889
  • Columbus Avenue, Rainy Day, 1885
  • The Kiss, 1908
  • Reclining Semi-Nude with Red Hat, 1910
  • Self Portrait With Spread Fingers, 1909
  • Adam and Eve, 1526
  • The Second Youth, 2011 - Vezur
  • Le Pêcheur (The Fisherman), 1909
  • River Daugava, 2011 - Vezur
  • Impression, Sunrise, 1872
  • The Black Cat, 2011 - Vezur
  • Conversion, 1912
  • The Boat, 2011 - Vezur
  • Study of a Head, 1913
  • The Magpie, 1869
  • Four Trees, 1917
  • Lady with fan, 1918
  • The Star, 1878
  • Portrait of a European Lady in Japanese Costume
  • Blue cow, 2011 - Vezur
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Jurmala (Sea Pearl), 2011 - Vezur

Conversion, 1912

Conversion, 1912

Egon Schiele

In 1912, a year this painting was done, Egon Schiele was arrested, some 100 drawings were seized and he was imprisoned for 24 days on the charge of exhibiting pornographic drawings in a place accessible to children. Schiele's response was to play the martyr to art: "I do not feel punished, rather purified. To restrict the artist is a crime, it is murdering life in the bud." As well as drawings of his cell he also painted himself in his incarceration, agony and shock on his face, swaddled in blankets that could be a shroud. The experience of jail, and of the judge publicly burning one of his drawings as he sentenced him, left him badly shaken, perhaps as much by the realisation that he couldn't ignore convention with impunity as by the privations of prison itself.

The painting will be delivered unstreched, rolled in protective & presentable case.