• House of Blackheads, 2011 - Vezur
  • Portrait of Josette, 1916
  • Moonlight On The Loire Barbizon landscape
  • Cherubini, 1514
  • Self Portrait with Hands on Chest, 1910
  • Dandelions, Ventas Rumba, 2011 - Vezur
  • Blue Dancers, 1899
  • Ligo Evening, 2011 - Vezur
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • Nabis Landscape, 1890
  • Buddah In His Youth, 1904
  • Bare Tree behind a Fence, 1912
  • Idyll in Tahiti, 1901
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • Evocation
  • Lady with hat and feather boa, 1909
  • Strolling along the Seashore, 1909
  • Lovers: Man and Woman I, 1914
  • Dance Festival, 2011 - Vezur
  • Gloomy Situation, 1933
  • The Green Dancer, 1880
  • Winter, 2011 - Vezur
  • Almond Branches in Bloom, San Remy, 1890
  • Avenue of poplars at sunset, 1884
  • Countryside, 2011 - Vezur
  • The Sower, 1888
  • Impression, Sunrise, 1872
  • Standing Girl in a Plaid Garment, 1909
  • Rosina, 1878
  • Agony, 1912
  • Contrasting Sounds, 1924
  • Madame Camus with a Fan, 1870
  • Foggy Morning, 2011 - Vezur
  • Moonrise over the Sea, 1822
  • Winter at the seaside, 2011 - Vezur
  • Opera House, 2011 - Vezur
  • Judith and the Head of Holofernes, 1901
  • Midsummer Night, 1876
  • The Magpie, 1869
  • Seacoast at Kurzeme, 2011 - Vezur
  • Portrait of a Man, 1923
  • The Sleeping Gypsy, 1897
  • View Of Venice Fog, 1881
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • The Man on the Balcony, 1880
  • Study of a Head, 1913
  • Forest, 2011 - Vezur
  • Wanderer above the Sea of Fog, 1818
  • Lane at the Jardin du Luxembourg, 1886
  • Water Lilies, Green Reflection, Left Part, 1923

Columbus Avenue, Rainy Day, 1885

Columbus Avenue, Rainy Day, 1885

Frederick Childe Hassam

The earliest of Hassam's major Boston street scenes, the site is the intersection of Columbus Avenue and Appleton Street, near Hassam's apartment in the expanded South End. Broad avenues, inspired by the new boulevards of Baron Haussmann's Paris, were in marked contrast to the winding streets of old Boston. Hassam recalled in 1892: "The street was all paved in asphalt, and I used to think it very pretty when it was wet and shining, and caught the reflections of passing people and vehicles. I was always interested in the movements of humanity in the street."

The painting will be delivered unstreched, rolled in protective & presentable case.