• Spanish Dancer, 1882
  • Standing Girl in a Plaid Garment, 1909
  • Cherubini, 1514
  • Recumbent Nude, 1917
  • Spring, 1879
  • Independence Day, 2011 - Vezur
  • The Star, 1878
  • Bare Tree behind a Fence, 1912
  • Wanderer above the Sea of Fog, 1818
  • Goldau, 1843
  • Dead Mother, 1910
  • Countryside, 2011 - Vezur
  • Flying people, 2011 - Vezur
  • Blue cow, 2011 - Vezur
  • Two Little Girls On The Beach, 1895
  • Lovers: Man and Woman I, 1914
  • Harlequin, 1890
  • River bank, 2011 - Vezur
  • Autumn, 1877
  • House of Blackheads, 2011 - Vezur
  • Dancers in Riga Heart, 2011 - Vezur
  • Turaida Castle, 2011 - Vezur
  • La Sybille, 1891
  • Poppies at Argenteuil, 1873
  • Girls, 2011 - Vezur
  • Idyll in Tahiti, 1901
  • A Friend in Need, 1903
  • Golden autumn, 2011 - Vezur
  • Adam and Eve, 1526
  • Midsummer Festival, 2011 - Vezur
  • Ballet Scene, 1879
  • Woman on a Terrace, 1857
  • Haymaking, 2011 - Vezur
  • Self Portrait with Hands on Chest, 1910
  • Wheat Field With Reaper And Sun, 1889
  • The Sower, 1888
  • Seated Nude, 1917
  • Study for The Spanish Dance, 1882
  • Kelly Pool, 1903
  • Portrait of Felix Feneon, 1890
  • Lane at the Jardin du Luxembourg, 1886
  • The Woman Friends, 1917
  • The Green Dancer, 1880
  • Evocation
  • Foggy Morning, 2011 - Vezur
  • The Magpie, 1869
  • Old Riga, 2011 - Vezur
  • The Man on the Balcony, 1880
  • Old Town In The Snow, 2011 - Vezur
  • Le Pêcheur (The Fisherman), 1909

Caricature Self Portrait, 1889

Caricature Self Portrait, 1889

Paul Gauguin

Self portraits constituted a significant element of Paul Gauguin's art, particularly in 1888 and 1889. Gauguin's interest was prompted in part by Vincent van Gogh's 1888 portrait series. This Self–Portrait, painted on a cupboard door from the dining room of an inn in the Breton hamlet Le Pouldu, is one of Gauguin's most important and radical paintings. His haloed head and disembodied right hand, a snake inserted between the fingers, float on amorphous zones of yellow and red. Elements of caricature add an ironic and aggressively ambivalent inflection to this painted assertion of Gauguin's artistic superiority and make him the sardonic hero of his new aesthetic system.

Painting's original located at National Gallery of Art - Washington, US.

The painting will be delivered unstreched, rolled in protective & presentable case.