• Riga in begining of 20th century, 2011 - Vezur
  • The Veteran in a New Field, 1865
  • Madame Pompador, 1915
  • A Carnival Evening, 1886
  • Walk Along The Sea, 2011 - Vezur
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Bare Tree behind a Fence, 1912
  • Seacoast at Kurzeme, 2011 - Vezur
  • The Kiss, 1908
  • Evening on Volga, 1888
  • Reclining Semi-Nude with Red Hat, 1910
  • Spring, 1879
  • Wheat Field With Reaper And Sun, 1889
  • Caricature Self Portrait, 1889
  • Tram No 10, 2011 - Vezur
  • Portrait of a European Lady in Japanese Costume
  • Negress, 1869
  • Sunflowers, 1888
  • Melancholy, 1874
  • Foggy Morning, 2011 - Vezur
  • Music-I, 1895
  • Moonrise over the Sea, 1822
  • The Vision after the Sermon, 1888
  • Morning in a Pine Forest, 1889
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Valdemara street, 2011 - Vezur
  • The Thames below Westminster, 1871
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • Water Lilies, 1906
  • Mother And Child Aka Madonna, 1908
  • Four Trees, 1917
  • Breath of the Earth, 2011 - Vezur
  • Flying people, 2011 - Vezur
  • The Boat, 2011 - Vezur
  • Passion for Dance, 2011 - Vezur
  • Seated Nude, 1917
  • Self Portrait With Spread Fingers, 1909
  • Chimney Sweeper, 2011 - Vezur
  • Two Tahitian Women, 1899
  • La Sybille, 1891
  • Riga at Night, 2011 - Vezur
  • Le Pêcheur (The Fisherman), 1909
  • Agony, 1912
  • The Sower, 1888
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • The Football Players, 1908
  • Pugacheva Taxi, 2011 - Vezur
  • View Of Venice Fog, 1881
  • Harvest Time, 1878
  • Garden Study of the Vickers Children, 1884

Caricature Self Portrait, 1889

Caricature Self Portrait, 1889

Paul Gauguin

Self portraits constituted a significant element of Paul Gauguin's art, particularly in 1888 and 1889. Gauguin's interest was prompted in part by Vincent van Gogh's 1888 portrait series. This Self–Portrait, painted on a cupboard door from the dining room of an inn in the Breton hamlet Le Pouldu, is one of Gauguin's most important and radical paintings. His haloed head and disembodied right hand, a snake inserted between the fingers, float on amorphous zones of yellow and red. Elements of caricature add an ironic and aggressively ambivalent inflection to this painted assertion of Gauguin's artistic superiority and make him the sardonic hero of his new aesthetic system.

Painting's original located at National Gallery of Art - Washington, US.

The painting will be delivered unstreched, rolled in protective & presentable case.