• Cherubini, 1514
  • The Sleeping Gypsy, 1897
  • Midsummer Festival, 2011 - Vezur
  • A Gust of Wind, 1883
  • Man with a Pipe (aka The Man from Nice), 1918
  • Moonlight, 1874
  • Bare Tree behind a Fence, 1912
  • Harvest Time, 1878
  • Autumn, 1877
  • Old Riga view, 2011 - Vezur
  • A Friend in Need, 1903
  • Lady with fan, 1918
  • Independence Day, 2011 - Vezur
  • Dancers V, 1877
  • Buddah In His Youth, 1904
  • Flowers in a Vase, 1866
  • Cold Morning, 2011 - Vezur
  • Water Lilies, 1906
  • Rosina, 1878
  • The Banks of the River at Veneux, 1881
  • The Sower, 1888
  • Russian Belle and Landscape, 1904
  • Nabis Landscape, 1890
  • Portrait of Josette, 1916
  • Poppies at Argenteuil, 1873
  • Dead Mother, 1910
  • The Druidess, 1893
  • Portrait of a Man, 1923
  • Marine bleue, 1893
  • Girls, 2011 - Vezur
  • Orange Trees, 1878
  • Morning in a Pine Forest, 1889
  • Summer Evening, 1886
  • The Vision after the Sermon, 1888
  • Spring, 1879
  • Poppy field in Giverny, 1885
  • Riegert aka Laima Clock, 2011 - Vezur
  • Big Red Buste, 1913
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Almond Branches in Bloom, San Remy, 1890
  • Evocation
  • A Carnival Evening, 1886
  • Music-I, 1895
  • Zwei Akte, 1890
  • Wheat Field With Reaper And Sun, 1889
  • The Buffalo Trail, 1867
  • The Haymaker, 1886
  • Anemones, 1909
  • The Sky, 2011 - Vezur
  • Entrance to harbor, Moonlight, 1881

Caricature Self Portrait, 1889

Caricature Self Portrait, 1889

Paul Gauguin

Self portraits constituted a significant element of Paul Gauguin's art, particularly in 1888 and 1889. Gauguin's interest was prompted in part by Vincent van Gogh's 1888 portrait series. This Self–Portrait, painted on a cupboard door from the dining room of an inn in the Breton hamlet Le Pouldu, is one of Gauguin's most important and radical paintings. His haloed head and disembodied right hand, a snake inserted between the fingers, float on amorphous zones of yellow and red. Elements of caricature add an ironic and aggressively ambivalent inflection to this painted assertion of Gauguin's artistic superiority and make him the sardonic hero of his new aesthetic system.

Painting's original located at National Gallery of Art - Washington, US.

The painting will be delivered unstreched, rolled in protective & presentable case.