• Two Tahitian Women, 1899
  • Dead Mother, 1910
  • Rosina, 1878
  • Spring, 1879
  • Young Man at His Window, 1875
  • Autumn, 1877
  • Melancholy, 1874
  • Paris Street - Rainy Weather, 1877
  • Antibes Seen from the Salis Garden, 1888
  • Embrace aka Lovers II, 1917
  • Old Riga view, 2011 - Vezur
  • Deauville, The Basin, 1892
  • Pugacheva Taxi, 2011 - Vezur
  • The Banks of the River at Veneux, 1881
  • A Carnival Evening, 1886
  • Poppies at Argenteuil, 1873
  • Two Little Girls On The Beach, 1895
  • Old Riga, 2011 - Vezur
  • Portrait of Felix Feneon, 1890
  • Taking the Count, 1896
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Lady with hat and feather boa, 1909
  • Nude Egyptian Girl, 1891
  • Mother And Child Aka Madonna, 1908
  • Boreas , 1903
  • The Starry Night, 1889
  • Four Bathers, 1905
  • Harlequin, 1890
  • Contrasting Sounds, 1924
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • Landscape at Saint-Rémy, 1889
  • Fields of Gold, 2011 - Vezur
  • Dandelions, Ventas Rumba, 2011 - Vezur
  • Zwei Akte, 1890
  • Big Red Buste, 1913
  • The Last Supper, 1498
  • Café Terrace at Night, 1888
  • Four Trees, 1917
  • Portrait of a European Lady in Japanese Costume
  • Riga Springtime, 2011 - Vezur
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • The Thames below Westminster, 1871
  • Buckwheat Harvesters at Pont-Aven, 1888
  • The Fog Warning, 1885
  • View Of Venice Fog, 1881
  • Lovers: Man and Woman I, 1914
  • The Rape of Europa, 1910
  • Adele Bloch Bauer I, 1907
  • Idyll in Tahiti, 1901
  • Valdemara street, 2011 - Vezur

Caricature Self Portrait, 1889

Caricature Self Portrait, 1889

Paul Gauguin

Self portraits constituted a significant element of Paul Gauguin's art, particularly in 1888 and 1889. Gauguin's interest was prompted in part by Vincent van Gogh's 1888 portrait series. This Self–Portrait, painted on a cupboard door from the dining room of an inn in the Breton hamlet Le Pouldu, is one of Gauguin's most important and radical paintings. His haloed head and disembodied right hand, a snake inserted between the fingers, float on amorphous zones of yellow and red. Elements of caricature add an ironic and aggressively ambivalent inflection to this painted assertion of Gauguin's artistic superiority and make him the sardonic hero of his new aesthetic system.

Painting's original located at National Gallery of Art - Washington, US.

The painting will be delivered unstreched, rolled in protective & presentable case.