• Fields of Gold, 2011 - Vezur
  • Wheat Field With Reaper And Sun, 1889
  • Deauville, The Basin, 1892
  • Almond Branches in Bloom, San Remy, 1890
  • Judith and the Head of Holofernes, 1901
  • Countryside, 2011 - Vezur
  • Foggy Morning, 2011 - Vezur
  • The Star, 1878
  • Recumbent Nude, 1917
  • Stehend Karyatide, 1913
  • Moonlight, 1874
  • Two Little Girls On The Beach, 1895
  • Study of a Head, 1913
  • Young Man at His Window, 1875
  • The Thames below Westminster, 1871
  • Haymaking, 2011 - Vezur
  • The Green Dancer, 1880
  • Rosina, 1878
  • Russian Belle and Landscape, 1904
  • The Fog Warning, 1885
  • Woman on a Terrace, 1857
  • Music-I, 1895
  • Tram No 10, 2011 - Vezur
  • Orange Trees, 1878
  • Lovers: Man and Woman I, 1914
  • The Large Bathers, 1906
  • Harlequin, 1890
  • The Woman Friends, 1917
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Woman with Black Hat, 1909
  • Portrait of a European Lady in Japanese Costume
  • Big Red Buste, 1913
  • Portrait of a Man, 1923
  • Self Portrait with Hands on Chest, 1910
  • Morning in a Pine Forest, 1889
  • Agony, 1912
  • Summer Evening, 1886
  • Ophelia, 1905
  • Garden Study of the Vickers Children, 1884
  • Portrait of Ida Rubenstein, 1910
  • Le Pêcheur (The Fisherman), 1909
  • Bridge of Europe, 1877
  • Study of a Figure Outdoors (Facing Right), 1886
  • Horses, 2011 - Vezur
  • Dancers V, 1877
  • Breath of the Earth, 2011 - Vezur
  • Opera House, 2011 - Vezur
  • Portraits at the Stock Exchange, 1879
  • Sun Walk Over The Bridge, 2011 - Vezur
  • Dancers in Blue, 1890

Caricature Self Portrait, 1889

Caricature Self Portrait, 1889

Paul Gauguin

Self portraits constituted a significant element of Paul Gauguin's art, particularly in 1888 and 1889. Gauguin's interest was prompted in part by Vincent van Gogh's 1888 portrait series. This Self–Portrait, painted on a cupboard door from the dining room of an inn in the Breton hamlet Le Pouldu, is one of Gauguin's most important and radical paintings. His haloed head and disembodied right hand, a snake inserted between the fingers, float on amorphous zones of yellow and red. Elements of caricature add an ironic and aggressively ambivalent inflection to this painted assertion of Gauguin's artistic superiority and make him the sardonic hero of his new aesthetic system.

Painting's original located at National Gallery of Art - Washington, US.

The painting will be delivered unstreched, rolled in protective & presentable case.