• The Large Bathers, 1906
  • Dancers, 2011 - Vezur
  • Opera House, 2011 - Vezur
  • Sunflowers, 1888
  • Nabis Landscape, 1890
  • Walk Along The Sea, 2011 - Vezur
  • Haymaking, 2011 - Vezur
  • Blue cow, 2011 - Vezur
  • Dandelions, Ventas Rumba, 2011 - Vezur
  • Zwei Akte, 1890
  • The Bather, 1879
  • Seacoast at Kurzeme, 2011 - Vezur
  • Boreas , 1903
  • Entrance to harbor, Moonlight, 1881
  • Portraits at the Stock Exchange, 1879
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • Poppy field in Giverny, 1885
  • Marine bleue, 1893
  • Harlequin, 1890
  • Winter at the seaside, 2011 - Vezur
  • Embrace aka Lovers II, 1917
  • Girl with a Pearl Earring, 1666
  • Wanderer above the Sea of Fog, 1818
  • The Druidess, 1893
  • Dead Mother, 1910
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Blue Dancers, 1899
  • Four Trees, 1917
  • The Sleeping Gypsy, 1897
  • Riga in begining of 20th century, 2011 - Vezur
  • The Hope II, 1908
  • River Daugava, 2011 - Vezur
  • The Fog Warning, 1885
  • Autumn, 1877
  • Man with a Pipe (aka The Man from Nice), 1918
  • Flower Clouds, 1903
  • Avenue of poplars at sunset, 1884
  • An Angel
  • Horses, 2011 - Vezur
  • Countryside, 2011 - Vezur
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Riga in Blue, 2011 - Vezur
  • The Veteran in a New Field, 1865
  • The Football Players, 1908
  • Lady with fan, 1918
  • The Vines, 1902
  • Stork, 2011 - Vezur
  • Harvest Time, 1878
  • Mother And Child Aka Madonna, 1908
  • San Giorgio Maggiore at Dusk, 1908

Caricature Self Portrait, 1889

Caricature Self Portrait, 1889

Paul Gauguin

Self portraits constituted a significant element of Paul Gauguin's art, particularly in 1888 and 1889. Gauguin's interest was prompted in part by Vincent van Gogh's 1888 portrait series. This Self–Portrait, painted on a cupboard door from the dining room of an inn in the Breton hamlet Le Pouldu, is one of Gauguin's most important and radical paintings. His haloed head and disembodied right hand, a snake inserted between the fingers, float on amorphous zones of yellow and red. Elements of caricature add an ironic and aggressively ambivalent inflection to this painted assertion of Gauguin's artistic superiority and make him the sardonic hero of his new aesthetic system.

Painting's original located at National Gallery of Art - Washington, US.

The painting will be delivered unstreched, rolled in protective & presentable case.