• Zwei Akte, 1890
  • Spring, 1879
  • Madame Camus with a Fan, 1870
  • Flower Clouds, 1903
  • The Green Dancer, 1880
  • Opera House, 2011 - Vezur
  • Taking the Count, 1896
  • Adele Bloch Bauer I, 1907
  • Winter, 2011 - Vezur
  • The Veteran in a New Field, 1865
  • Countryside, 2011 - Vezur
  • Turaida Castle, 2011 - Vezur
  • Winter at the seaside, 2011 - Vezur
  • The Vision after the Sermon, 1888
  • Stork, 2011 - Vezur
  • Sun Walk Over The Bridge, 2011 - Vezur
  • The Buffalo Trail, 1867
  • Ophelia, 1905
  • Autumn, 1877
  • Blue cow, 2011 - Vezur
  • Evening in New York, 1890
  • Landscape at Saint-Rémy, 1889
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • Poppy field, 2011 - Vezur
  • Dancers in Riga Heart, 2011 - Vezur
  • A Friend in Need 2, 1903
  • Autumn Sun I, 1912
  • Wanderer above the Sea of Fog, 1818
  • Two Little Girls On The Beach, 1895
  • Portrait of Felix Feneon, 1890
  • House of Blackheads, 2011 - Vezur
  • Riga at sunset, 2011 - Vezur
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Walk Along The Sea, 2011 - Vezur
  • Girls, 2011 - Vezur
  • Study for The Spanish Dance, 1882
  • Dance Festival, 2011 - Vezur
  • Dome Square, 2011 - Vezur
  • A Friend in Need, 1903
  • Spring, 1879
  • Fields of Gold, 2011 - Vezur
  • Four Trees, 1917
  • The Sleeping Gypsy, 1897
  • Melancholy, 1874
  • Mona Lisa, 1507
  • Adam and Eve, 1526
  • Self Portrait with Arm Twisting above Head, 1910
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • Dead Mother, 1910
  • Strolling along the Seashore, 1909

Caricature Self Portrait, 1889

Caricature Self Portrait, 1889

Paul Gauguin

Self portraits constituted a significant element of Paul Gauguin's art, particularly in 1888 and 1889. Gauguin's interest was prompted in part by Vincent van Gogh's 1888 portrait series. This Self–Portrait, painted on a cupboard door from the dining room of an inn in the Breton hamlet Le Pouldu, is one of Gauguin's most important and radical paintings. His haloed head and disembodied right hand, a snake inserted between the fingers, float on amorphous zones of yellow and red. Elements of caricature add an ironic and aggressively ambivalent inflection to this painted assertion of Gauguin's artistic superiority and make him the sardonic hero of his new aesthetic system.

Painting's original located at National Gallery of Art - Washington, US.

The painting will be delivered unstreched, rolled in protective & presentable case.