• Negress, 1869
  • The Boat, 2011 - Vezur
  • River bank, 2011 - Vezur
  • Dancers V, 1877
  • Autumn, 1877
  • Tram No 10, 2011 - Vezur
  • Embrace aka Lovers II, 1917
  • When The Grass Was Greener, 2011 - Vezur
  • The Large Bathers, 1906
  • Evening in New York, 1890
  • Golden autumn, 2011 - Vezur
  • Columbus Avenue, Rainy Day, 1885
  • Old Town In The Snow, 2011 - Vezur
  • Conversion, 1912
  • The Kiss, 1908
  • Riga at sunset, 2011 - Vezur
  • Sunflowers, 1888
  • Anna Pavlova in the Ballet Sylphyde, 1909
  • Winter, 2011 - Vezur
  • Portrait Of The Painter Max Oppenheimer, 1910
  • House of Blackheads, 2011 - Vezur
  • Spring, 1879
  • Entrance to harbor, Moonlight, 1881
  • The Sleeping Gypsy, 1897
  • Harvest Time, 1878
  • The Veteran in a New Field, 1865
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Portrait of Felix Feneon, 1890
  • Dandelions, Ventas Rumba, 2011 - Vezur
  • Melancholy, 1874
  • Kelly Pool, 1903
  • Deauville, The Basin, 1892
  • Portrait of Josette, 1916
  • The Green Dancer, 1880
  • Walk Along The Sea, 2011 - Vezur
  • Sun Walk Over The Bridge, 2011 - Vezur
  • Dome Square, 2011 - Vezur
  • Ophelia, 1905
  • Young Man at His Window, 1875
  • Cold Morning, 2011 - Vezur
  • Recumbent Nude, 1917
  • Orange Trees, 1878
  • Adam and Eve, 1526
  • Study for The Spanish Dance, 1882
  • Portrait of a European Lady in Japanese Costume
  • Judith and the Head of Holofernes, 1901
  • Vase Of Poppies, 1909
  • Woman with Black Hat, 1909
  • Seacoast at Kurzeme, 2011 - Vezur
  • Four Trees, 1917

Caricature Self Portrait, 1889

Caricature Self Portrait, 1889

Paul Gauguin

Self portraits constituted a significant element of Paul Gauguin's art, particularly in 1888 and 1889. Gauguin's interest was prompted in part by Vincent van Gogh's 1888 portrait series. This Self–Portrait, painted on a cupboard door from the dining room of an inn in the Breton hamlet Le Pouldu, is one of Gauguin's most important and radical paintings. His haloed head and disembodied right hand, a snake inserted between the fingers, float on amorphous zones of yellow and red. Elements of caricature add an ironic and aggressively ambivalent inflection to this painted assertion of Gauguin's artistic superiority and make him the sardonic hero of his new aesthetic system.

Painting's original located at National Gallery of Art - Washington, US.

The painting will be delivered unstreched, rolled in protective & presentable case.