• Forest, 2011 - Vezur
  • Riga Springtime, 2011 - Vezur
  • Nabis Landscape, 1890
  • Café Terrace at Night, 1888
  • Golden autumn, 2011 - Vezur
  • Four Trees, 1917
  • Passion for Dance, 2011 - Vezur
  • Cherubini, 1514
  • Moonlight, 1874
  • Study of a Figure Outdoors (Facing Right), 1886
  • Morning in a Pine Forest, 1889
  • Evocation
  • Stork, 2011 - Vezur
  • Dome Square, 2011 - Vezur
  • Two Tahitian Women, 1899
  • The End of Summer, 2011 -  Vezur
  • Old Riga, 2011 - Vezur
  • The Large Bathers, 1906
  • Portrait of Josette, 1916
  • Self Portrait with Hands on Chest, 1910
  • Goldau, 1843
  • Taking the Count, 1896
  • Winter at the seaside, 2011 - Vezur
  • Idyll in Tahiti, 1901
  • The Rape of Europa, 1910
  • Poppy field in Giverny, 1885
  • Riga in Blue, 2011 - Vezur
  • Old Riga view, 2011 - Vezur
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • River Daugava, 2011 - Vezur
  • Zwei Akte, 1890
  • Garden Study of the Vickers Children, 1884
  • Evening in New York, 1890
  • Negress, 1869
  • The Green Dancer, 1880
  • Two Little Girls On The Beach, 1895
  • Le Pêcheur (The Fisherman), 1909
  • Riga at Night, 2011 - Vezur
  • Flying people, 2011 - Vezur
  • Head Of A Woman With A Hat, 1907
  • Portrait of Felix Feneon, 1890
  • Evening on Volga, 1888
  • Buddah In His Youth, 1904
  • Wheat Field With Reaper And Sun, 1889
  • Blue Dancers, 1899
  • The Starry Night, 1889
  • Agony, 1912
  • Lady with fan, 1918
  • When The Grass Was Greener, 2011 - Vezur
  • Jurmala (Sea Pearl), 2011 - Vezur

Buckwheat Harvesters at Pont-Aven, 1888

Buckwheat Harvesters at Pont-Aven, 1888

Emile Bernard

Year 1888, Emile Bernard set out for Pont-Aven by foot and saw Gauguin. Their friendship and artistic relationship grew strong quickly. By this time Bernard had developed many theories about his artwork and what he wanted it to be. He stated that he had “a desire to find an art that would be of the most extreme simplicity and that would be accessible to all, so as not to practice its individuality, but collectively…” Gauguin was impressed by Bernard’s ability to verbalize his ideas.

Pont-Aven is a commune of the Finistère département, in Brittany, France, some distance inland from where the River Aven meets the Atlantic Ocean. From the 1850s painters began to frequent Pont-Aven, wanting to spend their summers away from the city, on a low budget in a picturesque place not yet spoilt by tourism.

The painting will be delivered unstreched, rolled in protective & presentable case.