• Orange Trees, 1878
  • Girls, 2011 - Vezur
  • Dandelions, Ventas Rumba, 2011 - Vezur
  • Woman on a Terrace, 1857
  • The Football Players, 1908
  • Madame Camus with a Fan, 1870
  • Girl with a Pearl Earring, 1666
  • Pugacheva Taxi, 2011 - Vezur
  • Rosina, 1878
  • Study of a Head, 1913
  • Adam and Eve, 1526
  • Dancers V, 1877
  • Riga in begining of 20th century, 2011 - Vezur
  • Interior, Woman at the Window, 1880
  • Water Lilies, 1906
  • Portrait of Ida Rubenstein, 1910
  • Midsummer Festival, 2011 - Vezur
  • The Fog Warning, 1885
  • Tree of Life, 1909
  • The Sower, 1888
  • Stehend Karyatide, 1913
  • Moonlight On The Loire Barbizon landscape
  • Paris Street - Rainy Weather, 1877
  • Nabis Landscape, 1890
  • Negress, 1869
  • Passion for Dance, 2011 - Vezur
  • Portrait of a European Lady in Japanese Costume
  • Summer Evening, 1886
  • Riegert aka Laima Clock, 2011 - Vezur
  • The Second Youth, 2011 - Vezur
  • Opera House, 2011 - Vezur
  • Wanderer above the Sea of Fog, 1818
  • Wheat Field With Reaper And Sun, 1889
  • Nude Egyptian Girl, 1891
  • The Vision after the Sermon, 1888
  • Riga at sunset, 2011 - Vezur
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • A Friend in Need, 1903
  • Garden Study of the Vickers Children, 1884
  • Dance Festival, 2011 - Vezur
  • Two Swans, 2011 - Vezur
  • Dancers in Riga Heart, 2011 - Vezur
  • The Rape of Europa, 1910
  • Head Of A Woman With A Hat, 1907
  • Goldau, 1843
  • Evening in New York, 1890
  • House of Blackheads, 2011 - Vezur
  • Portraits at the Stock Exchange, 1879
  • Chimney Sweeper, 2011 - Vezur
  • Flowers in a Vase, 1866

Buckwheat Harvesters at Pont-Aven, 1888

Buckwheat Harvesters at Pont-Aven, 1888

Emile Bernard

Year 1888, Emile Bernard set out for Pont-Aven by foot and saw Gauguin. Their friendship and artistic relationship grew strong quickly. By this time Bernard had developed many theories about his artwork and what he wanted it to be. He stated that he had “a desire to find an art that would be of the most extreme simplicity and that would be accessible to all, so as not to practice its individuality, but collectively…” Gauguin was impressed by Bernard’s ability to verbalize his ideas.

Pont-Aven is a commune of the Finistère département, in Brittany, France, some distance inland from where the River Aven meets the Atlantic Ocean. From the 1850s painters began to frequent Pont-Aven, wanting to spend their summers away from the city, on a low budget in a picturesque place not yet spoilt by tourism.

The painting will be delivered unstreched, rolled in protective & presentable case.