• Contrasting Sounds, 1924
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • The End of Summer, 2011 -  Vezur
  • Tram No 10, 2011 - Vezur
  • Head Of A Woman With A Hat, 1907
  • The Green Dancer, 1880
  • Chimney Sweeper, 2011 - Vezur
  • Nude Egyptian Girl, 1891
  • Interior, Woman at the Window, 1880
  • Lady with fan, 1918
  • Garden Study of the Vickers Children, 1884
  • An Angel
  • Old Town In The Snow, 2011 - Vezur
  • The Banks of the River at Veneux, 1881
  • Antibes Seen from the Salis Garden, 1888
  • Paris Street - Rainy Weather, 1877
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Recumbent Nude, 1917
  • The Large Bathers, 1906
  • Boat in the Moonlight
  • Daisy fields, 2011 - Vezur
  • Evening in New York, 1890
  • Spring, 1879
  • Midsummer Festival, 2011 - Vezur
  • The Hope II, 1908
  • Seacoast at Engure, 2011 - Vezur
  • Flowers in a Vase, 1866
  • The Boat, 2011 - Vezur
  • Café Terrace at Night, 1888
  • Seated Nude, 1917
  • Foggy Morning, 2011 - Vezur
  • Goldau, 1843
  • The Last Supper, 1498
  • Standing Girl in a Plaid Garment, 1909
  • Poppy field, 2011 - Vezur
  • Poppies at Argenteuil, 1873
  • Landscape at Saint-Rémy, 1889
  • The Woman Friends, 1917
  • The Man on the Balcony, 1880
  • Russian Belle and Landscape, 1904
  • Portrait of Felix Feneon, 1890
  • The Fog Warning, 1885
  • Riegert aka Laima Clock, 2011 - Vezur
  • Adam and Eve, 1526
  • The Vines, 1902
  • Woman on a Terrace, 1857
  • Four Bathers, 1905
  • Deauville, The Basin, 1892
  • Horses, 2011 - Vezur
  • Cagnes Landscape

Buckwheat Harvesters at Pont-Aven, 1888

Buckwheat Harvesters at Pont-Aven, 1888

Emile Bernard

Year 1888, Emile Bernard set out for Pont-Aven by foot and saw Gauguin. Their friendship and artistic relationship grew strong quickly. By this time Bernard had developed many theories about his artwork and what he wanted it to be. He stated that he had “a desire to find an art that would be of the most extreme simplicity and that would be accessible to all, so as not to practice its individuality, but collectively…” Gauguin was impressed by Bernard’s ability to verbalize his ideas.

Pont-Aven is a commune of the Finistère département, in Brittany, France, some distance inland from where the River Aven meets the Atlantic Ocean. From the 1850s painters began to frequent Pont-Aven, wanting to spend their summers away from the city, on a low budget in a picturesque place not yet spoilt by tourism.

The painting will be delivered unstreched, rolled in protective & presentable case.