• Portrait of a European Lady in Japanese Costume
  • Riegert aka Laima Clock, 2011 - Vezur
  • Independence Day, 2011 - Vezur
  • Conversion, 1912
  • Nabis Landscape, 1890
  • House of Blackheads, 2011 - Vezur
  • The Football Players, 1908
  • Chimney Sweeper, 2011 - Vezur
  • Woman with Black Hat, 1909
  • Cold Morning, 2011 - Vezur
  • Zwei Akte, 1890
  • Columbus Avenue, Rainy Day, 1885
  • Yellow Circle, 1926
  • Portrait of Ida Rubenstein, 1910
  • Sea coast, 2011 - Vezur
  • Self Portrait with Arm Twisting above Head, 1910
  • A Friend in Need, 1903
  • Contrasting Sounds, 1924
  • Adam and Eve, 1526
  • Lady with fan, 1918
  • The Starry Night, 1889
  • Marine bleue, 1893
  • The Sky, 2011 - Vezur
  • Moonrise over the Sea, 1822
  • Harvest Time, 1878
  • Melancholy, 1874
  • The Fog Warning, 1885
  • Flying people, 2011 - Vezur
  • Golden autumn, 2011 - Vezur
  • Bridge of Europe, 1877
  • Two Tahitian Women, 1899
  • Moonlight On The Loire Barbizon landscape
  • The Star, 1878
  • Sun Walk Over The Bridge, 2011 - Vezur
  • Dancers in Riga Heart, 2011 - Vezur
  • Music-I, 1895
  • Strolling along the Seashore, 1909
  • Portrait of Josette, 1916
  • Rosina, 1878
  • Antibes Seen from the Salis Garden, 1888
  • Impression, Sunrise, 1872
  • Autumn Sun I, 1912
  • Study for The Spanish Dance, 1882
  • Poppies, 1886
  • Young Man at His Window, 1875
  • Tree of Life, 1909
  • Self Portrait with Hands on Chest, 1910
  • Dance Festival, 2011 - Vezur
  • Idyll in Tahiti, 1901
  • Old Town In The Snow, 2011 - Vezur

Buckwheat Harvesters at Pont-Aven, 1888

Buckwheat Harvesters at Pont-Aven, 1888

Emile Bernard

Year 1888, Emile Bernard set out for Pont-Aven by foot and saw Gauguin. Their friendship and artistic relationship grew strong quickly. By this time Bernard had developed many theories about his artwork and what he wanted it to be. He stated that he had “a desire to find an art that would be of the most extreme simplicity and that would be accessible to all, so as not to practice its individuality, but collectively…” Gauguin was impressed by Bernard’s ability to verbalize his ideas.

Pont-Aven is a commune of the Finistère département, in Brittany, France, some distance inland from where the River Aven meets the Atlantic Ocean. From the 1850s painters began to frequent Pont-Aven, wanting to spend their summers away from the city, on a low budget in a picturesque place not yet spoilt by tourism.

The painting will be delivered unstreched, rolled in protective & presentable case.