• Zwei Akte, 1890
  • Midsummer Festival, 2011 - Vezur
  • Melancholy, 1874
  • The Bather, 1879
  • Lovers: Man and Woman I, 1914
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • The Second Youth, 2011 - Vezur
  • Moonlight, 1874
  • Riga in begining of 20th century, 2011 - Vezur
  • Café Terrace at Night, 1888
  • Pugacheva Taxi, 2011 - Vezur
  • Lady with fan, 1918
  • Mona Lisa, 1507
  • Evening in New York, 1890
  • Flowers in a Vase, 1866
  • Yellow Circle, 1926
  • Harlequin, 1890
  • An Angel
  • Old Town Charm, 2011 - Vezur
  • View Of Venice Fog, 1881
  • The Sleeping Gypsy, 1897
  • Flower Clouds, 1903
  • The Starry Night, 1889
  • Portraits at the Stock Exchange, 1879
  • Madame Pompador, 1915
  • Self Portrait with Hands on Chest, 1910
  • Idyll in Tahiti, 1901
  • Riga in Blue, 2011 - Vezur
  • Ballet Scene, 1879
  • Winter at the seaside, 2011 - Vezur
  • Winter, 2011 - Vezur
  • Countryside, 2011 - Vezur
  • Passion for Dance, 2011 - Vezur
  • Horses, 2011 - Vezur
  • Two Tahitian Women, 1899
  • Water Lilies, Green Reflection, Left Part, 1923
  • Foggy Morning, 2011 - Vezur
  • Nude Egyptian Girl, 1891
  • Seacoast at Engure, 2011 - Vezur
  • When The Grass Was Greener, 2011 - Vezur
  • Marine bleue, 1893
  • Dead Mother, 1910
  • The Thames below Westminster, 1871
  • Walk Along The Sea, 2011 - Vezur
  • Spring, 1879
  • Breath of the Earth, 2011 - Vezur
  • Contrasting Sounds, 1924
  • Lady of the Flowers, 1895
  • Nabis Landscape, 1890
  • Riga at sunset, 2011 - Vezur

Buckwheat Harvesters at Pont-Aven, 1888

Buckwheat Harvesters at Pont-Aven, 1888

Emile Bernard

Year 1888, Emile Bernard set out for Pont-Aven by foot and saw Gauguin. Their friendship and artistic relationship grew strong quickly. By this time Bernard had developed many theories about his artwork and what he wanted it to be. He stated that he had “a desire to find an art that would be of the most extreme simplicity and that would be accessible to all, so as not to practice its individuality, but collectively…” Gauguin was impressed by Bernard’s ability to verbalize his ideas.

Pont-Aven is a commune of the Finistère département, in Brittany, France, some distance inland from where the River Aven meets the Atlantic Ocean. From the 1850s painters began to frequent Pont-Aven, wanting to spend their summers away from the city, on a low budget in a picturesque place not yet spoilt by tourism.

The painting will be delivered unstreched, rolled in protective & presentable case.