• Tram No 10, 2011 - Vezur
  • Adele Bloch Bauer I, 1907
  • Moonlight On The Loire Barbizon landscape
  • Self Portrait With Spread Fingers, 1909
  • The Midday Nap, 1894
  • An Angel
  • Independence Day, 2011 - Vezur
  • San Giorgio Maggiore at Dusk, 1908
  • Lovers: Man and Woman I, 1914
  • Seacoast at Engure, 2011 - Vezur
  • Ligo Evening, 2011 - Vezur
  • Dome Square, 2011 - Vezur
  • Blue Dancers, 1899
  • A Gust of Wind, 1883
  • Paris Street - Rainy Weather, 1877
  • A Friend in Need, 1903
  • Spanish Dancer, 1882
  • Interior, Woman at the Window, 1880
  • Horses, 2011 - Vezur
  • Turaida Castle, 2011 - Vezur
  • Boat in the Moonlight
  • Evening on Volga, 1888
  • Cagnes Landscape
  • Foggy Morning, 2011 - Vezur
  • Stork, 2011 - Vezur
  • Big Red Buste, 1913
  • Anemones, 1909
  • Poppies, 1886
  • Columbus Avenue, Rainy Day, 1885
  • Portrait of Josette, 1916
  • Orange Trees, 1878
  • Ophelia, 1905
  • Portrait of a European Lady in Japanese Costume
  • Bridge of Europe, 1877
  • Spring, 1879
  • Opera House, 2011 - Vezur
  • Idyll in Tahiti, 1901
  • Sun Walk Over The Bridge, 2011 - Vezur
  • Adam and Eve, 1526
  • Blue cow, 2011 - Vezur
  • Caricature Self Portrait, 1889
  • The Large Bathers, 1906
  • Self Portrait with Hands on Chest, 1910
  • Girl with a Pearl Earring, 1666
  • Riga Springtime, 2011 - Vezur
  • Dancers in Blue, 1890
  • Entrance to harbor, Moonlight, 1881
  • Flower Clouds, 1903
  • The Football Players, 1908
  • Portraits at the Stock Exchange, 1879

Buckwheat Harvesters at Pont-Aven, 1888

Buckwheat Harvesters at Pont-Aven, 1888

Emile Bernard

Year 1888, Emile Bernard set out for Pont-Aven by foot and saw Gauguin. Their friendship and artistic relationship grew strong quickly. By this time Bernard had developed many theories about his artwork and what he wanted it to be. He stated that he had “a desire to find an art that would be of the most extreme simplicity and that would be accessible to all, so as not to practice its individuality, but collectively…” Gauguin was impressed by Bernard’s ability to verbalize his ideas.

Pont-Aven is a commune of the Finistère département, in Brittany, France, some distance inland from where the River Aven meets the Atlantic Ocean. From the 1850s painters began to frequent Pont-Aven, wanting to spend their summers away from the city, on a low budget in a picturesque place not yet spoilt by tourism.

The painting will be delivered unstreched, rolled in protective & presentable case.