• Young Man at His Window, 1875
  • Woman on a Terrace, 1857
  • Dancers in Blue, 1890
  • La Sybille, 1891
  • Gloomy Situation, 1933
  • Recumbent Nude, 1917
  • Wheat Field With Reaper And Sun, 1889
  • Girls, 2011 - Vezur
  • Study of a Head, 1913
  • Blue Dancers, 1899
  • Lovers: Man and Woman I, 1914
  • Orange Trees, 1878
  • The Hope II, 1908
  • Foggy Morning, 2011 - Vezur
  • Anemones, 1909
  • Portraits at the Stock Exchange, 1879
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • The Haymaker, 1886
  • Cold Morning, 2011 - Vezur
  • Lady of the Flowers, 1895
  • Madame Camus with a Fan, 1870
  • Study for The Spanish Dance, 1882
  • Portrait of Felix Feneon, 1890
  • The Woman Friends, 1917
  • Ligo Evening, 2011 - Vezur
  • Dancers V, 1877
  • Countryside, 2011 - Vezur
  • Cherubini, 1514
  • Poppies at Argenteuil, 1873
  • Landscape at Saint-Rémy, 1889
  • Forest, 2011 - Vezur
  • Flower Clouds, 1903
  • The Thames below Westminster, 1871
  • Columbus Avenue, Rainy Day, 1885
  • Two Tahitian Women, 1899
  • Bridge of Europe, 1877
  • Sea coast, 2011 - Vezur
  • Conversion, 1912
  • The Red Vineyard, 1888
  • A Friend in Need 2, 1903
  • Head Of A Woman With A Hat, 1907
  • Avenue of poplars at sunset, 1884
  • Russian Belle and Landscape, 1904
  • Caricature Self Portrait, 1889
  • Taking the Count, 1896
  • Winter at the seaside, 2011 - Vezur
  • A Carnival Evening, 1886
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • The Vines, 1902
  • Evening on Volga, 1888

Buckwheat Harvesters at Pont-Aven, 1888

Buckwheat Harvesters at Pont-Aven, 1888

Emile Bernard

Year 1888, Emile Bernard set out for Pont-Aven by foot and saw Gauguin. Their friendship and artistic relationship grew strong quickly. By this time Bernard had developed many theories about his artwork and what he wanted it to be. He stated that he had “a desire to find an art that would be of the most extreme simplicity and that would be accessible to all, so as not to practice its individuality, but collectively…” Gauguin was impressed by Bernard’s ability to verbalize his ideas.

Pont-Aven is a commune of the Finistère département, in Brittany, France, some distance inland from where the River Aven meets the Atlantic Ocean. From the 1850s painters began to frequent Pont-Aven, wanting to spend their summers away from the city, on a low budget in a picturesque place not yet spoilt by tourism.

The painting will be delivered unstreched, rolled in protective & presentable case.