• Contrasting Sounds, 1924
  • Portraits at the Stock Exchange, 1879
  • Seated Nude, 1917
  • The Black Cat, 2011 - Vezur
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Embrace aka Lovers II, 1917
  • Goldau, 1843
  • Landscape at Saint-Rémy, 1889
  • The End of Summer, 2011 -  Vezur
  • Garden Study of the Vickers Children, 1884
  • Horses, 2011 - Vezur
  • Beatrice, 1897
  • River bank, 2011 - Vezur
  • Ballet Scene, 1879
  • Ligo Evening, 2011 - Vezur
  • Pugacheva Taxi, 2011 - Vezur
  • Dancers, 2011 - Vezur
  • The Banks of the River at Veneux, 1881
  • Woman with Black Hat, 1909
  • Reclining Semi-Nude with Red Hat, 1910
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Old Town In The Snow, 2011 - Vezur
  • An Angel
  • Adele Bloch Bauer I, 1907
  • Opera House, 2011 - Vezur
  • Two Little Girls On The Beach, 1895
  • The Sky, 2011 - Vezur
  • The Druidess, 1893
  • Le Pêcheur (The Fisherman), 1909
  • Vase Of Poppies, 1909
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Taking the Count, 1896
  • Recumbent Nude, 1917
  • A Carnival Evening, 1886
  • The Haymaker, 1886
  • Flowers in a Vase, 1866
  • Poppies at Argenteuil, 1873
  • Two Tahitian Women, 1899
  • Impression, Sunrise, 1872
  • Autumn Sun I, 1912
  • Midsummer Festival, 2011 - Vezur
  • Dancers in Riga Heart, 2011 - Vezur
  • Boreas , 1903
  • Independence Day, 2011 - Vezur
  • The Veteran in a New Field, 1865
  • Lady with fan, 1918
  • Bare Tree behind a Fence, 1912
  • The Vines, 1902
  • Woman on a Terrace, 1857
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900

Buckwheat Harvesters at Pont-Aven, 1888

Buckwheat Harvesters at Pont-Aven, 1888

Emile Bernard

Year 1888, Emile Bernard set out for Pont-Aven by foot and saw Gauguin. Their friendship and artistic relationship grew strong quickly. By this time Bernard had developed many theories about his artwork and what he wanted it to be. He stated that he had “a desire to find an art that would be of the most extreme simplicity and that would be accessible to all, so as not to practice its individuality, but collectively…” Gauguin was impressed by Bernard’s ability to verbalize his ideas.

Pont-Aven is a commune of the Finistère département, in Brittany, France, some distance inland from where the River Aven meets the Atlantic Ocean. From the 1850s painters began to frequent Pont-Aven, wanting to spend their summers away from the city, on a low budget in a picturesque place not yet spoilt by tourism.

The painting will be delivered unstreched, rolled in protective & presentable case.