• Opera House, 2011 - Vezur
  • Riga Springtime, 2011 - Vezur
  • Avenue of poplars at sunset, 1884
  • The Sky, 2011 - Vezur
  • Portrait Of The Painter Max Oppenheimer, 1910
  • The Veteran in a New Field, 1865
  • The Last Supper, 1498
  • Impression, Sunrise, 1872
  • Madame Pompador, 1915
  • Antibes Seen from the Salis Garden, 1888
  • A Gust of Wind, 1883
  • Goldau, 1843
  • Portrait of Ida Rubenstein, 1910
  • Mona Lisa, 1507
  • Rosina, 1878
  • Flying people, 2011 - Vezur
  • Cherubini, 1514
  • Bridge of Europe, 1877
  • Turaida Castle, 2011 - Vezur
  • Anna Pavlova in the Ballet Sylphyde, 1909
  • Pugacheva Taxi, 2011 - Vezur
  • Dome Square, 2011 - Vezur
  • The Red Vineyard, 1888
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Portrait of a European Lady in Japanese Costume
  • Dandelions, Ventas Rumba, 2011 - Vezur
  • View Of Venice Fog, 1881
  • Conversion, 1912
  • Almond Branches in Bloom, San Remy, 1890
  • Columbus Avenue, Rainy Day, 1885
  • Buckwheat Harvesters at Pont-Aven, 1888
  • Moonlight On The Loire Barbizon landscape
  • Midsummer Night, 1876
  • Deauville, The Basin, 1892
  • Riegert aka Laima Clock, 2011 - Vezur
  • Evening on Volga, 1888
  • Reclining Semi-Nude with Red Hat, 1910
  • Spanish Dancer, 1882
  • Autumn Sun I, 1912
  • The End of Summer, 2011 -  Vezur
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • The Man on the Balcony, 1880
  • Self Portrait With Spread Fingers, 1909
  • A Carnival Evening, 1886
  • Two Little Girls On The Beach, 1895
  • La Sybille, 1891
  • Four Trees, 1917
  • Contrasting Sounds, 1924
  • Dancers in Riga Heart, 2011 - Vezur
  • Poppy field, 2011 - Vezur

Autumn, 1877

Autumn, 1877

Winslow Homer

By the mid-1870s a mysterious woman with red hair appears for the first time in Homer's watercolors and oil paintings. Slowly he comes closer to the subject of his desires. From depicting her doing chores on the farm, tending a sick chick and collecting eggs. He continues drawing even closer to his subject. Eventually she becomes the subject alone, backgrounds disappear and props are reduced to a minimum. By 1877 he produces one of his most intimate works, The New Novel, a work that speaks of not artist and model, but lovers. And just as suddenly after his portrait titled Autumn of 1877 she disappears completely. We can't expect any word about this phase from a man who wouldn't even talk about his more public life. All we do know is that after this period the women in his works appear stiff wooden and faceless. By the time he was painting women in Cullercoats, England he was using wooden manikins as models for his female subjects as if just working closely with a female model was too painful for him to contemplate.

The painting will be delivered unstreched, rolled in protective & presentable case.