• Dead Mother, 1910
  • Idyll in Tahiti, 1901
  • Garden Study of the Vickers Children, 1884
  • The Star, 1878
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • The Last Supper, 1498
  • The Sleeping Gypsy, 1897
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • Interior, Woman at the Window, 1880
  • Café Terrace at Night, 1888
  • Wanderer above the Sea of Fog, 1818
  • Dance Festival, 2011 - Vezur
  • Riegert aka Laima Clock, 2011 - Vezur
  • Water Lilies, 1906
  • Golden autumn, 2011 - Vezur
  • Autumn, 1877
  • Seated Nude, 1917
  • Embrace aka Lovers II, 1917
  • The Football Players, 1908
  • Agony, 1912
  • Moonlight On The Loire Barbizon landscape
  • Anemones, 1909
  • Ballet Scene, 1879
  • Dancers in Blue, 1890
  • Self Portrait with Hands on Chest, 1910
  • The Fog Warning, 1885
  • Man with a Pipe (aka The Man from Nice), 1918
  • Antibes Seen from the Salis Garden, 1888
  • Poppies at Argenteuil, 1873
  • The Sky, 2011 - Vezur
  • Portraits at the Stock Exchange, 1879
  • Horses, 2011 - Vezur
  • Paris Street - Rainy Weather, 1877
  • Taking the Count, 1896
  • Midsummer Night, 1876
  • The Rape of Europa, 1910
  • The Large Bathers, 1906
  • Cherubini, 1514
  • Le Pêcheur (The Fisherman), 1909
  • Columbus Avenue, Rainy Day, 1885
  • House of Blackheads, 2011 - Vezur
  • Lane at the Jardin du Luxembourg, 1886
  • Riga at Night, 2011 - Vezur
  • Lying act, 1917
  • Dome Square, 2011 - Vezur
  • Poppy field in Giverny, 1885
  • Blue cow, 2011 - Vezur
  • Winter at the seaside, 2011 - Vezur
  • The Sower, 1888
  • Landscape at Saint-Rémy, 1889

Autumn, 1877

Autumn, 1877

Winslow Homer

By the mid-1870s a mysterious woman with red hair appears for the first time in Homer's watercolors and oil paintings. Slowly he comes closer to the subject of his desires. From depicting her doing chores on the farm, tending a sick chick and collecting eggs. He continues drawing even closer to his subject. Eventually she becomes the subject alone, backgrounds disappear and props are reduced to a minimum. By 1877 he produces one of his most intimate works, The New Novel, a work that speaks of not artist and model, but lovers. And just as suddenly after his portrait titled Autumn of 1877 she disappears completely. We can't expect any word about this phase from a man who wouldn't even talk about his more public life. All we do know is that after this period the women in his works appear stiff wooden and faceless. By the time he was painting women in Cullercoats, England he was using wooden manikins as models for his female subjects as if just working closely with a female model was too painful for him to contemplate.

The painting will be delivered unstreched, rolled in protective & presentable case.