• Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • Avenue of poplars at sunset, 1884
  • Opera House, 2011 - Vezur
  • Flowers in a Vase, 1866
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Buddah In His Youth, 1904
  • Riga Springtime, 2011 - Vezur
  • House of Blackheads, 2011 - Vezur
  • Recumbent Nude, 1917
  • Dome Square, 2011 - Vezur
  • The Druidess, 1893
  • Orange Trees, 1878
  • Girl with a Pearl Earring, 1666
  • Four Bathers, 1905
  • Portrait of a Man, 1923
  • The Second Youth, 2011 - Vezur
  • Dancers in Riga Heart, 2011 - Vezur
  • Old Town Charm, 2011 - Vezur
  • Jurmala (Sea Pearl), 2011 - Vezur
  • A Friend in Need 2, 1903
  • Chimney Sweeper, 2011 - Vezur
  • Walk Along The Sea, 2011 - Vezur
  • Self Portrait with Arm Twisting above Head, 1910
  • Seacoast at Engure, 2011 - Vezur
  • Idyll in Tahiti, 1901
  • Flower Clouds, 1903
  • The Sleeping Gypsy, 1897
  • The Vision after the Sermon, 1888
  • Rosina, 1878
  • Agony, 1912
  • Winter at the seaside, 2011 - Vezur
  • Deauville, The Basin, 1892
  • Golden autumn, 2011 - Vezur
  • Two Tahitian Women, 1899
  • Vase Of Poppies, 1909
  • Turaida Castle, 2011 - Vezur
  • Poppy field in Giverny, 1885
  • The Large Bathers, 1906
  • Tram No 10, 2011 - Vezur
  • Ligo Evening, 2011 - Vezur
  • Contrasting Sounds, 1924
  • Breath of the Earth, 2011 - Vezur
  • Embrace aka Lovers II, 1917
  • Adam and Eve, 1526
  • A Friend in Need, 1903
  • Paris Street - Rainy Weather, 1877
  • A Carnival Evening, 1886
  • Ophelia, 1905
  • Sea coast, 2011 - Vezur

Autumn, 1877

Autumn, 1877

Winslow Homer

By the mid-1870s a mysterious woman with red hair appears for the first time in Homer's watercolors and oil paintings. Slowly he comes closer to the subject of his desires. From depicting her doing chores on the farm, tending a sick chick and collecting eggs. He continues drawing even closer to his subject. Eventually she becomes the subject alone, backgrounds disappear and props are reduced to a minimum. By 1877 he produces one of his most intimate works, The New Novel, a work that speaks of not artist and model, but lovers. And just as suddenly after his portrait titled Autumn of 1877 she disappears completely. We can't expect any word about this phase from a man who wouldn't even talk about his more public life. All we do know is that after this period the women in his works appear stiff wooden and faceless. By the time he was painting women in Cullercoats, England he was using wooden manikins as models for his female subjects as if just working closely with a female model was too painful for him to contemplate.

The painting will be delivered unstreched, rolled in protective & presentable case.