• Agony, 1912
  • Moonrise over the Sea, 1822
  • Bridge of Europe, 1877
  • Study for The Spanish Dance, 1882
  • Cold Morning, 2011 - Vezur
  • Lady of the Flowers, 1895
  • Midsummer Festival, 2011 - Vezur
  • An Angel
  • Flying people, 2011 - Vezur
  • Deauville, The Basin, 1892
  • Vase Of Poppies, 1909
  • The Starry Night, 1889
  • Two Swans, 2011 - Vezur
  • Poppies at Argenteuil, 1873
  • Beatrice, 1897
  • Gloomy Situation, 1933
  • Cherubini, 1514
  • Entrance to harbor, Moonlight, 1881
  • The Buffalo Trail, 1867
  • Riga in Blue, 2011 - Vezur
  • Poppy field in Giverny, 1885
  • The Fog Warning, 1885
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • The Red Vineyard, 1888
  • A Friend in Need 2, 1903
  • Winter at the seaside, 2011 - Vezur
  • Walk Along The Sea, 2011 - Vezur
  • Wanderer above the Sea of Fog, 1818
  • Café Terrace at Night, 1888
  • Winter, 2011 - Vezur
  • Anna Pavlova in the Ballet Sylphyde, 1909
  • The Banks of the River at Veneux, 1881
  • Marine bleue, 1893
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Valdemara street, 2011 - Vezur
  • San Giorgio Maggiore at Dusk, 1908
  • Riga at sunset, 2011 - Vezur
  • Evening in New York, 1890
  • Adele Bloch Bauer I, 1907
  • House of Blackheads, 2011 - Vezur
  • Nude Egyptian Girl, 1891
  • Woman with a Parasol and Small Child on a Sunlit Hillside,1874
  • Columbus Avenue, Rainy Day, 1885
  • Idyll in Tahiti, 1901
  • Stehend Karyatide, 1913
  • The Kiss, 1908
  • Autumn, 1877
  • Boat in the Moonlight
  • Portrait of Josette, 1916
  • Ophelia, 1905

Autumn, 1877

Autumn, 1877

Winslow Homer

By the mid-1870s a mysterious woman with red hair appears for the first time in Homer's watercolors and oil paintings. Slowly he comes closer to the subject of his desires. From depicting her doing chores on the farm, tending a sick chick and collecting eggs. He continues drawing even closer to his subject. Eventually she becomes the subject alone, backgrounds disappear and props are reduced to a minimum. By 1877 he produces one of his most intimate works, The New Novel, a work that speaks of not artist and model, but lovers. And just as suddenly after his portrait titled Autumn of 1877 she disappears completely. We can't expect any word about this phase from a man who wouldn't even talk about his more public life. All we do know is that after this period the women in his works appear stiff wooden and faceless. By the time he was painting women in Cullercoats, England he was using wooden manikins as models for his female subjects as if just working closely with a female model was too painful for him to contemplate.

The painting will be delivered unstreched, rolled in protective & presentable case.