• The Banks of the River at Veneux, 1881
  • Two Tahitian Women, 1899
  • Evening in New York, 1890
  • Ligo Evening, 2011 - Vezur
  • Riegert aka Laima Clock, 2011 - Vezur
  • Breath of the Earth, 2011 - Vezur
  • The Druidess, 1893
  • Buddah In His Youth, 1904
  • House of Blackheads, 2011 - Vezur
  • Riga in Blue, 2011 - Vezur
  • Old Town Charm, 2011 - Vezur
  • Nude Egyptian Girl, 1891
  • An Angel
  • Almond Branches in Bloom, San Remy, 1890
  • Spanish Dancer, 1882
  • Big Red Buste, 1913
  • The End of Summer, 2011 -  Vezur
  • The Buffalo Trail, 1867
  • Harvest Time, 1878
  • Dancers V, 1877
  • Stehend Karyatide, 1913
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • Turaida Castle, 2011 - Vezur
  • Cold Morning, 2011 - Vezur
  • A Carnival Evening, 1886
  • Negress, 1869
  • Woman on a Terrace, 1857
  • Seacoast at Kurzeme, 2011 - Vezur
  • Boreas , 1903
  • Mona Lisa, 1507
  • Water Lilies, 1906
  • Zwei Akte, 1890
  • Evening on Volga, 1888
  • Bare Tree behind a Fence, 1912
  • Young Man at His Window, 1875
  • Portrait of a European Lady in Japanese Costume
  • Portrait of Felix Feneon, 1890
  • Dance Festival, 2011 - Vezur
  • Dancers, 2011 - Vezur
  • Deauville, The Basin, 1892
  • Two Little Girls On The Beach, 1895
  • Sunflowers, 1888
  • Russian Belle and Landscape, 1904
  • Flowers in a Vase, 1866
  • Old Town Back In 30's, 2011 - Vezur
  • The Midday Nap, 1894
  • Midsummer Night, 1876
  • Flower Clouds, 1903
  • Blue Dancers, 1899
  • The Magpie, 1869

Autumn, 1877

Autumn, 1877

Winslow Homer

By the mid-1870s a mysterious woman with red hair appears for the first time in Homer's watercolors and oil paintings. Slowly he comes closer to the subject of his desires. From depicting her doing chores on the farm, tending a sick chick and collecting eggs. He continues drawing even closer to his subject. Eventually she becomes the subject alone, backgrounds disappear and props are reduced to a minimum. By 1877 he produces one of his most intimate works, The New Novel, a work that speaks of not artist and model, but lovers. And just as suddenly after his portrait titled Autumn of 1877 she disappears completely. We can't expect any word about this phase from a man who wouldn't even talk about his more public life. All we do know is that after this period the women in his works appear stiff wooden and faceless. By the time he was painting women in Cullercoats, England he was using wooden manikins as models for his female subjects as if just working closely with a female model was too painful for him to contemplate.

The painting will be delivered unstreched, rolled in protective & presentable case.