• Nabis Landscape, 1890
  • Paris Street - Rainy Weather, 1877
  • Recumbent Nude, 1917
  • Evening on Volga, 1888
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • Contrasting Sounds, 1924
  • The Large Bathers, 1906
  • Café Terrace at Night, 1888
  • Ballet Scene, 1879
  • Garden Study of the Vickers Children, 1884
  • The Midday Nap, 1894
  • Columbus Avenue, Rainy Day, 1885
  • Lady with fan, 1918
  • Standing Girl in a Plaid Garment, 1909
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Two Swans, 2011 - Vezur
  • The Woman Friends, 1917
  • Winter, 2011 - Vezur
  • Old Riga view, 2011 - Vezur
  • Riegert aka Laima Clock, 2011 - Vezur
  • Self Portrait With Spread Fingers, 1909
  • Man with a Pipe (aka The Man from Nice), 1918
  • Portrait of Felix Feneon, 1890
  • Two Tahitian Women, 1899
  • Poppies, 1886
  • A Gust of Wind, 1883
  • The Buffalo Trail, 1867
  • A Friend in Need 2, 1903
  • House of Blackheads, 2011 - Vezur
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • A Friend in Need, 1903
  • Midsummer Night, 1876
  • Poppies at Argenteuil, 1873
  • Breath of the Earth, 2011 - Vezur
  • Opera House, 2011 - Vezur
  • Portrait of a European Lady in Japanese Costume
  • Summer Evening, 1886
  • Tree of Life, 1909
  • Foggy Morning, 2011 - Vezur
  • The Star, 1878
  • The Boat, 2011 - Vezur
  • An Angel
  • Lady with hat and feather boa, 1909
  • Riga in Blue, 2011 - Vezur
  • The Fog Warning, 1885
  • The Hope II, 1908
  • Conversion, 1912
  • Passion for Dance, 2011 - Vezur
  • La Sybille, 1891
  • Caricature Self Portrait, 1889

Autumn, 1877

Autumn, 1877

Winslow Homer

By the mid-1870s a mysterious woman with red hair appears for the first time in Homer's watercolors and oil paintings. Slowly he comes closer to the subject of his desires. From depicting her doing chores on the farm, tending a sick chick and collecting eggs. He continues drawing even closer to his subject. Eventually she becomes the subject alone, backgrounds disappear and props are reduced to a minimum. By 1877 he produces one of his most intimate works, The New Novel, a work that speaks of not artist and model, but lovers. And just as suddenly after his portrait titled Autumn of 1877 she disappears completely. We can't expect any word about this phase from a man who wouldn't even talk about his more public life. All we do know is that after this period the women in his works appear stiff wooden and faceless. By the time he was painting women in Cullercoats, England he was using wooden manikins as models for his female subjects as if just working closely with a female model was too painful for him to contemplate.

The painting will be delivered unstreched, rolled in protective & presentable case.