• Dandelions, Ventas Rumba, 2011 - Vezur
  • Sun Walk Over The Bridge, 2011 - Vezur
  • Ophelia, 1905
  • Boat in the Moonlight
  • The Sower, 1888
  • The Magpie, 1869
  • Spanish Dancer, 1882
  • Stork, 2011 - Vezur
  • The Vines, 1902
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Foggy Morning, 2011 - Vezur
  • Taking the Count, 1896
  • Riga Springtime, 2011 - Vezur
  • Evening on Volga, 1888
  • Spring, 1879
  • Young Man at His Window, 1875
  • Big Red Buste, 1913
  • Avenue of poplars at sunset, 1884
  • The Thames below Westminster, 1871
  • The Haymaker, 1886
  • The Bather, 1879
  • Agony, 1912
  • Old Riga, 2011 - Vezur
  • Yellow Circle, 1926
  • Fields of Gold, 2011 - Vezur
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • Four Bathers, 1905
  • Ballet Scene, 1879
  • The Boat, 2011 - Vezur
  • Mother And Child Aka Madonna, 1908
  • Morning in a Pine Forest, 1889
  • The Vision after the Sermon, 1888
  • Riga in Blue, 2011 - Vezur
  • Antibes Seen from the Salis Garden, 1888
  • Haymaking, 2011 - Vezur
  • Russian Belle and Landscape, 1904
  • The Banks of the River at Veneux, 1881
  • Flowers in a Vase, 1866
  • The Man on the Balcony, 1880
  • Poppies at Argenteuil, 1873
  • The Veteran in a New Field, 1865
  • The Woman Friends, 1917
  • Winter at the seaside, 2011 - Vezur
  • The Second Youth, 2011 - Vezur
  • Riga at sunset, 2011 - Vezur
  • Rosina, 1878
  • Dancers in Blue, 1890
  • Wanderer above the Sea of Fog, 1818
  • Adele Bloch Bauer I, 1907

Paul Ranson

Paul Ranson (1864 - 1909)

Paul Ranson (1864 - 1909)

Paul Ranson (1864-1909) was a French painter and writer. He was born in Limoges and studied at the Ecole des Arts Décoratifs there before moving to Paris and transferring to the Académie Julian in 1886. There he met Paul Sérusier in 1888. Subsequently from 1890 he became a member and a creative leader of the Nabis group. They gathered at his studio in the Boulevarde du Montparnasse each Saturday. Ranson tended to favour exotic, symbolic or quasi-religious motifs rather than subjects observed... Read more